Customer Reviews

Turn of the Screw

5 star:		(4)
4 star:		(0)
3 star:		(0)
2 star:		(1)
1 star:		(0)

 

 

I disagree with the previous review. This is a great album. This was the first Dirty Looks I bought and liked them so much I have all of there albums now. If a band can make someone love them with one album, it must have something great about it. I find this one very much like "Cool from the Wire" with a little more AC/DC influences, so if you like AC/DC you won't be disappointed. It has good production so I don't know why he couldn't understand the singer, deaf maybe, lol. I also never saw it in any bargain bin. Buy it if you can !!!

Don't believe Cool From the Wire is better than this one. The production on this album is so much crisper and cleaner than on Cool From the Wire (henceforth refered to as CFTW) and the songs are much stronger!! The band rocks much harder here than on CFTW, the guitar solos in particular ripping on this release compared to the previous. Dirty Looks kinda got slagged for their AC/DC aspirations, and yeah the singer sounds like a cross between Bon Scott and Marc Storace (of Krokus), but the band had something original in it's songwriting and instrumentation. Turn of the Screw is a predictable song (the blatent attempt at airplay, of course) but after that the songs start rocking furiously!! Nobody Rides For Free, C'mon Frenchie (with it's nod to Frank Zappa in the lyrics) Take What You Get and Hot Flash Jelly Roll are great songs to listen to flying down the highway at 100 miles an hour on a beautiful sunny day. If you are a fan of great guitar solos none of these will disappoint and the riffs are phoenominal!!! The rest of the songs don't disappoint either, but it's hard to beat those first few. At the time this was released few hair bands dared to rock this hard. They obviously rocked too hard for Atlantic records, who dropped them after this album. If you like this check out their further releases like One Bad Leg, and the 2 Rumbledog releases (basically Dirty Looks plus a few guest stars from bands like Ratt).

If you've read my review for COOL FROM THE WIRE, you'll know that I consider this album even better than that, their debut album, which was itself quite great. But this one really catches the band at their peak. And like the first album, no over-processing or cheesy synths are to be heard cluttering up the album.

It appears that Atlantic decided to spend some money for an album cover this time around, although it still is a bit bizarre. Back when it was released on LP, you could turn the LP over and it had the words "WHO'S SCREWING YOU" across the top of it. But getting people to just pick it up was the challenge and apparently, not many did. But if only they did...

They'd have been treated to some of the most pure and straight-forward hard rock of the day, which was becoming more and more rare in the era of "image is everything." The attitude continues to exude right where it left off on "WIRE" in the opening song which has anthemic gang vocals stating/asking "Turn of the screw / Tell me who is screwing you?" Each consecutive song continues the tradition of getting the most out of three or four chords by combining it with catchy yet sometimes unintelligible or non-sensical lyrics. HOT FLASH JELLY ROLL is a perfect example of this where you want to sing along even though you've no idea what it means, much like the wordplay in some of the debut album's songs. The song C'MON FRENCHIE has an almost punk feel to it, although would never be mistaken for taking itself too seriously. This band is all about good times. After the not-so-stellar ALWAYS A LOSER (the only real blemish on this gem of an album), the AC/DC influence returns with a vengeance in the song L.A. ANNA. This was the first song of the second side of the LP, which was a good choice in the days of vinyl - a great way to open the second half of the album. I would practically guarantee if you played this to a Bon Scott-era AC/DC fan, he'd think it WAS AC/DC, except for the too-melodic-for-AC/DC vocal style of the chorus. I don't say this as a bad thing. It's taking a great idea and milking it for all it's worth and they have it down to a science.

The remaining four songs continue to deliver with SLAMMIN' TO THE BIG BEAT providing a jolly sounding vocal melody (He's going uptown, downtown, looking for the right town) with get up and move music. LOVE SCREAMS, like NOBODY RIDES FOR FREE and TAKE WHAT YOU GET, is just straight-ahead rock'n'roll with once again a catchy anthemic chorus. The one ballad on this album, GO AWAY isn't some sappy contrived love song. It's a simple, bluesy, in-the-dumps ditty which asks "why don't you go away? will you ever leave?" instead of pleading to stay, a nice switch from the insipid HEAVEN ISN'T TOO FAR AWAY being played by Warrant around this same time.

