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The Twentieth-Century Performance Reader [Paperback]

Michael Huxley (Editor), Noel Witts (Editor)
4.5 out of 5 stars  See all reviews (4 customer reviews)


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Paperback, May 11, 1996 --  
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The Twentieth-Century Performance Reader The Twentieth-Century Performance Reader 4.5 out of 5 stars (4)
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Book Description

0415116287 978-0415116282 May 11, 1996 1
The Twentieth-Century Performance Reader provides a pioneering introduction to all types of performance (dance, drama, music, theatre and live art) through the writings of forty-two practitioners, critics and theorists which together reaffirm performance as a discipline in its own terms.
Organised alphabetically, rather than chronologically or according to art form, this reader invited cross-disciplinary comparisons. Each piece is fully supplemented by a contextual summary, detailed cross-references and suggestions for further reading. The editors' introductory essay provides an invaluable analysis of the field, and the definitive bibliography offers an essential reference source.
The reader, which makes it possible to compare major writings on all types of performance in one volume, will be an essential sourcebook for researchers, practitioners and students. It will also be of interest to anyone who enjoys innovative live performance.


Editorial Reviews

About the Author

Mike Huxley and Noel Witts are both affiliated with the Department of Performance Studies at DeMonfort University, England. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 448 pages
  • Publisher: Routledge; 1 edition (May 11, 1996)
  • Language: English
  • ISBN-10: 0415116287
  • ISBN-13: 978-0415116282
  • Product Dimensions: 9.1 x 6.1 x 1.1 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #899,848 in Books (See Top 100 in Books)

 

Customer Reviews

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Average Customer Review
4.5 out of 5 stars (4 customer reviews)
 
 
 
 
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5.0 out of 5 stars Great Book, April 12, 2009
This book has been instrumental to my growth as an artist. Though the book lacks the in-depth feel (you only get a few pages per practitioner), the breadth of knowledge contained in the TCPR book more than makes up for it. It has practitioner mini-biographies as well as "further reading" suggestions to cross-reference some of the theories.

All of the articles/essays are first-hand sources! A must have for anyone seriously studying theatre theory in the 20th century.
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5.0 out of 5 stars Great survey of ideas about performance, August 16, 2008
I have this book in paperback - it is a fantastic reference for anyone involved in performance - especially theater, dance and performance art. Each of the sections of the book is by a different practitioner (or theorist) and they are cross-referenced to other readings in the book that relate. I did as the authors suggest in the intro, and selected an author and area of interest to me, and then kept following cross-references to make my way through the book. The ideas and concepts unfolded in this way like a conversation across the decades.

Fantastic excerpts from writings from Boal, Brooks, Brecht, Cunningham, Duncan, Wilson, Grotowski, LePage. The book covers dance, performance art, theater, happenings, and singing. The nature of the readings is general enough, and involved with large enough issues, that no matter what type of performance is being discussed, the readings tend to contain ideas that are relevant to other types of performance as well.

This is part of my summer reading, but I'm funny that way - you may find it to be a bit more like a text book. Most of the pieces are fairly accessible, although to be sure, you will get more out of it the more culturally literate you are. Individual pieces are compelling, and generally exemplify the main ideas put forth by the profiled individuals in relation to the nature of performance.

I highly recommend this book - gives you much better insight than reading a standard theater history text. For me, even the theories I disagree with were inspirational and thought provoking.

Doesn't really replace the necessity of having a good set of important works like "The Theater and Its Double" or "The Empty Space", but helps fill in the gaps for other materials that you otherwise might not have exposure to.
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5.0 out of 5 stars Affordable & Great Condition, September 11, 2009
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Inside This Book (learn more)
First Sentence:
Instead of doing a music video for the album 'Strange Angel,' I chose to do a series of public service announcements about various political situations. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
deadly theatre, stylized theatre, early modern dance, knee play, visual theatre, epic theater, theatre anthropology, poor theatre, oriental theatre, classic dance, total theatre, golden windows
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, The Drama Review, Cabaret Voltaire, United States, Merce Cunningham, Pina Bausch, West Africa, Robert Wilson, Peter Brook, Gordon Craig, Martha Graham, Mary Wigman, Trisha Brown, Wooster Group, Cambridge University Press, North American, Second World War, Civil Wars, Dance Observer, Judson Dance Theatre, King Lear, Laurie Anderson, Hanns Eisler, Hubert Ogunde, Hugo Ball
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