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7 of 8 people found the following review helpful:
4.0 out of 5 stars Not Just An Art History Book
As a lawyer who has clients involved in the art world, and has Manet (reproductions) on his wall, I have actually recommended this book to people who are thinking about applying to law school. While this may not make immediate sense to a non-lawyer (and may turn you non-lawyers off about the book), the different methodologies, lenses, sensibilities and sometimes...
Published on April 29, 2005 by I. A. Finkelstein

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5 of 14 people found the following review helpful:
1.0 out of 5 stars Flee this Book
This is the sort of book that gives art history--especially the "new" art history--a black name. Most of the articles are written in deliberately inpenetrable prose, always hiding the the most inept questions and comments (i.e., "Did Manet really intend to paint the mirror that way?") Only Griselda Pollock's article shows any sign of intelligence. Another title for this...
Published on October 18, 2002


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7 of 8 people found the following review helpful:
4.0 out of 5 stars Not Just An Art History Book, April 29, 2005
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I. A. Finkelstein "Ira F" (New York, NY United States) - See all my reviews
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As a lawyer who has clients involved in the art world, and has Manet (reproductions) on his wall, I have actually recommended this book to people who are thinking about applying to law school. While this may not make immediate sense to a non-lawyer (and may turn you non-lawyers off about the book), the different methodologies, lenses, sensibilities and sometimes inflexible dogmas through which the art historians view this iconic and enigmatic painting find amazing parallels in the wildly divergent theories and perspectives in which legal philosophers, professors and judges view and interpret the complex combination of factors (cultural, societal, class-based, psychological, political, authoritarian, libertarian, scientific, agrarian, industrial, religious, racial, tribal, etc.) through which what we call "the law" develops.
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13 of 18 people found the following review helpful:
5.0 out of 5 stars A Marvelous Example of the Many Approaches to Art History, December 29, 1999
By A Customer
This review is from: Twelve Views of Manet's Bar (Hardcover)
This is one of those books that art history students should use to learn the complexity of the field and the many different approaches to art currently practiced by art historians. For lovers of Impressionism, this is one of the deepest and richest studies of a single work-- and what a work! Manet's BAR is one of the most mysterious and gripping works of western art, and it's hard to imagine a work more deserving of this deep treatment.
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0 of 1 people found the following review helpful:
4.0 out of 5 stars its good!! !! i like it, October 6, 2010
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if you wanna know about a Manet's specifics painting!

i recommend you to buy this book ! i am sure that you can get a good knowledge of art history!

especially graduate school students :)
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5 of 14 people found the following review helpful:
1.0 out of 5 stars Flee this Book, October 18, 2002
By A Customer
This is the sort of book that gives art history--especially the "new" art history--a black name. Most of the articles are written in deliberately inpenetrable prose, always hiding the the most inept questions and comments (i.e., "Did Manet really intend to paint the mirror that way?") Only Griselda Pollock's article shows any sign of intelligence. Another title for this book: "12 Ways to Kill any Interest in a Work of Art."
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Twelve Views of Manet's Bar
Twelve Views of Manet's Bar by Bradford R. Collins (Hardcover - April 1, 1996)
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