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Turn Out the Stars
 
 

Turn Out the Stars [Live]

Bill EvansAudio CD
4.7 out of 5 stars  See all reviews (3 customer reviews)


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US born jazz pianist Bill Evans' impressionist style became the blueprint for jazz musicians to follow, and his work has been cited as an influence on Herbie Hancock, Pat Metheny, Chick Corea and many more. His classic "Peace Piece" is suggestive of new age pianists such as George Winston.

Evans was taught classical piano by his mother, also picking up the violin and flute. He went on to study… Read more in Amazon's Bill Evans Store

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Product Details

  • Audio CD (July 23, 1996)
  • Original Release Date: 1980
  • Number of Discs: 1
  • Format: Live
  • Label: Dreyfus
  • ASIN: B000001ZSX
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #431,668 in Music (See Top 100 in Music)

 
1. I Do It for Your Love
2. Turn Out the Stars
3. My Romance
4. Laurie
5. Two Lonely People
6. Peau Douce
7. But Beautiful

 

Customer Reviews

3 Reviews
5 star:
 (2)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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7 of 7 people found the following review helpful:
5.0 out of 5 stars Glorious, Indispensable--But Look Beneath the Title!, October 15, 2001
By 
This review is from: Turn Out the Stars (Audio CD)
During the last year of his life Bill Evans performed in a "zone" that must represent some sort of unrivaled triumph of the human spirit in the history of Western art. With each succeeding recorded documentation of his final months, weeks, and days, Evans plays more and more like a man possessed. The impressionistic style reminiscent of an early Debussy or Mallarme has been replaced by the soaring, rapturous lyricism of late Ravel or Yeats.

There are no fewer than 3 recordings of Bill Evans music bearing the title "Turn Out the Stars," all 3 recorded, moreover, during the final 3 months of his life. Two of the albums (which I have yet to listen to) refer to his last session at the Village Vanguard in Manhattan. This "Turn Out the Stars" was recorded later, on August 2, 1980 (Evans died Sept. 15) in London. It is at once extraordinary, breathtaking, and just a bit overwhelming. In one sense, it inspires fear. Can a level of creativity this intense and inaccessible to the rest of us (I'm a pianist) be attained without paying some terrible price? In James Baldwin's "Sonny's Blues," the main character hears a gospel singer's joyous song and can only express bitterness and anger at the knowledge of the suffering required to produce such rapturous music. Listening to Evans' late music requires some resistance on the part of the listener, in some respects like hearing Coltrane's last recordings but with a heightened sense of "danger" due to the music's irresistible seductive pull.

Evans is pushing the envelope all the way on this particular session. On the title tune, for example, he manages to create breathless, endless streams of rising and spiraling notes that practically require him to locate keys not on any piano. This version of "My Romance," with Bill playing rubato, medium tempo, and double-time first "against" and then "with" the rhythm section, may be the best of all the versions on record. Whereas previously the pianist had used the piece partly as a showcase for LaBarbara's drums and Johnson's bass, on this occasion it's Evans message that matters most. Yet on both of the aforementioned tunes the pianist also exhibits masterly control of dynamics, providing contrasting passages of delicate, subtly shaded beauty.

It should be observed that technically this is far from a perfect record: the piano is slightly out of tune, the audio mix of the trio is never quite right, LaBarbara's percussion is poorly miked. The "Paris Concert," also recorded during Evans' last year, is overall a better album, capturing the interplay of the trio more effectively along with displaying Evans' impassioned lyricism on a superior-sounding instrument. But once you get caught up in the spellbinding singing of Evans on these final recordings, any considerations apart from the emanations of the artist's creative imagination are completely cast aside.

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5 of 5 people found the following review helpful:
5.0 out of 5 stars Essential Late Evans, February 23, 2001
This review is from: Turn Out the Stars (Audio CD)
This CD (along with the "Letter to Evan" CD on the same label) is an essential live recording of the Bill Evans Trio at Ronnie Scott's in London during Bill's final days (released with permission of Mr. Evans' estate). These performances reveal Bill reaching a remarkable pinnacle in technique and harmonic and rhythmic inventiveness, also heard on the more high-profile CD Box Sets "The Last Waltz" (Fantasy) and "Turn out the Stars: The Final Village Vanguard Recordings" (WB). These Ronnie Scott recordings are every bit as exciting, sometimes even more freewheeling and electric in character. The sound quality is very good for a live club recording, and renditions of "I Do It For Your Love", "My Romance", "Peau Douce", and "But Beautiful" are definitive examples of the Evans/Johnson/LaBarbera trio at its finest.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Better recording than "Letter to Evan" - but still not very good, December 6, 2005
This review is from: Turn Out the Stars (Audio CD)
This live recording at Ronnie Scott's in London was made 12 days after "Letter to Evan" in 1980, yet the piano still has a few keys out of tune - at least high G-sharp (heard clearly on track 4 1:45), high G (heard clearly on track 6 5:22)and high C (heard clearly on track 7 :32). You would think someone would have noticed. It is very grating on tracks 5 and 7.
At least the drums seem to be less distorted when he plays with sticks. The performance is very good.
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