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Editorial Reviews
About the Artist
Shore has won three Oscars for his work on "The Lord of the Rings" trilogy and received dozens of further accolades for his work. He is also known for his work with Martin Scorsese (The Aviator, The Departed) and David Cronenberg (A History of Violence, Eastern Promises) and several other notable films.
Product Description
Original score to the 2010 motion picture, The Twilight Saga: Eclipse, the third installment in the blockbuster film franchise. Three-time Oscar Winning composer Howard Shore composed the music for the latest film's score, following in the footsteps of Carter Burwell and Alexandre Desplat. Shore has won three Oscars for his work on The Lord of The Rings Trilogy and received dozens of further accolades.
Customer Reviews
Most Helpful Customer Reviews
77 of 81 people found the following review helpful
Format:Audio CD
The best thing you can say about any movie's soundtrack is that it can stand on its own, and that no matter what you think of the movie, the soundtrack is chock full of amazing music.
And the soundtrack to "The Twilight Saga: Eclipse" is one of those. Whether you love or hate the teen-vampire-infatuation series, it's undeniable that the soundtrack has some excellent (if less indie than the last one) bands -- expansive rock'n'roll and lush echoing pop, some of it well-known (Muse, Vampire Weekend) and some relative obscure (Florence and the Machine).
"Tear me down, they can't/take you out of my thoughts/under every star/there's a battle I've lost..." It opens with Metric's "Eclipse (All Yours)," a beautifully layered pop melody filled with shimmering rough riffs; after that it segues into the painfully passionate "Neutron Star Collision (Love Is Forever)" by Muse -- a lament that explodes into a supernova of dark racing riffs and wailing vocals.
There's a pretty good rock'n'roll showing after that, with the Bravery's fast-moving angsty "Ours," the Black Keys' raw bluesy "Chop and Change," the Dead Weather's slow-burning bleak "Rolling on a Burning Tire," and the mildly funky folk of Cee Lo Green's "What Part of Forever." The best: UNKLE's collaboration with the Black Angels is a brilliantly eerie, murky rocker, while Vampire Weekend slips effortlessly into the expansive, glittering "Jonathan Low."
Then there's the pop songs, which are even more remarkable -- Florence and the Machine's exquisitely spooky "Heavy in my Arms," Fanfario's sprightly "Atlas," Sia's haunting strings-and-piano ballad "My Love," Band of Horses' starlight-filled "Life on Earth," and Howard Shore's bittersweet piano melody "Jacob's Theme." But the best of the bunch is Beck's collaboration with Bat For Lashes -- a sensuous, elusive duet of piano and blips.
Finally, there are a pair of bonus tracks -- the ominously perky "The Line" by the Battles, and the vaguely hallucinatory Bombay Bicycle Club's "How Can You Swallow So Much Sleep?".
This soundtrack is pretty different from the two that precede it. It's not as deliciously indie as the "New Moon" one, but it's not crammed with emo popmetal either. In fact, there are only a few songs on this album that don't thrill me to the core, and only one I dislike -- namely, Eastern Conference Champions' blandly monotonous "A Million Miles an Hour."
And the bands included set a wonderful double mood -- some of the songs reflect bittersweet romanticism (Metric, Sia), but there's also a feeling of dark raw menace in others (The Dead Weather). There's a lot of slow sad piano, veils of electronica, bouncy acoustics and some deeply brilliant guitar riffs -- they can shimmer like starlight on the water, or erupt into a fast-moving, expansive band of sound.
And both the singers and lyrics stretch across a wide range. They can be dark and distorted, quirky, sweet, filled with pain and sorrow ("Love is forever... we'll die together"), and sometimes understatedly powerful ("Who is the betrayer?/Who is the killer in the crowd?/The one who creeps in corridors/and doesn't make a sound!").
You don't have to be a fan of the Twilight franchise to appreciate the music in "The Twilight Saga: Eclipse" soundtrack -- some is creepy, some is lovely, and most of it is brilliant.
And the soundtrack to "The Twilight Saga: Eclipse" is one of those. Whether you love or hate the teen-vampire-infatuation series, it's undeniable that the soundtrack has some excellent (if less indie than the last one) bands -- expansive rock'n'roll and lush echoing pop, some of it well-known (Muse, Vampire Weekend) and some relative obscure (Florence and the Machine).
