The Twilight Zone: Vol. 11
 
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The Twilight Zone: Vol. 11 (1959)

Rod Serling , Robert McCord  |  Unrated |  DVD
4.7 out of 5 stars  See all reviews (15 customer reviews)

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Product Details

  • Actors: Rod Serling, Robert McCord, Jay Overholts, Vaughn Taylor, James Turley
  • Writers: Rod Serling
  • Format: Black & White, DVD, NTSC
  • Language: English (Dolby Digital 2.0 Mono)
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Image Entertainment
  • DVD Release Date: April 3, 2001
  • Run Time: 100 minutes
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (15 customer reviews)
  • ASIN: B00004L8IP
  • Amazon Best Sellers Rank: #54,808 in Movies & TV (See Top 100 in Movies & TV)
  • For more information about "The Twilight Zone: Vol. 11" visit the Internet Movie Database (IMDb)

Special Features

  • Episodes: "The Dummy" (1962, Ep. 98), "The Fever" (1960, Ep. 17), "Living Doll" (1963, Ep. 126) and "The After Hours" (1960, Ep. 34)
  • "Inside The Twilight Zone", including information on Rod Serling, a history of the series, reviews of each episode, cast information and a season-by-season commentary

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Twilight Zone Season 1 - Available Formats

Editorial Reviews

TWILIGHT ZONE VOL 11 - DVD Movie

 

Customer Reviews

15 Reviews
5 star:
 (10)
4 star:
 (5)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.7 out of 5 stars (15 customer reviews)
 
 
 
 
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22 of 22 people found the following review helpful:
5.0 out of 5 stars Some of the very Best Episodes, June 30, 2002
By 
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This review is from: The Twilight Zone: Vol. 11 (DVD)
THE FEVER from the First season aired on January 29, 1960 and was written by Rod Serling. Everett Sloane is brilliant as a married man who continually lectures his wife on the pitfalls of gambling after winning a trip to Las Vegas. Goaded into it Sloane puts a coin into a slot machine, wins and the cycle begins. This is an interesting episode, not necessarily against gambling but one that addresses the nature of obsession and the lengths of self-destruction that it can lead to. It also addresses a familiar TWILIGHT ZONE theme about man and his confrontation with the machines that he creates. THE DUMMY from the Third season aired on May 4, 1962 and was written by Rod Serling. Cliff Robertson plays a down-and-out ventriloquist who has dilutions that his mannequin may be getting the better of him. This is an interesting study into the mind of man and the manmade with a denouement that is riveting. THE AFTER HOURS remains just as fresh and effective as when it was first aired on June 10, 1960 and its lingering haunting imagery remains engraved into one's subconscious. Who can ever forget Anne Francis as Marsha. Her impeccable performance and exquisite face are indelible. "Marsha" that very name and the way it was repeated over and over was so eerily unsettling sending chills down one's spine. This episode when compared to WALKING DISTANCE demonstrates the great versatility of Rod Serling as a writer. WALKING DISTANCE is probably the best prose that Serling ever penned where every bit of dialogue was so heartfelt and moving. In THE AFTER HOURS Serling gives us a more visual tale where the storytelling is more dependent on the images. Serling gives us a story of two strikingly opposite worlds that co-exist within a department store. The vivid contrast and the realistic depiction of those two worlds is at the core of this story that has a strange tinge of melancholy about it. Thanks to effective lighting, production design, photography, Douglas Heyes' Direction and impeccable acting it succeeds on all levels and is one of the definitive episodes of the series. Your heart kind of goes out for Telly Savalas in LIVING DOLL. As much of a no-good creep of a stepfather Savalas is, you just gotta feel bad for this guy as he gets outdone by a doll, Talky Tina. The doll is almost as evil as he is and this becomes very evident in the final scene at the bottom of the living room staircase. A lot of the viewers' ambiguous feelings are the result of Bermard Herrmann's innovative score. It has a childlike quality that taunts and teases both Telly Savalas and the viewer. This is an excellent episode written by Charles Beaumont from the Fifth season and is one of the best and most memorable from the entire series. This is an excellent volume.
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10 of 11 people found the following review helpful:
5.0 out of 5 stars This is the best of all the Twilight Zone Volumes, March 8, 2003
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This review is from: The Twilight Zone: Vol. 11 (DVD)
For those of you who are being selective in which Twilight Zone volumes you're buying; and, you plan on watching this DVD more than once, this is the best. This volume includes (1) Living Doll (Talking Tina) with Telly Savales, (2) The Fever (a taunting slot machine), (3) The After Hours, with Anne Francis, who is left in a department store after the store closes and all the people have left. (4) The Dummy (a ventriloquist). The first 3 are great, the Dummy is OK, but again the first 3 are worth the cost alone. Also, the fact that you don't have those annoying commercials anymore makes watching Twilight Zone that much better.
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5 of 6 people found the following review helpful:
4.0 out of 5 stars !!DOLLS GONE WILD!!, December 6, 2001
By 
andy7 (Los Angeles, CA United States) - See all my reviews
This review is from: The Twilight Zone: Vol. 11 (DVD)
To the best of my knowledge there's no specific theme to any of the Twilight Zone DVD's, but this one does, and it's --DOLLS GONE WILD!
The first episode contains the classic ventriloquist corrupted by his dummy tale ("Magic", "Dead of Night"). It stars Cliff Robertson, who looks like a puppet to begin with.
The third episode is the legendary Talking Tina story where she tells Telly "Kojak" Savalas how she's going to kill him, and accomplishes the deed.
The final episode stars Anne "Honey West" Francis as a girl trapped in a department store who gets an earful from a bunch of creepy, chatty mannequins.
The animated menu with the TZ title eyeball is classic TZ mind-bending psycho-delia. The episodes themselves are as clean as early 60's televideo can get. The sound quality ranges from good to muddy, but overall the content of these shows make up for their technical shortcomings.
Tell 'em Jerry Mahoney sent you.
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