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5 of 5 people found the following review helpful:
3.0 out of 5 stars
Probably more interesting to Minnesota natives, January 29, 2009
This review is from: The Turtle Catcher (Hardcover)
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I found this book descriptive, absorbing and well written, despite it's jumpy narrative that became tiresome in places, hence the 3 star rating. I also felt that the author not only has a real grasp of the people of the Midwestern region where the book is set, but also an uncanny ability to transport the reader back in time. I live in Minnesota, although I'm not a native of the state (or Midwest ) but I would imagine people who are, will get even more of a kick out of reading about familiar places and towns, and the heavy European influences that helped shaped where they now live. Amazon, and even Publishers Weekly call this a "standout debut" from an author whose previous "memoir" novella was well received, and that sounds like a bit too much praise as far as I am concerned. The Turtle Catcher is to "standout" what Tolstoy is to "brevity", so a lesser adjective would probably have been more fitting. The story is well paced, often dark, but always grounded with believability, and talks candidly about family values, differences in opinion between cultures, and feuding that would not be out of place in the World of today, just move the locations accordingly. But it's not that great. I'll spare the synopsis, which is covered enough in the description above, but will say that this is worth reading. It won't be to everyone's taste, but anyone with an interest in history, or just likes good family based drama should enjoy it. 3 stars.
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7 of 8 people found the following review helpful:
2.0 out of 5 stars
A Jumpy Plot and Dense Reading Ruin This Great Story, February 5, 2009
This review is from: The Turtle Catcher (Hardcover)
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The Turtle Catcher follows the Richter family in New Germany, Minnesota, from the late 19th century to 1920. The novel begins with a terrible event--in 1920 the three Richter brothers drown their handicapped neighbor, Lester, after they believe he has violated their sister, Liesel. The rest of the novel is a flashback--from the mother of the boys, Magdalena, leaving Germany as a young unwed pregnant woman, to her eventual birthing and raising of five children, including the one who eventually kills her, the coming of age of those children in the early years of World War I, and the eventual tragedies of the Great War that rip the family, and the town of New Germany apart. Throughout the novel, Liesel conceals what she believes is a terrible secret--she's a hermaphrodite--and she convinces herself that Lester, handicapped from his father's relentless beatings--is the only man who could ever love her. As the events surrounding Lester's death come to the surface, the reader discovers the demons of the Richter family and their small town. Although the story in The Turtle Catcher was rich--I enjoyed all of its detail, its complicated levels--the execution and writing style of the novel really killed the story for me. There were times where the language was so dense, and the story so convoluted, that I was ready to give up on this book--something that I almost never do. This book had a lot of potential, and I do think it did a good job of capturing farm life in rural Minnesota at the turn of the century, as well as the political conflict between the German immigrants in the town and the other residents. If I could give half stars, this would really be a two and a half star review, because the book did have some good things going for it. But I don't know if I would recommend this unless someone was really interested in America before/during WWI or in turn of the century life in the Midwest.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
Identity and the American Immigrant, April 16, 2009
This review is from: The Turtle Catcher (Hardcover)
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I found this a very compelling tale, historically. None of us living in the United States, other than full blooded Native Americans, are all-American. We each of us have bits and pieces from other cultures, other places, hanging onto us, partially defining us. The main character in The Turtle Catcher takes this one step further, she is physically more than one thing. The immigrant populations of Minnesota and their interactions and views of themselves are presented from inside the German-American cultural identity as the country enters WWI. The story is set on the farm belonging to a German family. Their mother recently dead, the children have to raise themselves and define themselves as a new type from their parents. We follow their lives through the eyes of the sister upon whom falls the entire housekeeping of this male household at a tender age. Her only companions are the young brother she raises and occasional visits from the slow Scottish American neighbor boy, the eponymous Turtle Catcher who brings her turtles and occasionally takes over the burden of the story's narration. When the brothers decide to enlist in the Army the father despairs, as many of the fathers and mothers in the town do when their sons do the same. The older people see the matter in terms of their children fighting their own people - the Germans. The children see it differently. Through new American eyes, their German identity becomes part of their past rather than a present reality. A piece of their identity, not the whole. They break from the older generation. They, like their sister, are no longer wholly any one thing. Unlike her and their parents, they refuse to remain apart from the rest of society. In the novel the Swedes, Norwegians, and other European immigrant groups circle 'round their more prosperous German neighbors like hungry wolves, yapping with glee when they are able to exploit the pacifism of the Germans Americans as the US enters WWI, into evidence of their traitorous nature. They then leverage their slander into a means of taking the German's farms and businesses even as the German's sons are leaving to serve in the war. It was quite a chilling tale, very dark, even brutal, but not without some sweetness.
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