From Publishers Weekly
On June 28, 1939, in a heavyweight title fight, a very fat man knocked down the champion Joe Louis in the third round; Louis jumped to his feet and soon dispatched his opponent. From this slender thread, freelance writer Monninger hangs the story of Tony "Two Ton" Galento, a journeyman boxer and spectacular character whose lucky punch made him a celebrity. The child of poor immigrants and a professional "ice man," Galento, in his oversized way, embodied the forces that made boxing a realistic career choice for the poor and the most popular sport in pre-WWII America. As far as underdogs go, Galento is no bout-winning "Cinderella Man" or even a Chuck Wepner (the real-life model for Rocky), but his is an entertaining story. At times, Monninger's digressions range too widely, and he has an unfortunate tendency to impart what he thinks the average guy on the street is thinking. Yet he displays a sure feeling for the eccentricities and color of the era, and he has a novelist's ability to put the reader in the moment. In Monninger's hands, all "two tons" of Tony come alive.
(Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
In this by-the-numbers but still fascinating book, we get the first biographical portrait in years of Tony "Two Ton" Galento. Balding, love-handled, and massively underqualified for a bout with Joe Louis, Galento had the same manager as Cinderella Man James Braddock, but the resemblance ended there. (In fact, before the fight, Braddock said, "I haven't seen Tony in training, and I am not picking him to win.") Galento is more famous for his mouth than his fists--he ensured his linguistic immortality by saying of Louis, "I'll moida the bum." But their fight ranks as one of the more memorable (and surprisingly competitive) in heavyweight history--even if, to be sure, Two Ton was outmatched from the start. Monninger's book is as much a blow-by-blow description of that night (including the undercards) as a dual biography. The fight reportage is gripping, and while there's certainly nothing new here about Louis, Monninger's descriptions of Galento paint a portrait of one of boxing's great antiheroes.
John GreenCopyright © American Library Association. All rights reserved