Customer Reviews

USE OF WEAPONS

5 star:		(66)
4 star:		(15)
3 star:		(9)
2 star:		(8)
1 star:		(5)

 

 

Use of Weapons is set around the edges of Banks' utopian star-civilization the Culture, which is featured in a number of Banks' books. Cheradenine Zakalwe is not a Culture citizen, but he has been employed by the Special Circumstances branch of the Culture's Contact section as a mercenary, trying to influence conflicts on a variety of planets to be resolved in the direction the Culture prefers. As the main action of the story opens, Zakalwe has "retired" from SC. Diziet Sma, who has been Zakalwe's "control" in the past, is rudely summoned from her latest (quite pleasurable) assignment in order to find Zakalwe and recruit him for one more emergency mission (involving a situation with which Zakalwe was previously involved).

From this point, the novel progresses in two main directions. The main branch of the story follows Sma forward in time, as she pursues and eventually finds Zakalwe, and as Sma and Zakalwe accomplish, in general terms, the mission on which the SC branch has sent them. This involves convincing a retired politician who supports the "right" side (anti-terraforming, pro-Machine Intelligence) of a conflict in an unstable star cluster to return to the arena and forestall a coming war, and then also involves some intervention in a "brushfire" which has broken out as a precursor to the war. This story is exciting and enjoyable, with plenty of Banksian action, Banksian scenery, and Banksian humor, the last as usual particularly embodied in the character of Sma's drone assistant, Skaffen-Amtiskaw. (Banks' machine characters are inveterate scene-stealers.)

The second plot thread moves steadily backward in time (complicated by a couple of even-farther backward flashbacks), following Zakalwe's career as an agent for SC, back to his recruitment by SC and his war experiences prior to that, and finally back to his formative years as an aristocrat of sorts on a planet with roughly 19th-20th century Earth technology and social structure. This thread allows us to slowly learn more of Zakalwe's character, and of the traumatic events which have made him the rather tortured individual he is at the time of the main action. Thus, the novel's structure is at first blush mildly experimental. However, this structure is really logical, and essential to the reader's experience. Essentially, the main action is illuminated by our growing understanding of Zakalwe's past. And the use of Sma as a viewpoint character (despite her somewhat non-centrality to most of the action sequences) is a vital strategy: in a sense, she becomes a stand-in for the reader: and part of our understanding of the novel is trying to understand Sma's feelings for Zakalwe (which are not romantic at all, by the way), and to measure her Use of the Weapon that is Cheradenine Zakalwe in the context of Zakalwe's humanness, and in a sort of parallel or contrast to Zakalwe's expert use of a variety of weapons.

The climax of the novel is a shocker. However, it's not just a "surprise ending for the sake of the surprise". It's crucial to our understanding of the book: and it gives the book meaning far beyond the (very good) adventure story it has been up to that point. The climax seemed to reverberate back through the entire book, giving new meaning to almost every incident. This is a book which almost demands immediate rereading. I think it is still Banks' best book, and one of the essential SF novels of the past quarter-century.

I have been reading SF for more than 30 years, yet this book was without doubt the most compelling, ingenious, best crafted and best characterised that I can remember ever reading (and I have read all the 'greats'). Work out Cheradinine's motivation (half way through the book I had to stop and cry 'Why does he keep putting himself through all this?') if you can - it's a real stunner when revealed. Oh so clever, so interesting, so shocking - if I never did anything else in my life but write a book even half this good, I would die happy. To confirm what another reviewer said, if you haven't read science fiction before, don't start with this - Player of Games will be more understandable and will give you a frame of reference for Use of Weapons. Interestingly, although the book deals, at first sight anyway, with the business of war and of being a mercenary, of all the people I have recommended this to, women seem to get more out of it and are more enthusiastic then men - who have just enjoyed it rather than raved about it. If you like books that make you think, that need sustained concentration, that need you to be able to remember things from one chapter to the next, yet which are still an enjoyable read - read this, or any other Iain Banks book - you won't be disappointed.

The majority of the Culture novels are uniformly excellent, with the only problem in some of them that the final twist is so odd that the book loses some of its impact, or the plot becomes so knotted that the book loses some of its coherance. Not so in this case. This novel tends to deal only peripherally with the Culture, but at the same time their presence infuses and infests the entire novel. Mostly it's the story of a non-Culture fellow who works for them in Special Circumstances (what a great euphemism) doing all the stuff they'd rather not admit to, starting wars, ending wars, waging wars, stuff that he's unfortunately good at. What makes this novel so brilliant is the tight and inventive structure, alternating between the main story itself and scenes from the character's past. All of it is wonderfully written and together they give not only an excellent view of the character in all his possibly dysfunctional glory, but also the rest of the characters (even the most minor character feels three dimensional), as well as a good cross-section of Banks' universe, both of the Culture and the civilizations that aren't part of the Culture. The final twist will change everything and sharp eyed readers will probably figure it out long before the end, although Banks is so good at misdirection and distraction that it barely occurred to me even as it came crashing down on the characters. Definitely his most consistently brilliant work, for once both structure and plot combine to create something that ranks as both first class SF and first class reading, period. If you've got a friend who's been hesitating on discovering Banks' works, give them this one and if that doesn't convince them, well then perhaps nothing will.

