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Twelve Bar Blues [Paperback]

Patrick Neate (Author)
4.3 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

February 11, 2004
The raucous novel that won the prestigious Whitbread Novel Award, Twelve Bar Blues is a virtuoso epic tale of fate and family, jazz and juju that spans three continents and two centuries to tell a story of enduring roots and indelible love. At its heart is Lick Holden, a talented but tormented young musician who sets the jazz scene of early-twentieth-century New Orleans on fire with the passionate tones of his coronet. But Lick's true passion is for his beautiful lost stepsister Sylvie, for whom he searches for among the streets, music halls, and bordellos of the South. Their story reverberates through the decades into the life of Sylvia Di Napoli, a black English former prostitute turned singer who travels from London to New York and Chicago in 1999 in search of the answer to the mystery of her family's roots. Funny and poignant, Twelve Bar Blues is a dynamic novel with all the emotional energy and breakneck tempo of a red-hot Big Easy jazz band that will hook you — like a favorite tune — until the very last page.

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Editorial Reviews

Amazon.com Review

An adventurous, musically structured yarn that begins in 18th-century Africa and ends in present-day New York City, Twelve Bar Blues, British writer Patrick Neate's second book, was a surprise winner of the 2002 Whitbread Novel of the Year. For the most part Neate's prose is enthralling, beginning with a semihallucinatory tale of a jealous witch doctor's sabotage of his childhood friend. The latter is stolen by slave traders and sent to America; a century or so later, his descendant, Fortis "Lick" Holden, survives poverty in Louisiana to become an early pioneer of the jazz form. Over the course of Neate's story, we meet up with Louis Armstrong in 1920s New Orleans; cruise the slums and jazz joints of Chicago, London, and Africa; meet up with Tongo Kalulu, the love-conflicted chief of the Zimindo, a strong tribe; and travel to America with a black, retired London prostitute in search of her real father. Neate has a few lapses in judgment: several supporting characters don't ring true (one feels like a thin surrogate for the author), and the air goes out of his writing when he begins to think in clichés. But all is forgiven through the scope of this wild novel, with its inspired network of familial connections over many years and its deep mysteries that reach, like roots, through layers of American history and identity. --Tom Keogh --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Neate's novel (winner of the Whitbread) poses the question: Can an English writer pen the great American jazz novel? In the 18th-century African kingdom of Zimindo, a Zimindian named Zike is abducted by complicated magical/erotic means and eventually ends up on the slave market in New Orleans. There Zike disappears from history. A descendant, however, blows his way, if not into history, at least into legend. Fortis "Lick" Holden from Mount Marter, La., is a cornet player of the same generation as Louis Armstrong. Lick learns his licks in reform school. His mentor, Professor Hoop, keys him into the secret of the whole musician, which entails using all four parts of the body. Lick progresses from his chops to his head to his heart, but he doesn't get the fourth part down the groin until he meets back up with his adopted sister, Sylvie, who is pale enough to pass for white. After Lick returns from New Orleans to his native town, he discovers Sylvie living as the quadroon mistress of a white plantation owner. Lick's affair with her spells disaster in the racially charged atmosphere of the South, but Sylvie escapes to New York City, passes for white and marries an Italian man. Her skin color skips a generation, but expresses itself luxuriously in her granddaughter, Sylvia Di Napoli, who thereby arouses the wrath of her racist father. The novel waltzes between Lick's woes and Sylvie's genealogical quest, with a subplot involving the return to Africa of another of Zike's descendants, Coretta Pink, aka "Olurunbunmi Durowoju." Neate's story is shot through with salient observations about jazz culture, although in the end it doesn't grab the brass ring: the great American jazz novel is yet to be written.
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 416 pages
  • Publisher: Grove Press (February 11, 2004)
  • Language: English
  • ISBN-10: 0802140564
  • ISBN-13: 978-0802140562
  • Product Dimensions: 8.2 x 5.6 x 1.1 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #1,181,038 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
4.3 out of 5 stars (7 customer reviews)
 
 
 
 
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6 of 6 people found the following review helpful:
5.0 out of 5 stars "No story so important as the one you tells about yourself.", October 22, 2002
This review is from: Twelve Bar Blues (Hardcover)
This powerful novel of identity, both personal and cultural, spans several generations and moves through Africa, New Orleans, and New York, deftly integrating the personal sufferings of the characters with the music which sets them free--jazz. An African legend establishes at the beginning of the novel the complex interrelationships between music, love, sorrow, spells (be they from magic, dreams, drugs, or drink) and tragic fate. As later characters face the same complex of forces and fates in their own generations, "the American Negro experience" is dramatically revealed, along with the emotional release which comes with the birth of blues and jazz.

Telling the story of Lick Holden, "the greatest...horn man that was ever lost to history," Neate recreates the early days of New Orleans jazz in Storyville, with characters like Buddy Bolden, Fate Marable, Louis "Dipper" Armstrong, Kid Ory, and King Oliver. Whenever one of these legends performed, he "felt his music transcend his present...[and] he knew that he was more than a disempowered, dislocated, disrespected third generation slave." For Lick Holden, "the horn was his prayer voice and there was...God in his music."

