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The Turning (Blood Ties, Book 1) [Mass Market Paperback]

Jennifer Armintrout (Author)
3.8 out of 5 stars  See all reviews (97 customer reviews)


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Book Description

June 1, 2006
I'm no coward. I want to make that perfectly clear. But after my life turned into a horror movie, I take fear a lot more seriously now. I finally became Dr. Carrie Ames just eight months ago. Then I was attacked in the hospital morgue by a vampire. Just my luck.

So now I'm a vampire, and it turns out I have a blood tie to the monster who sired me. The tie works like an invisible leash and I'm bound to him no matter what I do. And of course he's one of the most evil vampires on earth. With my sire hell-bent on turning me into a soulless killer and his sworn enemy set to exterminate me, things couldn't get much worse -- except I'm attracted to them both.

Drinking blood, living as an immortal demon and being a pawn between two warring vampire factions isn't exactly how I'd imagined my future. But as my father used to say, the only way to conquer fear is to face it. So that's what I'll do. Fangs bared.


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Editorial Reviews

From Publishers Weekly

Armintrout's bold debut, the first book in a violent vampire series, bares its fangs early, unafraid to spill blood and vital organs from its very first pages. ER resident Dr. Carrie Ames tells the story of how, after being attacked and left for dead, she eventually realizes she's been "turned." Fellow vampire Nathan Grant saves Carrie from her sire's jealous lover, only to give Carrie a life-or-death ultimatum: either pledge allegiance to the Movement, a group of humanitarian vampires dedicated to the eradication of their own race, or perish for their cause. Feisty, independent Carrie would like to make up her own mind, but an invisible "blood tie" to Cyrus Kerrick, her evil sire, leaves her in his thrall—she can't help lusting after his body and power. A deadly game of wits develops between Carrie and Cyrus, whose desire for companionship masks his plot for world domination. Carrie, Cyrus and Nathan are all well drawn, as is the love triangle that develops among them. The book's level of gory detail—the narrator is, after all, a newly minted emergency room doctor—may put off all but the most stalwart of readers, but if you've got the stomach for it, this fast, furious novel is a squirm-inducing treat. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Product Details

  • Mass Market Paperback: 384 pages
  • Publisher: Mira (June 1, 2006)
  • Language: English
  • ISBN-10: 077832298X
  • ISBN-13: 978-0778322986
  • Product Dimensions: 6.6 x 4.2 x 1.2 inches
  • Shipping Weight: 6.4 ounces
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (97 customer reviews)
  • Amazon Best Sellers Rank: #220,730 in Books (See Top 100 in Books)

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Customer Reviews

97 Reviews
5 star:
 (33)
4 star:
 (36)
3 star:
 (12)
2 star:
 (7)
1 star:
 (9)
 
 
 
 
 
Average Customer Review
3.8 out of 5 stars (97 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

12 of 12 people found the following review helpful:
4.0 out of 5 stars Jennifer Armintrout leaps on to the scene with The Turning, March 19, 2007
This review is from: The Turning (Blood Ties, Book 1) (Mass Market Paperback)
Courtesy of CK2S Kwips and Kritiques

Dr. Carrie Ames is new in the ER, ready to begin her residency. When a John Doe body comes in, horrifying Carrie and making her flee the ER, things slowly begin to change. Later, trying to confront her fear, she is brutally attacked in the morgue by said corpse, and left for dead. It isn't until much later that she realizes what really happened.

Carrie had the unfortunate luck of being turned into a vampire by John Doe, whom she later discovers is the indiscriminately cruel and purely evil Cyrus Kerrick. Rescued by Nathan Grant, Carrie learns what she has been "born" into. Nathan is a member of the Movement, a group of vampires who wish to destroy all vampires in a desperate bid to protect mankind... And Cyrus, now Carrie's sire, is their greatest enemy. Nathan gives her a choice, join the Movement or be destroyed. Not much of a choice if you ask Carrie.

As if that's not bad enough, Carrie learns she has a Blood Tie to her sire, a bond that works to hold her to his sadistic plans, giving him the ability to control her, and making her sexually attracted to him. Even worse, she's also greatly attracted to Nathan. What is a fledgling vampiress to do?

Jennifer Armintrout leaps on to the scene with The Turning, her debut novel and the first of a projected trilogy. Make no mistake though, despite the publishing house for this book, it is not by any stretch of the imagination even remotely romantic, but is a horror novel. There are some extremely graphic scenes of mutilated bodies and sadistic pleasures which will cause difficulties for more sensitive readers.

The plot thickens and barrels along at a breathtaking pace from the opening segment. Just when we think we're going to get a break and have some slow scenes, Armintrout throws something else into the mix which revs it up all over again. I especially enjoyed the overarching storyline that encompasses the entire second half of the book. Things really get interesting when that plot is added and don't be startled to find yourself getting chills up and down your spine as that surprise is revealed.

I was not especially impressed by Carrie. She comes across as pretty self-involved and the only thing that really redeems her is her feelings for Nathan and his "adopted" son and blood donor, Ziggy. The great lengths she goes to in order to protect them keeps her from being completely selfish. I also got annoyed by the fact she used her Blood Tie to Cyrus as a crutch for everything she didn't like about herself. Each time she did something she felt like she should not enjoy, she blamed the Blood Tie and Cyrus' pure evilness. If she committed some act that people could take for moral reprehensibility, it was because "Cyrus and my Blood Tie made me do it." That got really old really quick and I wanted to tell her to suck it up and admit that Tie or no Tie, she just had the hots for Cyrus, sick SOB that he was, and enjoyed being his "slave."

