In France of the early 20th-century, the term 'art negre' was as likely to refer to the black music and dance of America as to the sculpture of Africa. Indeed, music and dance, which both racial theorists and novelists portrayed as the 'primitive' arts par excellence, were widely believed to exemplify the 'genius' of blacks. In this work, Jody Blake traces the profound impact African sculpture and African American music and dance had upon Parisian popular entertainment as well as upon avant-garde, modernist art, literature, and theatre. Through her discussion of the reception of ragtime and jazz, as well as other African visual and performing art forms, Blake provides new ways of understanding the development of modernist 'primitivism,' from Matisse and Picasso to Dada and Surrealism. She also demonstrates that the influence of 'art negre' went well beyond the art world. From the notorious cakewalk to the Charleston, African American idioms played a key role in shaping modern cultural, social and political life.
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Book Description
Editorial Reviews
Review
Blake's groundbreaking synthesis . . . is well-documented, vividly written, and beautifully illustrated. It greatly helps deepen our understanding of the complexities and apparent contradictions of modernism and its relations to African and African American cultures in colonialist Europe. --Michel Fabre, Université de la Sorbonne Nouvelle
Blake's work is a must-read for those who, though not exclusively art historians, are nonetheless particularly interested in the influence of African American jazz artists and their lasting impact on French cultural art forms. --Charlene Regester, University of North Carolina, Chapel Hill
One would be hard put to find a more succinct summary of the aesthetic importance of black art, song, and dance to the modern world. --Black Issues Book Review
Blake's work is a must-read for those who, though not exclusively art historians, are nonetheless particularly interested in the influence of African American jazz artists and their lasting impact on French cultural art forms. --Charlene Regester, University of North Carolina, Chapel Hill
One would be hard put to find a more succinct summary of the aesthetic importance of black art, song, and dance to the modern world. --Black Issues Book Review
About the Author
Jody Blake is Associate Professor of Art History, Bucknell University. She is co-author with Jeannette Lasansky of Rural Delivery: Real Photo Postcards from Central Pennsylvania, 1905-1935 (Penn State, 1996).
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