Closing out the album with the final shot of attitude is HAVE SOME BALLS which, yes, does again indeed summon the spirit of Bon Scott.

While readers of this review may wonder why I'm heaping such praise upon a band that seems to be a clone of AC/DC (I'd prefer to say they are just the next logical progression of that band), my reasoning is that they were doing, for the most part, what no other band was at the time. They did just as Frank Zappa had stated - "Shut up and play yer guitar." No BS that they couldn't reproduce live (I saw them twice in Allentown, PA on this album's tour), nothing too complicated so that non-musicians couldn't appreciate what they were doing yet that other musicians could respect, and writing incredibly catchy songs that the listener would want to hear again and again. In fact, everytime I listen to this album, I wonder why Atlantic Records, who at the time was making practically no money on any recent AC/DC albums excluding WHO MADE WHO, provided zero support for such an incredibly accessible and potentially hit-filled album. Oh what could have been...

In case I haven't been clear, don't miss this album!

This is Dirty Looks follow up album to Cool From The Wire and was more successfull on the charts than its predecessor. Let me first try to set some things straight about Dirty Looks. Henrik Ostergaard was a lyrical master, noone before nor sense has written songs the way Henrik did and put them together in music making his point and often being humourous in doing it. Not only that but he also played a scorching guitar.

True Henriks vocals were very similar to Bonn Scott and the band itself could sound alot like ACDC when they wanted, but that wasnt what they were about. Dirty Looks was about doing their own thing, and that was simply playing rock n roll. They didnt care about looking or sounding pretty. I concede that Henrik can be hard to understand at times just because he often sung so fast, but that again was part of his art. Once you start listening to DL you get use to it and easily pick up his words and once you do thats when you really begin to appreciate Henrik for what he did.

Dirty Looks is one of my favorite bands from the 80s and I continued to be a fan right on up to his last album in 2011. The reason is that they were unlike anyone else of the period. They certainly werent glam nor big hair, just simply a band that wanted to rock and rock they did. And they never sold out !!

Back to Turn Of The Screw, theres a reason why this album is hard to get a hold off. Anyone who has it isnt about to part ways with it unless they are going to get big bucks for it. You wont find it in a cheap bin and you wont find it in most used record/ cd retro stores. Its one of those that will take you awhile to obtain for your collection depending upon what you are willing to pay out for it. I finally got my original copy thru connections and it was like finding the holy grail to me, and is one of my most prized cds if not number 1.

There are alot of Dirty Looks fans out there who also love this band just for the same reasons above. Turn of The Screw is a classic and a collectors gem. I have all of the original Dirty Looks cds in my collection and being a big music lover and collector I can say that its the complete collection that I cherish the most and believe me, they get their share of play.

Personally Im glad that Dirty Looks came back from Cool From The Wire with Screw which was more close to their debut album. Cool was more in the vein of what a hundred other bands were giving us at the time and if it had been more successfull may have been the beginning of the end for them because it does come very close to selling out. Its saving grace was the rocker Oh Ruby which was pure Dirty Looks and the biggest hit on it, and if youve ever heard it live you know why.

Turn of The Screw is a killer album by a killer band. And in your hunt for it just remember " who is screwing You ?"

UPDATE DEC 28TH 2011 MY BUD AT THE MUSIC STORE HANDS ME A LP COPY OF TURN OF THE SCREW STILL IN THE PLASTIC NEVER OPENED MY COST
$12.00 LUCKY ME ok im eating my own words

On Turn of the Screw, Dirty Looks changed from writing songs with hooks to just writing songs. This album doesn't compare to their debut COOL FROM THE WIRE, and that happens to a lot of bands. Too bad because I had high hopes for this album after COOL came out but that was not the case here. This album has some moments, like the title track, it's a great song, as well as "Take What Ya Get". The rest of the tracks are just plain boring, you can't really understand what the hell vocalist Henrik Ostergaard is saying half the time, and his voice seems to have slipped on this album, maybe bad production. They tried too hard to recreate COOL, should have just gone heavier I think. In my opinion, your best bet is to stick with COOL FROM THE WIRE, now that's 80s metal. If you want, get this album for the title track as well as "Take What Ya Get" and also there a few other o.k. tracks like "Nobody Rides For Free", "Have Some Balls" and "Always a Loser" but they really don't save this album from staying in the store "%-off" bin.