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Twenty-Four Eyes (The Criterion Collection)

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Product Details

  • Actors: Hideko Takamine, Chishu Ryu, Toshiko Kobayashi, Chieko Naniwa, Takahiro Tamura
  • Directors: Keisuke Kinoshita
  • Format: Multiple Formats, Black & White, Dolby, NTSC, Subtitled, Widescreen
  • Language: Japanese
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Criterion Collection
  • DVD Release Date: August 19, 2008
  • Run Time: 156 minutes
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (21 customer reviews)
  • ASIN: B0019X400S
  • Amazon Best Sellers Rank: #40,620 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Twenty-Four Eyes (The Criterion Collection)" on IMDb

Special Features


Editorial Reviews

Product Description

Keisuke Kinoshita's Twenty-Four Eyes (Nijushi no hitomi) is an elegant, emotional chronicle of a teacher s unwavering commitment to her students, her profession, and her sense of morality. Set in a remote, rural island community and spanning decades of Japanese history, from 1928 through World War II and beyond, Kinoshita's film takes a simultaneously sober and sentimental look at the epic themes of aging, war, and death, all from the lovingly intimate perspective of Hisako Oshi (Hideko Takamine), as she watches her pupils grow and deal with life's harsh realities. Though little known in the United States, Twenty-Four Eyes is one of Japan's most popular and enduring classics.

SPECIAL EDITION FEATURES:New, restored high-definition digital transfer, New video interview with Japanese cinema historian and critic Tadao Sato about the film and its director, New and improved English subtitle translation.
PLUS: A booklet featuring a new essay be renowned film scholar Audie Bock and excerpts from an interview with Kinoshita


Sentimental yet clear-eyed, Keisuke Kinoshita's Twenty-Four Eyes tracks the lives of 12 students through the perspective of one teacher. When Hisako Oishi (Hideko Takamine, a favorite of Kinoshita and Mikio Naruse) arrives in Shodoshima in 1928, the island’s townspeople take umbrage at her modern suit and "shiny new bike," but Oishi's charm and dedication wins them over in the end. About her charges, she tells her mother, "I don't want those adorable eyes to ever lose their sparkle." Though Oishi means "big stone," the first-graders--five boys and seven girls--call her Miss Pebble due to her petite stature. As the years pass, some of the students leave school to work, while the now-married instructor encourages the boys to consider non-military options. Though she isn't a "Red," Mrs. Oishi subscribes to pacifism and free thought. Similarly, Twenty-Four Eyes doesn't advance a political agenda, but rather a humanist one. As Audie Bock (Japanese Film Directors) notes, Kinoshita placed a high value on "innocence, purity, and beauty," and even after two decades of hardship, his heroine never loses faith in the essential goodness of people.

Though Sakae Tsuboi's 1952 novel inspired a 1987 remake, Kinoshita's film stands as the definitive adaptation. A classic in its native country, this 1954 feature shares the same timeless values as All Quiet on the Western Front and Goodbye, Mr. Chips. Extras include an interview with Tadao Sato (Currents in Japanese Cinema), two trailers, and a booklet with commentary from the director and an essay by Bock. --Kathleen C. Fennessy

Customer Reviews

4.8 out of 5 stars
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This is truly one of the most beautiful films that I have ever seen.
Ralph Hammann
These struggles even go on within her own family, as her husband is drafted & her own young sons dream of becoming soldiers themselves.
William Timothy Lukeman
The settings are very beautiful and only add to the overall evocative feeling of the film.
Christopher Barrett

Most Helpful Customer Reviews

28 of 28 people found the following review helpful By Jack M. Walter on October 16, 2008
Format: DVD
This movie has been considered a classic in Japan since its release in 1954, and it's easy to see why. It begins as a charming, innocent portrait of a new teacher and her first grade class and slowly deepens into a touching yet realistic depiction of how each child's life goes on in its own way. Some of the children prosper, some fall into poverty and tragedy, but the matter-of-fact way that profound emotional issues are handled in this film without putting off the viewer is a feat that has never been accomplished so well before or since. A truly remarkable piece of art.
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25 of 25 people found the following review helpful By William Timothy Lukeman TOP 500 REVIEWERVINE VOICE on April 21, 2009
Format: DVD Verified Purchase
I didn't quite know what to expect from this film ... but as the last of its 156 minutes played, I wished it could have been even longer, although that would have meant a few more lumps in the throat & teary-eyed moments. It's a deeply moving film, and its sentimental scenes are truly earned & not the least bit gratuitous or pandering.