Only recently have I been reading Bank' Culture novels. I have had my eye on them for many years but could never find the first one or determine the reading order. Wikipedia and Amazon finally let me jump into this pretty amazing series.

Use of Weapons is a little frustrating. Its herky jerky, its story reads in fits and stops. Sort of like driving in a car with a new driver. The book is told with 2 time lines, (1) the main plot proceeds from the current time forward (Zak attempts to rescue and convince an aging General to aid the Culture and (2) the other is told backwards starting in the current time and going backwards - we see Zak thru various missions to before he begin as an agent of the culture.

Frankly, the backwards moving story line, clever as it is, really disrupts the flow of the main plot. The main plot builds wonderfully well. Very clever and interesting and Zak and Sma are fun, interesting characters. I really enjoyed this story line - its exciting, clever, even humorous at times.

The backwards story line just attempts to fill in the story behind Zak, where he came from, what he was before becoming a Culture agent. The main prob here is every single chapter of the backwards line is self contained - and each one takes several pages to "re-orient" yourself. Most of those start with Zak in deep water after some mission that went badly. I found myself sighing at these chapter and really looking forward to the progressive chapters.

I think this book would have been much better with fewer backwards story lines. I don't think I mentioned that for every forward story chapter there is one backwards story chapter. A clever lesson in fiction writing but makes but a train wreck to read. Its not confusing mind you, it just really breaks the flow of the main story.

But hey, I paid $1 for it.

I just finished reading Use Of Weapons, and I have this horrible sinking feeling that I shall be reading it again very soon. The book has a very Bankian structure, with the prologue happening somewhere in the middle of his life, and then the chapters that advance the plot alternating with his mercenary adventures going backwards until they reach the moment with The Chair, and The Ship... and the moment when Zakalwe became Zakalwe.

The structure and pacing of this novel is quite similar to that of Banks's first book, The Wasp Factory. The ending twist is not as well handled, but the horror event that precipitates is every bit as disturbing, perhaps even more horrific, than the one in The Wasp Factory, and mercifully the twist in Use of Weapons is left doubly ambiguous. We may never know who was telling the truth. And that's probably for the best.

Use of Weapons is a literary masterpiece, Banks can draw pictures of misery, horror, indulgence and excess with a minimum of effort, and he succeeds somehow in making it all fit together. It's not the clockwork mastery of Bujold, but something more organic, more humane, even while you realize that his underlying themes are as ruthless, vicious, and inhuman as any you can imagine.

A lot of Banks's later works, like the almost irrelevant Excession, don't deserve much attention. But Use of Weapons is Banks at his best. The Wasp Factory had a happy ending, of a sort; I can't say that about Use of Weapons. The Wasp Factory stayed with me for a long time, though, and made me feel depressed and horrified at the state of the world, despite the discoveries its plucky and interesting protagonist went through. I highly recommend Use of Weapons for the same reason I recommend The Wasp Factory, but be prepared to be depressed for a long time afterwards.

It is hard to describe the feeling of reading the last lines of Use of Weapons. As you put the book down though, you can be sure, the book stares back.

Banks turns every erg of incredible creative engine to creating a masterpiece. The characters and plots reveal themselves slowly through a dance of vignettes and scene changes. As we are taken through different points of view, flashbacks to different times, connections to previous scenes, we never lose sight of the characters themselves or the story they are caught in. Others have used the form, but Banks is a master of the craft. Add to this deft style a majestic background of an intriguing and delicately crafted space opera, and you have a book that should stand at the pinnacle of the science fiction genre.

The net effect of Banks' interwoven tale is to draw us, so slowly and sensually that we don't even realize it, into exploring the defining essence of an old warrior's life. And it is only too late that we realize the shadow's have lengthened, the clouds have covered up the sun, and the grass beneath our feet has withered in the cold wind. What we find in that cold and lonely place, what we learn in the end ... is sublime.

Banks excels at darkness. He excels at making it funny, at making it interesting. And he excels at showing how the darkness within his characters defines them and fuels what good they do. In this book he pulls out all the stops.

Read it. You will be glad you did.

"The bomb lives only as it is falling."

