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Twentieth-Century Chamber Music (Routledge Studies in Musical Genre)
 
 

Twentieth-Century Chamber Music (Routledge Studies in Musical Genre) [Paperback]

James McCalla (Author)
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

August 22, 2003 0415966957 978-0415966955 2
Twentieth Century Chamber Music combines a chronological overview of 20th-century chamber music and the major composers in the style, with information on a wide selection of chamber works, including program music; vocal chamber music; works for new ensembles; the modern sonata; and contemporary string quartets. The book covers composers from Schoenberg and Bartk to Toru Takemitsu and George Crumb.

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About the Author

Prof of Music at Bowdoin, College. James McCalla is a resident of Brusnwick, Maine.

Product Details

  • Paperback: 320 pages
  • Publisher: Routledge; 2 edition (August 22, 2003)
  • Language: English
  • ISBN-10: 0415966957
  • ISBN-13: 978-0415966955
  • Product Dimensions: 8.8 x 6 x 0.7 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,744,861 in Books (See Top 100 in Books)

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4.0 out of 5 stars Intelligent musical survey, not for the casual reader, November 23, 2008
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This review is from: Twentieth-Century Chamber Music (Routledge Studies in Musical Genre) (Paperback)
James McCalla is a member of the music faculty at Bowdoin College. His 20th Century Chamber Music is a dense, intelligently written survey of the modern repertoire, ranging from Debussy to Berio, in various genres. McCalla makes the decision, carefully explained in his introduction, to group works by genre and aesthetic rather than chronologically. However justifiable, his somewhat idiosyncratic ordering makes the text occasionally confusing to follow, and forces him to double back to some works and discuss them twice, notably Schoenberg's Second String Quartet, whose final two, vocal movements are analyzed several chapters ahead of the first two, purely instrumental sections. Then, after all, he surveys all of Bartók's string quartets in order, with the implication that they form too significant, and too interrelated, a body of work to choose from among them.

Most of the familiar names in the 20th-century canon do get their fair share of attention, Schoenberg, Stravinsky, Bartók and Elliott Carter in particular (Prokofiev is ignored, except for a somewhat puzzling slam at the Flute Sonata, not an entirely characteristic work). In common with many other surveys of the contemporary repertoire, one wonders what drove some of his subsidiary choices: no doubt Lee Hyla is a major composer, but is he any more or less worthy than others who have explored similar media? Nevertheless, despite its somewhat inconsistent ordering this book has a lot to offer. It is not, however, for the casual music lover, the blurb on the back cover notwithstanding.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
suing quartet, modern chamber music, modern sonata, sonata cycle, vocal chamber music, ontological time, sonata idea, second quartet, sonata procedure, bridge theme, marteau sans, functional tonality, alto flute, sonata form, third quartet, principal melody, first string quartet, closing theme, rehearsal number, sectional form, second violin, musical space, percussion players, rhythmic unison, new ensembles
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, World War, Elliott Carter, Cello Sonata, First Quartet, All Set, Fourth Quartet, Kronos Quartet, John Cage, Universal Edition, All Rights Reserved, Black Angels, New Works, Pierre Boulez, Schoenberg's Pierrot, William Shakespeare, Charles Ives, Milton Babbitt, Arnold Schoenberg, Claude Debussy, Solo Pianofortes, Belmont Music Publishers, George Crumb, Halsey Stevens, International Copyright Secured
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