"Tear me down, they can't/take you out of my thoughts/under every star/there's a battle I've lost..." It opens with Metric's "Eclipse (All Yours)," a beautifully layered pop melody filled with shimmering rough riffs; after that it segues into the painfully passionate "Neutron Star Collision (Love Is Forever)" by Muse -- a lament that explodes into a supernova of dark racing riffs and wailing vocals.
There's a pretty good rock'n'roll showing after that, with the Bravery's fast-moving angsty "Ours," the Black Keys' raw bluesy "Chop and Change," the Dead Weather's slow-burning bleak "Rolling on a Burning Tire," and the mildly funky folk of Cee Lo Green's "What Part of Forever." The best: UNKLE's collaboration with the Black Angels is a brilliantly eerie, murky rocker, while Vampire Weekend slips effortlessly into the expansive, glittering "Jonathan Low."
Then there's the pop songs, which are even more remarkable -- Florence and the Machine's exquisitely spooky "Heavy in my Arms," Fanfario's sprightly "Atlas," Sia's haunting strings-and-piano ballad "My Love," Band of Horses' starlight-filled "Life on Earth," and Howard Shore's bittersweet piano melody "Jacob's Theme." But the best of the bunch is Beck's collaboration with Bat For Lashes -- a sensuous, elusive duet of piano and blips.
Finally, there are a pair of bonus tracks -- the ominously perky "The Line" by the Battles, and the vaguely hallucinatory Bombay Bicycle Club's "How Can You Swallow So Much Sleep?".
This soundtrack is pretty different from the two that precede it. It's not as deliciously indie as the "New Moon" one, but it's not crammed with emo popmetal either. In fact, there are only a few songs on this album that don't thrill me to the core, and only one I dislike -- namely, Eastern Conference Champions' blandly monotonous "A Million Miles an Hour."
And the bands included set a wonderful double mood -- some of the songs reflect bittersweet romanticism (Metric, Sia), but there's also a feeling of dark raw menace in others (The Dead Weather). There's a lot of slow sad piano, veils of electronica, bouncy acoustics and some deeply brilliant guitar riffs -- they can shimmer like starlight on the water, or erupt into a fast-moving, expansive band of sound.
And both the singers and lyrics stretch across a wide range. They can be dark and distorted, quirky, sweet, filled with pain and sorrow ("Love is forever... we'll die together"), and sometimes understatedly powerful ("Who is the betrayer?/Who is the killer in the crowd?/The one who creeps in corridors/and doesn't make a sound!").
You don't have to be a fan of the Twilight franchise to appreciate the music in "The Twilight Saga: Eclipse" soundtrack -- some is creepy, some is lovely, and most of it is brilliant.
24 of 27 people found the following review helpful
By R S
Format:Audio CD
The Twilight movies have each been unique films, each one having a different director. The scores for the movie are similar, each having a different composer. But while the directors of the franchise have at least paid some respect to the others' work, the three composers have each given their own take on the music of Twilight and haven't done much to create stylistic consistency.
Carter Burwell's score incorporated pop music elements and was effective in that it catered to Twilight's core audience even if the music was sometimes structurally weak. Alexandre Desplat created a more traditional, classical score that was influenced by the recurring "Romeo and Juliet" motif in the film. He just about completely ignored Burwell's music, and while his own material was thematically strong, it was often borderline nebulous and it didn't do much for me in the actual film, particularly in scenes that were supposed to be emotionally dramatic.
Now, Shore has ignored both of these composers' thematic material but has effectively combined their approaches, making a score that can be pop-ish and rock-ish at times (like the piano theme in "Compromise/Bella's Theme" and the electric guitar in "Victoria") but also provides some much-needed straight orchestra writing (the romantic music in "First Kiss" or the action cue "Riley").
Noteworthy is that Shore manages to do two things that Burwell and Desplat never managed: 1) make music that actually effectively conveys vampires and werewolves and 2) create themes for some of the side characters. Those two elements were lacking in the first two Twilight scores.
Shore goes from dark, pounding action music to carefree character writing without missing a beat. In the film, the score is able to subtly enhance the moods on screen (although there are no standout musical sequences), and it makes for a decent listening experience on album, although it probably won't reach the heights of your "25 most played" list.
Overall, Burwell's score might satisfy some Twilight fans the most and Desplat probably has the most refined score but Shore's balanced approach is effective and his mastery of his craft is evident. One could only wonder what would have happened if any one of these competent composers had been able to handle the franchise at large, rather than just single entries.