Despite remembering this as one of my favorite books, I've wondered whether it would retain its powerful impact without the big shock at the end - would it stand up to re-reading? Now, having read it for the third time, I daresay this novel only gets better and better. For a fact, its extremely complex structure makes for a challenging read: two distinct timelines are involved, one running forward and one in reverse, intricately intertwined and bridged by additional flashbacks, and obscured somewhat by relentless changes of venue: almost every chapter takes you to a new setting. This structure was distracting the first time I read the book; on second and third look, it gives the work an audacious complexity few authors dare try (and, unfortunately, few readers bother with). This may be the ultimate example of an episodic novel, unfolding as it does in a dizzyingly imagined series of often unforgettable set pieces. Stunning imagery, compelling characters, vast scope set against rich detail, and a liberal scattering of black humor....wow. Maybe not the best book i've ever read ("Dune" still holds the title), but a solid bet for number two.

Probably Bank's best science fiction novel and one of his best works generally. Cheradinine Zakalwe, Diziet Sma and Skaffen Amiskaw are, together, his most interesting group of characters.

The structure of this novel makes it worthy of note on its own. Written in interwoven chapters, it is made up of two alternating narrative streams - one indicated by Arabic numerals and the other by Roman ones. One moves forward chronologically, while the other moves in the opposite direction; yet both are about the central, tragic character, Cheradinine Zakalwe.

Despite being the third of Banks' "Culture" science fiction novels to be published, he wrote a much more complex version of this story in 1974, before any of his books saw print. He later said it was so complex it "was impossible to comprehend without thinking in six dimensions". He credits fellow Scottish author Ken McLeod with getting him to sort this baroque novel into a publishable form.

Zakalwe is a rogue, a military genius, an assassin, a sad case and an utterly sympathetic character all at the same time. A mercenary shaped by his experiences as the perfect soldier, he's taken, refined and utilised by the supposedly benign and pacific Culture for their nastier dirty tricks operations. The moral ambiguity and ethical contradictions of this are not lost on Zakalwe himself or on his Culture handler, the "Special Circumstances" operative Diziet Sma.

Gloriously grostesque, sharply observed, bleakly satrical and written with Baink's unique ability to make the most vile aspects of war and violence lyrically beautiful and richly ironic at the same time, this is the great Scottish master at his finest.

A book to loan to anyone who thinks science fiction is "dumb".

Cheradenine Zakalwe is a (non-Culture-born) agent in Special Circumstances, skilled in steering less-developed planets towards the path that the Culture thinks is best for them. Unlike most SC agents, Zakalwe's speciality is fighting and the use of weapons in both prosecuting wars, and averting conflicts. His handler is SC agent Diziet Sma who, along with her drone companion Skaffen-Amtiskaw, has to set out to locate Zakalwe when his abilities are needed again.

I've read enough of Iain Banks' other work to be able to say that Use of Weapons is almost certainly his masterpiece, which is really saying something compared to the high quality of his other novels. In this book everything just works. The characters are sublimely handled, with Banks immersing you in their lives to the point where you stop thinking of them as characters and instead accept them as people. The structure of the story is inventive without over-relishing its own cleverness. The chapters alternate between a forward-moving story about Diziet tracking down Zakalwe for a new mission, and how that mission unfolds, and a backwards-moving one as we follow Zakalwe's story back to his youth. Just to shake things up, both narratives also feature flashbacks to earlier events as well. The structure could have confusingly imploded in on itself (and earlier drafts stretching back fifteen years before it was published are apparently far more complex), but in the published book it works effortlessly. The storylines may be moving in different directions and feel dislocated from one another, but they collide with impressive force at the end of the novel in a stunning final chapter.

Banks' signature creation, the Culture, has never been so convincingly portrayed or as well-handled as in this book, and its total bafflement at Zakalwe's antics (personified by Skaffen-Amtiskaw's exasperation with events) is amusing to see. In fact, there's a lot of Banks' traditional black humour running through the book, lightening the gloom that threatens to descend during some of Zakalwe's more introspective moments.

Use of Weapons (*****) is a spectacularly good science fiction novel that addresses questions of memory, motivation, guilt and conscience in a consistently entertaining and sometimes very funny manner. A masterful novel from a writer at the very height of his powers, and highly recommended. The novel is available now from Orbit in the UK and USA.

Of the three Culture novels I've read, I'd say "Use of Weapons" is my favorite. A little disorienting at first, with distinctly non-linear storytelling. The main storyline follows a mission of the meanest badass covert ops agent (working for the good guys, of course) in the galaxy. This is interspersed with flashbacks receding in time. As I'm reading, I'm thinking, that final flashback (the earliest one on the timeline) is going to be really horrific; something involving a white chair that makes our "hero" scream when he lets his guard down and allows the memory to bubble up. Well, Banks does not disappoint, although I wonder about the mental state of anybody who would dream up something like that. Then, toss the final twist into the main timeline to make the secret of the chair even worse, and you have in the end a Grade-A horror story to give you bad dreams for a week.