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Twilight of the Wagners: The Unveiling of a Family's Legacy Hardcover – May 1, 1999


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Product Details

  • Hardcover: 310 pages
  • Publisher: Picador USA; First Edition edition (May 1, 1999)
  • Language: English
  • ISBN-10: 0312199570
  • ISBN-13: 978-0312199579
  • Product Dimensions: 9.4 x 6.4 x 1.2 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 2.2 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Best Sellers Rank: #2,372,300 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Gottfried Wagner is a man clearly wrestling with the past. He grew up in a loveless atmosphere in Bayreuth--a mecca for German devotees of composer Richard Wagner, his great-grandfather. But it wasn't until he was an adult that he learned of the far darker overtones of the family home--their close links with Hitler and a pattern of anti-Semitic beliefs that he traces back to the famous composer. Gottfried, who was born in 1947, has spent years publicly castigating the anti-Semitism of the Wagners and what he calls the "Wagner cult," and this book is his summation of that campaign. Much of his story is not new, but he provides some indelible new details. The struggle between his father, Wolfgang, and uncle, Wieland, for control of the Bayreuth Festival was so hostile that Gottfried was once beaten for playing with his cousins. And as late as the 1970s, his grandmother Winifred carefully stored a cache of Hitler's letters in a steel-lined cabinet and kept a photo of him on her desk, inscribed "From Wolf to his Winnie." During one of Hitler's many visits to her home, he told the Wagner boys, "Once we have rid the world of the Bolshevik-Jewish conspirators, then you, Wieland, will run the theater of the West and you, Wolfgang, the theater of the East."

At its heart, this is neither a historical study nor a family exposé. It is the sad story of a son who spent decades rebelling against an icy father and trying to make peace with him. He also searched for his own career in the shadow of his famous family. Gottfried maintains that his outspokenness ruined his chances in the German opera world, where Bayreuth casts a heavy influence (Wolfgang Wagner still runs the festival). Bayreuth has in fact changed in recent years, welcoming Jewish conductors like James Levine and Daniel Barenboim. But Gottfried sees this as a cynical move, necessary in--as he quotes Winifred--"these Jew-ridden times." Gottfried finally severed his ties to his domineering father in 1990 when he conducted a lecture tour in Israel. He now calls himself an "anti-Wagnerian," and he has formed a group to foster German-Jewish understanding. --David Olivenbaum

From Publishers Weekly

According to Greek myth, the sins of a father are visited upon his sons for three generations. Born in 1947, Gottfried Wagner is the third generation of operatic genius Richard Wagner's offspring, and it is clear in this prickly memoir that he does continue to carry the burden of his great-grandfather's infamous anti-Semitism. Though Wagner (1813-1883) died six years before Hitler was born, Gottfried demonstrates that the composer's virulent essays, which call for Jews to "redeem" themselves through "destruction," exercised a powerful influence on Hitler. More importantly, Gottfried shows that Wagner's descendantsAespecially his daughter-in-law WinifredAwere ardent supporters and close friends of Hitler. Furthermore, Gottfried contends that his father, Wolfgang, now the director of the annual Wagner festival in Bayreuth, continues to obfuscate the family's and the festival's Nazi connections. Gottfried has long been an outspoken critic of Bayreuth's tainted history, perhaps in part because his childhood there, and his familial relations, have been so unpleasant. In fact, much of this memoir is devoted to showing how Gottfried's cold, autocratic father allegedly has sabotaged his career as an opera director and stubbornly refused to let him participate in the festival's planning. Gottfried's determination to honestly face his disquieting legacy raises enduring questions about the relationship between art and politics and about the responsibilities today's Germans have for their predecessors' sins. Photos not seen by PW. Author tour.
Copyright 1999 Reed Business Information, Inc.

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Customer Reviews

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There was a puzzling noise I noticed while reading this book.
Laon
He repeatedly drones on about how he was persecuted and ignored by his father, misunderstood by the other Wagners and shunted aside for no good reason.
Candace Scott
I would also like to learn how other members of the family feel about it and what justifications could they render for their actions.
C. M Mills

