From Publishers Weekly
This volume does not feature ordinary asanas. In fact, according to the opening note, "It isn't even really yoga." This mind-bending collection of photographs and word play, presented by Pilobolus the internationally renowned dance company puts a modern spin on the ancient Hindu practice. "Sitting Shiva," for example, shows a man in full lotus, arms outstretched, forming a mudra (fingers fanned and curved, with thumb and third finger forming a closed circle) with each hand. A second set of arms (which belong to the person seated back-to-back behind him) makes him appear multi-limbed. A third person, seated in an identical position, balances atop his head. The result: a visual pun that blends the many-armed Hindu god of destruction and regeneration with the traditional Jewish period of mourning. Kane uses a slightly blue-hued lens for another, more straightforward pun, "Peacock"; a man lies on his back with legs extended in a right angle to the floor, his feet balancing two women, back-to-back, their legs outstretched in a fan to form the bird's feathers. Set against stark black or white backgrounds, Kane's transcendent images of the colorfully and sometimes scantily clad "Piloboli" (dancers) in action elevate viewers to a higher state of consciousness. This tastefully designed volume will be just as appealing to adults as to erudite teens. Ages 14-up.
From School Library Journal
Grade 8 Up-Not about yoga at all, but a stunning visual feast featuring much twisting, indeed. Members of the Pilobolus dance company present an intriguing collection of visual puns and clever contortions to engage readers' imagination and amazement. Four dancers intertwine in "Mandala." Two others portray a perfect "Yin Yang." In "Ostrich Tree," three stand completely bent over with head to knees, with two of them atop another's buttocks. In "Peacock," a man lies on the floor with legs bent straight up at the hips, supporting two women whose legs are fanned out, forming the bird's tail. "Nutcase" features two dancers seated facing each other, with arms and legs completely entangled to form a hard shell, photographed from above. The dancers are posed against solid black or white backgrounds, setting off the clean, muscular lines of their bodies, sometimes colorfully, sometimes scantily, clad. Readers will also enjoy Thia Luby's Yoga for Teens (Clear Light, 2000), which juxtaposes similarly clever photography with substantive information about the practice of yoga.
Joyce Adams Burner, Hillcrest Library, Prairie Village, KSCopyright 2002 Cahners Business Information, Inc.