The Twins, the Dream/Las Gemelas, El Sueno: Two Voices/DOS Voces, Poems/Poemas [Hardcover]

Diana Bellessi (Author), Ursula K. Le Guin (Author)

Book Description

Publication Date: January 1997

poetry, bilingual Spanish/English

Editorial Reviews

From Publishers Weekly

Through correspondence, Le Guin, a prolific American writer (The Left Hand of Darkness; Unlocking the Air and Other Stories, etc.), and Bellessi, an Argentinean poet, collaborated on translating each other's poems to produce this intimate exchange of language and culture. The intrinsic value of this quirky edition lies in the bilingual presentation, for the two poets' success in reaching cross-cultural audiences is limited by their lack of expertise in translation. In Le Guin's hands, Bellessi's internal rhythms are lost and words are stripped of layers of meanings. For instance, the question "?Sabias/ cuando te encontre en Paris... sabias, que te hubiera hecho el amor?" loses the poignant effect of the narrator's looking back at a youthful episode when Le Guin turns it into the statement "You know, when I saw you in Paris... you know, I would have made love to you." Bellessi, in turn, overpowers Le Guin's direct voice, at times transforming her meaning entirely. In "The House of the Spider: A Spell to Weave," Le Guin states: "They are together,/ the brother,/ no other." Bellessi changes "no other" to "el humano," shucking Le Guin's specific to express her own wider concerns. In their own languages, the poets' magic shines, as in Bellessi's adventurous "Cruising the Equator" and Le Guin's "Dos Poesias para Mi Diana," which divulges not only the title for the book, but the intimate nature of poetry and this collaboration.
Copyright 1996 Reed Business Information, Inc.

From Library Journal

This anthology represents a novel approach to poetry: Le Guin and Bellessi have translated each other's work. The two volumes of poetry from the early 1980s from Latin American Bellessi, appearing for the first time here in English, represent two distinct modes of expression. The strophic travelog "Cruising the Equator" is more immediate and personal: "I came to a town blotted out by sand." The poems in "Nobody Gets in Here with Words" are more lyrical, almost like haiku: "A little poplar leaf drifts,/ coming to rest/ on the surface of the river." Le Guin's selections are overall less satisfying?perhaps due to their provenance in several different volumes?and will appealing less to American audiences than her partner's. Recommended with reservations.?Lawrence Olszewski, OCLC Lib., Dublin, Ohio
Copyright 1997 Reed Business Information, Inc.

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Product Details

• Hardcover: 225 pages
• Publisher: Arte Publico Pr; Bilingual edition (January 1997)
• Language: English
• ISBN-10: 1558851704
• ISBN-13: 978-1558851702
• Product Dimensions: 8.6 x 5.8 x 1 inches
• Shipping Weight: 1 pounds
• Amazon Best Sellers Rank: #4,180,773 in Books (See Top 100 in Books)

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