Most Helpful Customer Reviews

15 of 17 people found the following review helpful By Candace Scott on June 15, 2003
Format: Hardcover Verified Purchase
This was a crashing disappointment on several fronts. Gottfried Wagner is in a unique position to dish major dirt on the Bayreuth Wagner clan, yet he inexplicably chooses to focus the center of attention on himself. The problem is that Gottfried is not especially likeable or interesting and suffers from a case of self-absorption unequalled in recent history. He repeatedly drones on about how he was persecuted and ignored by his father, misunderstood by the other Wagners and shunted aside for no good reason. Ho hum.
The second disappointment is that this book was marketed as containing many "new" revelations about Hitler and his relationship with Wagner grandmother Winifred. Notice that Hitler is featured prominently on the cover of the book, flanked by Wieland and Wolfgang. Gottfried again could have provided fascinating, new glimpses into Winifred, who was a fanatic, but at least a fascinating woman. This was an opportunity for Gottfried to unearth new tid-bits relating to Hitler's annual Bayreuth pilgrimages, his relationships with Verena, Friedilind and the Wagner boys, but... again, he drops the ball. There is very little new material offered here.
The writing style is unedifying, perhaps the fault of the translator, but to sum up: not worth your time.
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8 of 9 people found the following review helpful By A Customer on October 1, 1999
Format: Hardcover
A major disappointment. There are some very well-written books on the Wagner family and their well-known links to Hitler. We know they loved the guy. We know they crossed their fingers and did what they could to get through de-nazification after the war. So when you open Gottfried's little tell-all, you hope for some insights from the other side of the walls at Wahnfried. But what you find adds absolutely nothing to what is known about the Wagner crowd and their love affair with der fuehrer.
That our reading public seems fascinated with celebrity biographies about childhood abuse is sad enough. When a non-celebrity non-entity from the Wagner family who happens nonetheless to be a direct descendent from the composer actually finds a publisher to print one of these trashy tomes (shame on you Picador Books), we have truly entered a new level in book-publishing.
I deeply regret adding to global warming by buying this thing. This copy of Gottfried's whiny little book won't even be donated to the local library.
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7 of 9 people found the following review helpful By Steven Goldstein on June 9, 2000
Format: Hardcover
I wish I had read the other reviews of this ponderous whinethon before I spent the money or more importantly the time enduring it. I had heard the author interviewed on NPR several times, and he is reasonably interesting in an interview. He is, however, an apallingly bad writer. This should have been pretty compelling stuff, but Gottfried Wagner has managed to turn it into an almost unending diatribe with repetitive and uninteresting details about his family's conflicts. There is also an uncomfortably consistent thread of self promotion present throughout most of his longwinded tales of his exodus from Bayreuth.
While I can appreciate his angst over discovering the dark secrets of his family background, he could have covered that territory in a lot less time and paper. If you want to read a fascinating book and one that will give you a far better idea of what growing up in Nazi Germany was really like, try "Stones From the River". It, unlike this lump, is brilliant.
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4 of 5 people found the following review helpful By A Customer on August 12, 1999
Format: Hardcover
Based on a CSPAN interview with Gottfried Wagner I expected a lot more from this book, especially since Dr. Wagner was motivated to embark on writing this book based on talk he gave at my alma mater, Richard Stockton College of NJ. Anyway, I really thought I would gain some insight to how a family, entwined in Hitler's inner cultural circle, deals with its past. Simply, they deny it. But do we need 300 pages of whining about how "daddy never loved me?" I think not. This is self-indulgence at its worst. Gottfried Wagner goes on and on about just how sensitive he is, and how most of the world just doesn't understand the horror of the holocaust. Not to mention his excusing all of the atheist Nietzche's part in German thought and process in the 1920's, 30's and 40's. So who doesn't know that Richard Wagner was an anti-semite? I love his music, I hate the man, but then again that can be said for a lot of famous artists. The horror of the Holocaust is still with us today. One need only look at the persecution of Bahai's in Iran, Christians in Sudan, and religious people of all sorts in the People's Republic of China. Only the groups have changed, the thugs are still with us. We've learned nothing, and TWILIGHT OF THE WAGNERS doesn't provide the reader with any new insights. There is nothing new here, don't waste your time.
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6 of 8 people found the following review helpful By Benjamin G. Gardner on April 5, 2001
Format: Hardcover
Rambling and often disjointed, Twilight of the Wagners (a clever pun on Götterdämmerung - Twilight of the Gods) is more, much more, than the self-proclaimed "unveiling of a family`s legacy" that it is. From Hitler to Hess to the Wagner tribe to von Karajan to Furtwängler, they`re all here - all the great actors on the stage of History who, out of patriotism or madness, played a more than casual role in what was to be one of the defining moments of the 20th century. Like ghosts from the past, they are called up and made to act out their roles with sometimes convincing color and life throughout the pages of this book.
Although Gottfried Wagner is to be praised for unveiling his family`s legacy, the reader cannot help but wonder if this is really the mea culpa - the final exorcism of anti-semitic ghosts throughout no less than three generations - that it is meant to be. After reading it, you come away with the feeling that, beneath all the history, there is a razor-sharp undercurrent of bitterness and an overwhelming desire to prove that "I`m good; they`re bad."
Too, this book does not really unveil a dark legacy - it rips the mouldering shrouds off quite a few corpses; corpses that it might have been better to leave quietly buried. Closet doors fly open, and skeletons - some over a century old, others quite new - come tumbling merrily out. In other words, it doesn`t unveil a legacy, it spills the beans. Written in an almost conversational tone, the impression that it gives is that this is a prolixic, disjointed confession - one tinged with personal impressions but lacking the satisfying basis of empirical fact-finding and research.
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