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Twenty Thousand Roads: The Ballad of Gram Parsons and His Cosmic American Music
 
 
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Twenty Thousand Roads: The Ballad of Gram Parsons and His Cosmic American Music [Paperback]

David Meyer (Author)
4.1 out of 5 stars  See all reviews (31 customer reviews)

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Book Description

September 16, 2008
As a singer and songwriter, Gram Parsons stood at the nexus of countless musical crossroads, and he sold his soul to the devil at every one. His intimates and collaborators included Keith Richards, William Burroughs, Marianne Faithfull, Peter Fonda, Roger McGuinn, and Clarence White. Parsons led the Byrds to create the seminal country rock masterpiece Sweetheart of the Rodeo, helped to guide the Rolling Stones beyond the blues in their appreciation of American roots music, and found his musical soul mate in Emmylou Harris. Parsons’ solo albums, GP and Grievous Angel, are now recognized as visionary masterpieces of the transcendental jambalaya of rock, soul, country, gospel, and blues Parsons named “Cosmic American Music.” Parsons had everything–looks, charisma, money, style, the best drugs, the most heartbreaking voice–and threw it all away with both hands, dying of a drug and alcohol overdose at age twenty-six.

In this beautifully written, raucous, meticulously researched biography, David N. Meyer gives Parsons’ mythic life its due. From interviews with hundreds of the famous and obscure who knew and worked closely with Parsons–many who have never spoken publicly about him before–Meyer conjures a dazzling panorama of the artist and his era.

Praise for Twenty Thousand Roads

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE LOS ANGELES TIMES

NAMED ONE OF THE FIVE BEST ROCK BOOKS OF THE YEAR BY ROLLING STONE

“Far and away the most thorough biography of Parsons . . . skewers any number of myths surrounding this endlessly mythologized performer.”
–Los Angeles Times

“A terrific biography of a rock innovator that hums with juicy detail and wincing truth. . . . Page after page groans with the folly of the ’60s drug culture, the tragedy of talent toasted before its time, the curse of wealth and the madness of wasted opportunity.”
–The Atlanta Journal-Constitution

“The definitive account of Gram Parsons’ life–and early death. From the country-rock pioneer’s wealthy, wildly dysfunctional family through his symbiotic friendship with Keith Richards, Meyer deftly illuminates one of rock’s most elusive figures.”
–Rolling Stone

“Meticulously researched . . . Though Meyer answers a lot of long-burning questions, he preserves Parsons’ legend as a man of mystery.”
–Entertainment Weekly

“Meyer gives Parsons a thorough, Peter Guralnick-like treatment.”
New York Post



Visit the official website: www.twentythousandroads.com

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Editorial Reviews

From Publishers Weekly

Starred Review. Gram Parsons is remembered as much for wearing sequined cowboy suits on stage and for being illegally cremated in the desert by one of his friends after dying of a drug overdose as he is for the half-dozen albums he played on in the late 1960s and early 1970s, including the Byrds' classic Sweetheart of the Rodeo. Meyer (A Girl and a Gun) covers both aspects of the legend, but he gives particular attention to the way Parsons brought together elements of country and rock music to forge a new sound. After a leisurely telling of Parsons's rich white trash family drama in Florida and Georgia, including his father's suicide and the barely contained contempt of his mother's family, the biography plunges into his musical career, careening from one band to the next just as Parsons himself did. Meyer is appreciative but never adulatory of Parsons, who he believes threw his talent away; while citing the influence of the Flying Burrito Brothers' debut album, for example, he repeatedly mentions the band's unbelievably sloppy sound. This isn't the first biography of Parsons, but Meyer's semidetached stance as a critical fan makes it a valuable one, in the vein of Peter Guralnick or Greil Marcus. (Oct. 30)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

About the Author

David N. Meyer was born in Gainesville, Georgia. His books include The 100 Best Films To Rent You've Never Heard Of and A Girl and A Gun; The Complete Guide to Film Noir On Video. He has written on film and music for Entertainment Weekly, The New York Times, Wired and The Rocket. Mr. Meyer teaches in cinema studies at the New School and is the film editor for the arts monthly Brooklyn Rail. He contributed to the underground humor classic The Book of the Subgenius. He lives in New York City and Ketchum, Idaho.
www.twentythousandroads.com


From the Hardcover edition.