Crafting the novel in the pattern of the twelve bar blues, described in the opening pages, Neate presents each half of the novel in twelve chapters, which move back and forth and around in time and location, from the early 1900's to the present, from Africa to New Orleans, New York, and Chicago. Lick's life story and his long love of Sylvie intertwines with the African legend at the beginning of the novel and with a present-day search by Sylvia DiNapoli, a black woman in her mid-forties, for her past. An additional contemporary setting in Africa, involving later generations of the characters from the opening legend, offers a counterpoint to Sylvia's search, and like a jazz motif, becomes part of it. The dominant themes of fate and choice, love and sorrow, dreams and tragedy, guilt and redemption weave through all the personal stories, as each generation expresses its soul in music--"which set [their] blackness free."

Powerfully drawn episodes, full of vitality and color, pulsate with the kind of detail which makes characters and locations simultaneously unique and universal. The "coincidences" at the conclusion are foreshadowed throughout, both by the twelve-bar pattern of the narrative development and by the repetitions in the lifestyles and choices of the characters. Soaring above the domestic tragedy of everyday life, this Whitbread Award winner is an imaginative and heartfelt story of every man's need to know where he comes from, who he is, and where he is going. Mary Whipple
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4 of 4 people found the following review helpful:
5.0 out of 5 stars Dark horse but worthy Whitbread winner : an amazing read !, August 27, 2002
By A Customer
This review is from: Twelve Bar Blues (Paperback)
Patrick Neate's "Twelve Bar Blues (TBB)" richly deserves the Whitbread Book of the Year Award. It's an epic novel tracing the torrid lives and lineage of gifted black cornet player Lick Holden from New Orleans who in the 1920s spends half his life searching for his coffee coloured half-sister Sylvie and present day retired prostitute Sylvia Di Napoli from London who will go to the ends of this world to discover her lost identity. Interlocking with these two fascinating stories is an experimental piece of magical realism that connects the past of Lick and Sylvia with the present in black Africa. Though the unfolding plot reveals a sprawling family tree that cuts across three continents, it isn't hard to guess how Lick and Sylvia are related to one another. Just as Lick survives many close shaves with Naps as his guardian angel, Sylvia's chance encounter with white drifter Jim Tulloch on route to New York turns out to be the source of her redemption. There is a recurring line in the novel about knowing or not knowing one's past and its bearing on the present that best sums up the quest of our protagonists. Lick knows his past but how has this helped him deal with his one obsession ? Sylvia, on the other hand, is resigned to a bleak future as an ex-prostitute and retired singer. She thinks discovering her past will save her but is too jaded to see that redemption is sitting right next to her. Who can blame her, though ? Fate and chance have a way of bringing a curious symmetry to life that we least expect. The African subplot in Neate's enthralling tale of ethnicity, lost identity and fate isn't as loose and arbitrary as it seems. The village chief has no hangups about his past. He's proudly African and has no slave history in his family to contend with. His problem is with the future, in particular an urban wife and the uncertain paternity of the child she's carrying. TBB is a phenomenal literary achievement. It's earthy, brutal and passionate, yet wonderfully lyrical and otherworldly at the same time. Just as the fourth part of Lick's anatomy expands when he's riding the crest of a note from his cornet, the novel is magically transformed whenever Neate comes up with a passage that resonates with irony. TBB is a masterpiece of modern fiction that has to be read. Don't miss it !
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Amazing and intricate storytelling, February 25, 2004
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This review is from: Twelve Bar Blues (Paperback)
Patrick Neate has created an absolute jem in "Twelve Bar Blues", a story spanning three continents and several generations of people. The best of the interwoven stories is that of Lick Holden, the forgotten jazz musician who has become more legend than anything, and his struggles with the tough Louisiana life, plus his development into a semi-famed musician.

Everything about this book is completely engrossing, and it ends up being quite the page-turner. The plot, the characters and the style really make this a winner. Neate is a brilliant story-teller, and "Twelve Bar Blues" is worthy of all its acclaim.

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First Sentence:
Lick Holden was christened Fortis James. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
gulu gulu, monkey ears, steam men, steam man, bush negro, pau pau, ice cart, voodoo museum, sleeping hut, law trouble, twelve bar blues
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New Orleans, Momma Lucy, Lick Holden, Mount Marter, Canal Street, Cousin Moon, New York, Louis Armstrong, Big Annie, Sweet Elly, Sylvie Black, Johnny Frederick, Toothless Naps, Father Sun, Kid Ory, Old Man Stekel, Fortis Holden, Ruby Lee, Sylvia Di Napoli, King Oliver, Dogtooth Jones, Fate Marable, Irish Tony, Nigerian Guinness, Ash Hansen
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