The story: a young woman begins her first teaching job on a small island village in Japan, with 12 students in her first grade class (hence the 24 eyes of the title). This opening sequence is charming & gentle, with the worst of the children's problems & woes easily mended with a few kind words & an understanding heart.

But as the children grow older, remaining in touch with their beloved teacher over the years, the harsher aspects of life begin to take their toll. First the Great Depression, then the rise of Japanese militarism -- and the teacher can only watch, sick at heart, as promising futures are dashed & redirected by family & social pressures.

While set in Japan during a specific period of history, the themes are timeless & universal, sad to say. When Japan continues its buildup to the Second World War, the patriotic songs & marches seem all too familiar -- as do the warnings from higher-ups in the school system that their job is to create obedient, patriotic citizens, willing to serve the state without question. It's made clear to our troubled teacher that any mention of other, antiwar possibilities are strictly forbidden, lest she be accused of being "a Red."

Yet she does what she can, telling her male students that she'd be just as proud of them for becoming farmers or clerks or rice merchants, rather than becoming soldiers.
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7 of 7 people found the following review helpful By Morris G. Vescovi on June 14, 2012
Format: DVD
I first saw this film in my early 20's. The local PBS station in Tucson, Arizona was showing classic foreign films on Friday nights. After 15 or 20 minutes I was hooked. At that time this was not the kind of film I was going out of my way to see, being a guy who loved westerns, historical epics and science fiction and horror films.In 1928 a new teacher arrives in a small town on a Japanese island where she has 12 students, The film follows her life and her student's lives over the next 20 plus years. It's sometimes tragic sometimes happy but always incredibly moving. The film also depicts the war years and the censorhsip and militarism that the teacher has to contend with and it is a very down beat depiction. I showed this film several years ago to my best friend who is a retired teacher. He was also very moved as I had been when I first saw it. What surprised him was that the teacher in the film faced many of the same problems he faced such as the problems he had with school administrators, parents and school policies, and also that some of the school children were similar to students he had had even though this film was made in another country, another culture and was made 58 years ago. This film shows that most people are in many ways basically alike.

The Criterion edition is fantastic and the subtitles are great. This film has my higest recommendaion.
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12 of 14 people found the following review helpful By Ted VINE VOICE on October 19, 2008
Format: DVD Verified Purchase
This review is for the Criteiron Collection DVD edition of the film.

Twenty Four Eyes was released in Japan as Nijushi no hitomi. The film is one of the most critically acclaimed in Japan despite its obscurity outside of Japan.

It follows the lives of 12 students (the title is derived from the 12 students) at a school on a remote island in late 1920's Japan from their days as students to adulthood. I found it to be a great film and thought the storyline to be really good too. The film covers themes such as World War II, life and death.

The DVD has one special feature which is an interview with Tadao Sato, a Japanese film scholar who discusses the film and its director.
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22 of 29 people found the following review helpful By Gerard D. Launay on July 11, 2008
Format: DVD
When the Japanese lost the war, this trauma had to be explained and given meaning. Ironically, shortly after Hiroshima, certain Japanese films critiqued the aggressive militarism that led to the disaster [See Kurosawa's "No Regrets for our Youth]. Then, the Japanese films changed. They stopped focusing on their own culpability in the disaster or their own war crimes, and concentrated on the loss, tragedy, and sorrow of losing so many Japanese sons. This film, "Twenty-Four Eyes," fits into that category...and for that reason has been so popular in Japan for fifty years.

As an example, when World War II looms, the boy students talk about becoming soldiers. Their teacher, Ms Oishe, responds that she prefers fishermen or rice sellers to soldiers. Later she is criticized gently for her "lack of patriotism" in her speech to the boys. To be fair, one aspect of anti-militarism ..the loss of freedom of speech...is well handled.

The story focuses on a self-sacrificing teacher and her relationship to 12 students over two decades. Everything is filmed around a small village bordering the ocean. Over these many years, the female teacher forges strong emotional bonds with all her students...and so when the boys go to war...and some don't return, her deep, personal loss is as extreme as that of a parent. The themes are reinforced though the changing moods of the sea or of the folk songs which the school chants. It's a very finely done film, although perhaps overly sentimental for my tastes. A great deal of attention is given to the serene, contemplative cinematography.

But...the director certainly never addresses the many injustices practiced by the Japanese on so many other Asian peoples. It reminded me, in a way, of the Buddhist movie "The Burmese Harp"...
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