Carter Burwell's score incorporated pop music elements and was effective in that it catered to Twilight's core audience even if the music was sometimes structurally weak. Alexandre Desplat created a more traditional, classical score that was influenced by the recurring "Romeo and Juliet" motif in the film. He just about completely ignored Burwell's music, and while his own material was thematically strong, it was often borderline nebulous and it didn't do much for me in the actual film, particularly in scenes that were supposed to be emotionally dramatic.
Now, Shore has ignored both of these composers' thematic material but has effectively combined their approaches, making a score that can be pop-ish and rock-ish at times (like the piano theme in "Compromise/Bella's Theme" and the electric guitar in "Victoria") but also provides some much-needed straight orchestra writing (the romantic music in "First Kiss" or the action cue "Riley").
Noteworthy is that Shore manages to do two things that Burwell and Desplat never managed: 1) make music that actually effectively conveys vampires and werewolves and 2) create themes for some of the side characters. Those two elements were lacking in the first two Twilight scores.
Shore goes from dark, pounding action music to carefree character writing without missing a beat. In the film, the score is able to subtly enhance the moods on screen (although there are no standout musical sequences), and it makes for a decent listening experience on album, although it probably won't reach the heights of your "25 most played" list.
Overall, Burwell's score might satisfy some Twilight fans the most and Desplat probably has the most refined score but Shore's balanced approach is effective and his mastery of his craft is evident. One could only wonder what would have happened if any one of these competent composers had been able to handle the franchise at large, rather than just single entries.
15 of 16 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
I loved the New Moon soundtrack. The "indie" sound of that album was a perfect fit for the mood of the book/movie. The album also stood alone as a great collection of music without the Twilight connection. I was therefore looking forward to the Eclipse soundtrack, and purchased it the moment it became available. I'm only on my third listen, but I'm already extremely happy with the quality of music selected. The songs are mostly upbeat, with a few perfectly placed melancholy ballads. A great way to find new music, as I hate listening to mainstream radio. Two thumbs up to music supervisors Paul Katz and Alexandra Patsavas for compiling another fantastic listen.
Most Recent Customer Reviews
5.0 out of 5 stars
Twilight Saga Music!!!
Can you say---Love It!!! I just purchased the Eclipsed Soundtrack among others, and I have truly enjoyed the music from the various artists, it brings back the memories of the... Read more
Published 3 days ago by Melina
3.0 out of 5 stars
I dont remember the music in this movie being this.... well
"not so great" I 100% love the soundtracks to twilight and breaking dawn, but this soundtrack is not as good, its not bad, its just not good.. Read more
Published 6 days ago by Shawn Walden
5.0 out of 5 stars
Twilight's Eclipse Soundtrack
Do you love the book? Do you love the movie? Here is the soundtrack. As you listen, you can just 'see' each scene. Get it. Love it.
Published 7 days ago by Jackie Moore
5.0 out of 5 stars
twilight
I love all of the songs that this cd have I can't complain I used to have but I lost it so I had to buy it again cause I loved the songs that this cd have
Published 10 days ago by Victoria Haro
3.0 out of 5 stars
I would buy this again!
Although the movies could have been better, the soundtrack is pretty good. There are some random songs on it that are a bit out there, but most of the CD makes for good listening.
Published 18 days ago by D
5.0 out of 5 stars
FANTASTIC
As always the Twilight Saga works it's magic. I am a middle aged TWI-HARD, and no matter how many times I watch this video I always find something new.
Published 22 days ago by findrhonda
4.0 out of 5 stars
An unfair comparison?
I got this CD the same time as I got the Breaking Dawn Part One CD which I love. Maybe I'd like this a bit more if I didn't have that one to compare it to, I don't know. Read more
Published 23 days ago by Scripto
5.0 out of 5 stars
eclipse
i liked all the songs in this cd. some i had never heard before and i'm glad i bought it.
Published 23 days ago by mompauley
2.0 out of 5 stars
Score NOT Soundtrack!!
Maybe my fault in thinking this was the only "Eclipse" music offered that included The Score, I have learned that one must now buy two CD's inorder to receive what used to... Read more
Published 1 month ago by Kaye Stenbeck
4.0 out of 5 stars
Good music from the movie
I like the songs and they remind me of the movie. Very enjoyable and received in less than a week for a good price.
Published 1 month ago by JLQ14