The other characters are what really made the story pop for me. I loved Ziggy in all his teenaged angst and awkwardness. He is such a sweet boy, who unfortunately knew more about the dark side of life than he should, that you can't help but love him. Nathan's dedication to his cause is admirable, made even more so when we see glimpses into his past and what made him into the vampire he now is. Then there is Dahlia, Carrie's greatest rival for Cyrus' affection. Dahlia's no princess either but her sheer desperation to keep Cyrus' interest is actually quite amusing. Even Cyrus, as sick and twisted as he is, when his history is revealed, makes us feel almost sympathetic to his plight and the events that led him to this course.

The Turning ends on a positive note, even though we can be sure there is still more horror to be found in the future books. I do look forward to reading book 2, Possession, which is already stored on my MP3 player for a future listen.

© Kelley A. Hartsell, February 2007. All rights reserved.
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22 of 27 people found the following review helpful:
4.0 out of 5 stars Goofy and Gory, June 17, 2006
By 
Anna Hope (PA United States) - See all my reviews
(VINE VOICE)    (REAL NAME)   
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This review is from: The Turning (Blood Ties, Book 1) (Mass Market Paperback)
Dr. Carrie Ames has the unfortunate luck of working in the E.R. one night when a frightening trauma victim arrives. Missing one eye and his lower jaw the victim has been stabbed repeatedly with a large object. He dies, or so she thought. This mistake is jarringly corrected to Carrie when she finds the morgue attendant minus one eye and all of his blood. The vampire then attacks Carrie and mistakenly creates a fledgling vampire.

Searching for answers as to what has happened to her life since that Thing attacked her, Carrie is lured by an internet aquaintance to a very hippy trippy occault bookstore. There she is attacked by Ziggy, a college boy whose adopted dad is a vampire. She's then rescued by said dad- a hard bodied stud of a dark haired vampire named Nathan. Why would Ziggy attack a vamp if he lives with one you ask? Well, it seems Nathan is a member of the Voluntary Vampire Movement, a group whose aim is to destroy all bad vamps and thin their numbers for the betterment of the human race. And if you aren't with them you are against them.

When Carrie finally succumbs to the bloodthirst she follows all of the good girl vampire rules...but still succeeds in ticking off one very powerful whitch. Afraid for her life Carrie moves in with Nathan and Ziggy, but part of her is still curious about her sire whom she knows only as John Doe. She invites herself to his lair and sells herself to him in a bid to keep Nathan safe.

Cyrus, her sire, keeps her by his side due to the blood tie. He can read her thoughts and control her emotions so that her reactions to his deprived actions are numbed. The book takes a serious twist with the upcoming appearance of Cyrus's, father the Soul Eater- who is also Nathan's sire. Characters start dying off left and right and I won't spoil which ones. We do meet a funny hotty by the name of Max though who will hopefully show up in the next book. This book was a little weird , definitely good , but had a slightly disappointing ending. It has plenty of potential so I'd love to read the next book. Definitely worth the money!
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24 of 30 people found the following review helpful:
2.0 out of 5 stars Not Horrible, But Not Really Entertaining, February 26, 2007
By 
H. Doremus (Fort Worth, TX) - See all my reviews
(REAL NAME)   
This review is from: The Turning (Blood Ties, Book 1) (Mass Market Paperback)
The Turning was at times an interesting story, but unfortunately it was more often than not a frustrating exercise in patience.

The plot meanders wildly and there is very little sense of identity imbued into the tightly closed universe Armintrout has created. Characters are introduced - particularly Ziggy and Cyrus - in such a way as to be completely dissonant with their intended roles in the plot.

The main character, Cassie, is hard to like or sympathize with and it becomes increasingly difficult as the story goes on to see that she has any motivation other than contrariness. The antagonists are hardly menacing figures and come off less as brutal or psychopathic and more as petulant and ridiculous, particularly given their penchant to abruptly turn up or disappear from view in ways that are far too obviously methods of prodding along the plot (Hi! I'm randomly in your apartment to do something for all of two seconds that is never fully explained so that you'll drive over to the big mean vampire's house looking for an antidote and thus have to make a dramatic sacrifice. Oh! and I set some stuff on fire too! But don't worry, the fire department's already on its way and nothing will seem to have been damaged by the time you return! I gotta run now so I can get to the B.M.V.'s house ahead of you so I can be duly punished for my actions, thus driving a further wedge in our already rocky acquaintance!).

All that said, The Turning does have its moments, mostly in the brief and sometimes out of place moments of character development. Though there is never enough shown of these characters to give the reader more than a rough two dimensional notion of what their personality may be, what little is given is fairly engaging.

The biggest disappointment with The Turning is that nothing ever really seems to be at stake. Cassie's humanity is never established enough to allow her choice between the unpolarized "good" and "evil" to be a gripping struggle. Nathan's guilt complex has a tendency toward the laughable, but is generally simply annoying because it has no context until the very end of the book, by which point the reader is wondering why they care anymore. And Cyrus' somewhat powerful first impression quickly falls apart as he becomes little more than a discombobulated jumble of increasingly schizophrenic character flaws. At the end, the reader is left to look for someone to root for, for something that has been gained or lost that means more than a few tugged heart strings. I suppose there is some concept of family at stake, but that's a hard stretch.

The Turning requires a lot of energy on the reader's part to remain engaged and demands more trust in the author's ability to spin a yarn than ever actually pays off. There are some intriguing ideas here, but they lack organization and are never fully realized in the lines of the novel.
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