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Twelve

April 24, 2007

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Product Details

  • Original Release Date: April 24, 2007
  • Label: Columbia
  • Copyright: (P) 2007 SONY BMG MUSIC ENTERTAINMENT 2007 SONY BMG MUSIC ENTERTAINMENT
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 56:43
  • Genres:
  • ASIN: B00138H5SS
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (73 customer reviews)
  • Amazon Best Sellers Rank: #60,560 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

Well its a very good album of great rock tunes.
Joseph P. Darak Jr.
So, at first I was a little skeptical, but then was pleasantly surprised at the sound and "feel" of the cover songs on this record.
JG
Like all good albums it took me a few listens to really love this and now I find it addictive and can't stop listening!
Lil t

Most Helpful Customer Reviews

54 of 57 people found the following review helpful By Katherine McCarthy on May 6, 2007
Format: Audio CD Verified Purchase
Patti's always had a way with cover songs. In the early days, she'd begin her gigs with the Velvet Underground's "We're Gonna Have a Real Good Time Together." She's always had a tendency towards wacky - I've seen her cover "Tomorrow" from Annie and "You Light Up My Life" in concerts. She's always paid homage to her musical influences - the Who's "My Generation", Manfred Mann's "5,4,3,2,1". Even Prince's "When Doves Cry". Not every cover song can be deconstructed & reinvented like "Gloria." That she pulled that off at all is a feat few would dare, little less succeed at.

I was looking forward to this set of cover songs just to see what was going on in Patti's mind. Her appreciation of rock music, heroes, and history is comprehensive. With Lenny Kaye at her side, a musical encyclopedia, it proves to be quite a collection.

Most of the criticism seems to center around the fact that she doesn't take the bait and tear the songs apart to reinvent them. While that critique is correct, in my opinion, it misses the point. There is a warmth, almost a reverence, to the collection of songs. There is true affection, and a personal connection, to each of these songs that makes Twelve unique in her canon. Never has Patti & Company sounded so relaxed, confident, and warm. There is none of her trademark urgency or stridence.

Instead, her voice shows a new maturity. When did Patti learn to sing? She practically croons Everybody Wants to Rule the World. Personally, I never much cared for the song, but find myself hitting replay for her version. Soul Kitchen has the same relaxed vibe - somehow it's much, much sexier with her singing the song than Jim Morrison's version. I also like the garbage truck story in the booklet about how it came to be included.
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59 of 65 people found the following review helpful By ST on April 26, 2007
Format: Audio CD
It is almost impossible to understand what tempted the original rock poetess, an icon, a heroine to put her reputation under the microscope with this album of twelve cover versions, with tracks by Bob Dylan, Jimi Hendrix, the Stones and the Beatles among others.
If you love the sound of her voice, it is impossible to find the album entirely without merit, and on the plus side there are laid-back, rocky versions of the Doors' "Soul Kitchen" and the Allman Brothers' "Midnight Rider".
But does the world need to hear her take on Tears for Fears' "Everybody Wants to Rule the World"?
The interpretations make Smith's distinctive delivery sound like a parody of itself. Because her essence is missing, the album feels like a waste of her considerable talent.
Patti Smith doing old chestnuts from Tears For Fears and Paul Simon holds out no promise of magic.
However, there are joyful surprises here.
"Gimme Shelter is definitive Stones, "White Rabbit" the essence of psychedelia, and "Pastime Paradise" gorgeous beyond words.
With the help of that wonderful voice, still maturing, and a set of imaginative arrangements, Smith has reinvented all three and given us versions good enough to set beside the originals.
Best of all is a banjo and fiddle-driven romp through "Smells Like Teen Spirit" which reveals the splendour of that song in a different light. Seizing the moment, the rock poetess adds some sizzling words that Kurt Cobain would have been proud to call his own.
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17 of 17 people found the following review helpful By Rudy Palma on June 5, 2007
Format: Audio CD
Fresh on the heels of her Rock and Roll Hall of Fame induction and perplexing as ever (in her case a good thing), Patti Smith has released "Twelve," a collection of a dozen cover songs. The woman Rolling Stone dubbed "punk's priestess and poet laureate" finds a way to cite her influences, take advantage of her recent publicity and also toss listeners a bone until she releases the self-penned follow up to 2004's critically embraced "Trampin'."

In keeping with her defiantly androgynous image, Smith covers songs exclusively written by male songwriters (with the lone exception of Grace Slick's "White Rabbit"), never failing to put her own signature stamp on each. She is not the conventional singer, having gained acclaim for a performance style that lies somewhere in-between singing and shouting, but the selections she has chosen lend themselves to it extremely well.

For instance, she injects a welcome shot of momentum into the Rolling Stones' spirited "Gimme Shelter," while accenting Neil Young's "Helpless" with beauty, grace and intensity. She event tips her hat to Bob Dylan in covering his underrated "Changing of the Guards," a single from his 1978 LP "Street Legal" that failed to make the Billboard charts. Her spirited, toned down delivery invokes a whole new level of appreciation of Dylan's words while also showcasing her astute empathy of them - this is not just any old cover.

The most surprising aspect of "Twelve," though, is Smith's more contemporary choices. Her flavorful reading of "Everybody Wants to Rule the World," which hit #1 on the pop charts for Tears For Fears back in 1985, trades in the pathos of the original for a more factual delivery in which the meaning of the lyrics emerges more clearly.
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14 of 16 people found the following review helpful By S. Kurtz on April 25, 2007
Format: Audio CD
Anytime an artist of this stature releases a "covers" record...especially one so thoughtfully put together and skillfully played as this one...it's hardly a "wasted opportunity" as someone here has already termed it.

In this case, it's a cause for celebration.

Twelve songs...twelve chapters in musical history that are not only re-imagined here by Patti and her band, but brought to new life with the care and class that she brings to all her recordings.

Lenny Kaye has never sounded so clean...part of this has to do with the superb production and part of it has to do with the restraint he brings to the project.

Tony Shanahan is a monster on bass, and the bass is mixed beautifully on this record, as are Jay Dee Daugherty's drums. Everything is just pure and melodic.

And then there's Patti.

Thank god for Patti Smith.

Between her and her children, Jesse and Jackson, who contribute subtly and in fine fashion, and the various guests...Flea, Rich Robinson, Sam Shepard, etc...the record comes off sounding like a labour of love that already has me salivating for TWELVE 2.

There's not a wrong note in the batch and, to these ears right now, the Standouts among an album of standouts, are The Beatles' WITHIN YOU WITHOUT YOU and Stevie Wonders' PASTTIME PARADISE.

I sat and listened to this twice last night (the night of release) and, although I've been in Patti's corner since 1975 and HORSES...as a matter of fact, EASTER (to me) is the second greatest rock album ever recorded, just a half-step behind BORN TO RUN...I felt that I was being re-introduced to the woman again, through this stellar collection of other artists songs, and, as then, I loved what I heard.
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