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The Criterion Collection's high standards of scholarly excellence are on full display in the two-disc set of Ugetsu, packaged in an elegant slipcase reflecting the tonal beauty of the film itself, which has been fully restored with a high-definition digital transfer. The well-prepared commentary by critic/filmmaker Tony Rayns combines the astute observations of a serious cineaste (emphasizing a keen appreciation for Mizoguchi's long-take style, compositional meaning, and literary inspirations) with informative biographical and historical detail. In the 14-minute featurette "Two Worlds Intertwined," director Masahiro Shinoda discusses how Mizoguchi's career and films have had a lasting impact on himself and Japanese culture in general. Interviews with Tokuzo Tanaka (first assistant director on Ugetsu) and cinematographer Kazuo Miyagawa focus more specifically on anecdotal production history Mizoguchi's working methods, including the director's legendary perfectionism regarding painstaking details of props, costumes, and production design.
Disc 2 consists entirely of Kenji Mizoguchi: The Life of a Film Director, a 150-minute documentary from 1975. Though it occasionally gets bogged down in biographical minutia, the film provides a thoroughly comprehensive survey of Mizoguchi's career, including interviews with nearly all of Mizoguchi's primary collaborators. Director/interviewer Kaneto Shindo ultimately arrives at an emotionally devastating coup de grace when he informs the great actress Kinuyo Tanaka (star of The Life of Oharu and other Mizoguchi classics) that Mizoguchi had considered her "the love of his life." Tanaka's graceful response provides a moving appreciation of their artistic bond, which never evolved into romance. As we learn, the tragic irony of Mizoguchi's life is that he died in sadness and suffering, in 1956, just as he was entering a more hopeful and artistically revitalized period of middle age. After showing us all the locations that were important in Mizoguchi's life, the film closes with a blunt discovery of life's ethereal nature: The great director's final home was torn down and replaced with a gas station. The 72-page booklet that accompanies Ugestu contains a well-written appreciation of the film by critic Phillip Lopate. Also included are the three short stories that inspired Ugetsu, allowing readers to see how Mizoguchi and screenwriter Yoshikata Yoda masterfully combined elements of these unrelated stories to create one of the enduring classics of Japanese cinema. --Jeff Shannon
UGETSU MONOGATARI (UGETSU)
Film = three (3) stars; subtitles = four (4) stars; restoration = four (4) stars. Read more
It's a nice film if you're very interested in Japanese culture... it is quite slow and overacted, but has beautiful scenes and shows a bit about Medieval Japan.Published 6 months ago by loretta
This move is a classic for a reason. It's a great movie. The music is especially haunting.Published 6 months ago by A. Richmond
I've seen nearly every famous Japanese samurai era film and two of my all time favorite films, Seven Samurai and Harakiri are, in my opinion two of the greatest films ever made. Read morePublished 6 months ago by Dan Harlow
Ugetsu is considered by most reviewers to be one of the best movies ever made. I disagree. This movie just is not as good as the average movie made by Akira Kurosawa. Read morePublished 9 months ago by Tony Marquise Jr.
All elements of filmmaking: direction, acting, cinematography, music, scee setting and lighting) presented here are unsurpassed by any film in history! Read morePublished 9 months ago by Zlatko Zografski