Product Details

  • Paperback: 592 pages
  • Publisher: Villard; Reprint edition (September 16, 2008)
  • Language: English
  • ISBN-10: 0345503368
  • ISBN-13: 978-0345503367
  • Product Dimensions: 5.5 x 1.3 x 8.2 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (31 customer reviews)
  • Amazon Best Sellers Rank: #327,437 in Books (See Top 100 in Books)

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Customer Reviews

31 Reviews
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 (16)
4 star:
 (7)
3 star:
 (4)
2 star:
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Average Customer Review
4.1 out of 5 stars (31 customer reviews)
 
 
 
 
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21 of 23 people found the following review helpful:
4.0 out of 5 stars The Best Gram Book Yet!, January 6, 2008
Mr. Meyer has given us, without a doubt, the best book on Gram Parsons yet. Wheras Ben Fong-Torres' work focused on the historical, "dry-er" side of Parsons's story, Meyer perfectly combines fact with fiction. The result is a wonderfully balanced view of Gram as the supposed "father" of Cosmic American Music and Gram, the self-destructive human being who couldn't stay out of his own way.

I would like to point out a few problems I have with this book, though. One of Meyer's strengths is the exclusion of his personal viewpoints. Unless they're dumbly obvious- that "Burrito Deluxe" does not even compare to "The Gilded Palace of Sin," for example. Meyer crosses into subjectivity once, however, and I found it rather ridiculous- he insists that "GP" is a better album than "Grievous Angel."

I admit that, personally, I think that "Grievous Angel" is one of the best albums ever whereas "GP" is a good album (just ask Tom Petty). But that's not the issue- Meyer never backs up his claim. He states that the high points of the album are as best as Gram ever did, and then continues to name all but one or two of the tracks as exemplary. So why is "GP" better? Perhaps Meyer wants it to be better, because it (arguably) combines more genres of music (the R&B-based "Cry One More Time", for example), giving more claim to the term "Cosmic American Music". Perhaps not. But in either case, he doesn't substantiate his one truly subjective input.

Also, with regards to Emmylou Harris's and Gram's relationship, Meyer doesn't point to Harris's recent comment that she really WAS in love with Gram and was waiting to tell him! Seeing as how Meyer devotes a few paragraphs to addressing their (platonic?) relationship, I can't figure out why he didn't deem her comment worth mentioning.

Besides these two main points, I think "Twenty Thousand Roads" is fantastic. It's extremely well written and insightful, and should be purchased by any fan of country and rock and roll music.
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21 of 24 people found the following review helpful:
5.0 out of 5 stars Meyer's "Gram" Bio in the Pantheon of Rock Bios with Guralnick, Marcus, October 30, 2007
This is a passionate, well-researched rock bio of Gram Parsons. It's an easy read, wonderful for those who love the music, great for those who are learning it. An amazing saga. Meyer's other books contain some of the funniest, incisive criticism of film; as he turns his attention to the fabled rocker, few old myths are left standing, but Parsons emerges as a human figure who we now know as never before.
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12 of 13 people found the following review helpful:
5.0 out of 5 stars Comprehensive and excellent biography of Gram Parsons, December 17, 2007
By 
This book has all the elements of a well written biography--it's incredibly comprehensive in Grams' details from birth to death and the aftermath, it's easy to read and follows smoothly, it doesn't judge and presents many contemporaries' and close friends' points of view, and it provides a lot of data for proposing that Gram was one of the main and most dedicated creators of the blending of country, soul and rock music in the mid-sixties--Which were at great odds with each other culturally at that point in time.
For folks like me who lived through the era it reveals how a lot of the connections I saw occurring in music--why the Rolling Stones went roots-country-blues on Exile on Main Street (after sucking at psychedelia), where Poco, Manassas, Pure Prairie League and especially Emmylou Harris suddenly sprung from in the early '70's etc., etc
A great read of a sad, short but fruitful life--and an encyclopedic rendering of the beginnings of alt-country, outlaw country music...
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
grievous angel, coon dog, steel player, band rehearsed
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Winter Haven, New York, Bob Parsons, Big Avis, Los Angeles, Gram Parsons, Jimmi Seiter, Dickey Smith, John Senior, Margaret Fisher, Kathy Fenton, Sneaky Pete, Bernie Leadon, Jim Carlton, Joshua Tree, Gene Leedy, Polk County, Ian Dunlop, New Orleans, John Nuese, Chris Hillman, Little Avis, Dode Whitaker, Earl Ball, Jock Bartley
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Will someone please reissue Sid Griffin's book on Gram!!! 2 Oct 18, 2010
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