17 of 18 people found the following review helpful:
5.0 out of 5 stars
Marcus Didius Falco does it again!, June 28, 1999
By A Customer
To get the worst out of the way first the only thing that wasn't quite right with this latest instalment of Marcus Didius Falco was the hero's current relationship with Petronius Longinus. The preceding novel did not leave us with the impression of bitterness that 'Two For The Lions' conveys. Aside from that, what can I say? Superb characterization, imaginative plots and plenty of light humour! The easy reading of all Lindsey Davis' novels makes each trip into the Roman world of seedy back-door politics and informers a delight. The development of Anacrites and the relationship between Helena Justina and Marcus Didius is entirely credible and always amusing. Long may the series continue.............
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8 of 9 people found the following review helpful:
5.0 out of 5 stars
one more for the fans of falco, June 23, 1999
By A Customer
Davis finds yet another seam on Rome's underbelly to pick open as Falco investigates the death of a moonlighting Circus lion, and other possibly related oddities. What I love about these books is the attention to detail that the author uses to submerge you in Falco's world; it's like what Mary Renault did with ancient Greece. Renault and Davis also share the gift of being able to get into the skin of their male central characters.Unlike Renault, Davis seems equally interested in her female characters, and Two For the Lions has some good ones, as well as the further development of everyone's favourite pest, Anacrites. Good mystery, good history. I wish my copy wasn't sitting on the kitchen table back in England...
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Another good one, October 11, 2000
Davis has found more fascinating facets of ancient Rome for the informer Falco to explore: the emperor Vespasian's tax census, gladiatorial games, and a family adventure to the wild North African provinces. Her very well written stories feature character as much as mystery (see especially her exceptional The Course of Honour, a Roman love story). An odd twist is that for a long time here the only murder victim is a lion--quite beneath a Roman's notice--as Falco takes the thankless, and dangerous, job of screwing money out of rich animal suppliers. (See Editorial Reviews, above, for the plot.)
Davis' deep knowledge of ancient Rome in the first century of the Empire is expressed off-handedly; the Roman customs are so well painted, pertinent, and integrated to the plot they are almost throw aways. This quality of immersion may account for readers having difficulty on first acquaintance if they know nothing of Roman mores (Davis supplies no historical notes a la Steven Saylor). For example, types of gladiators are mentioned early, but the critical differences only become clear (or important) when you see them in the arena later. Some of the confusion, suspense, and mysterious clues in fact depend on the reader's ignorance, but the depth of the characters is greatly enhanced if you already know their backgrounds from previous books. I strongly recommend starting from the first volume, Silver Pigs, also because there is a strong biographical (and cross-referential) element to the ever-changing relationship of plebian Falco and his spirited patrician love Helena, their family members, and continuing minor characters, each book spanning about a half a year in their collective lives. Readers new to Davis may gain from reading the amazing new novel, Household Gods, by Tarr and Turtledove, because it makes gut-wrenchingly understandable (right down to the absence of toilet paper) the life of ordinary Romans through the eyes of a 20th century woman (although it is not a mystery).
Few of the incidents in Davis' story are extraneous, all digressions ingeniously contributing to the plot and eventually resolving through action. Davis' ability to explain plot elements through actions rather than prattle is one of her outstanding accomplishments and keeps an intricate book moving along. Her language is more ribald than usual and the climax is quite bloody. I find her stories are best when tightly focused in the city of Rome, becoming diffuse whenever Falco goes overseas as here to North Africa (or Last Act in Palmyra), due perhaps to limited development of wide-open foreign atmospheres. Her jocular tone and cynicism about bureaucracy (herself a former British government servant) may diminish the sense of environment, but impart wry elements of lightness to the stories that are missing from serious Saylor's equally superb Roma Sub Rosa series. Surely it is curious that all the most popular Roman historical mystery novels feature private spys (rather than lawyers, police, or Imperial spys).
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