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Ugly Beauty: Helena Rubinstein, L'Oréal, and the Blemished History of Looking Good Hardcover – February 1, 2011


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Ugly Beauty: Helena Rubinstein, L'Oréal, and the Blemished History of Looking Good + War Paint: Madame Helena Rubinstein and Miss Elizabeth Arden, Their Lives, Their Times, Their Rivalry + Helena Rubinstein: The Woman Who Invented Beauty
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Product Details

  • Hardcover: 304 pages
  • Publisher: Harper (February 1, 2011)
  • Language: English
  • ISBN-10: 0061740403
  • ISBN-13: 978-0061740404
  • Product Dimensions: 9.3 x 6.3 x 1 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (53 customer reviews)
  • Amazon Best Sellers Rank: #590,864 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Starred Review. With wonderful attention to detail and real affection for her subjects, Brandon tells the story of Helena Rubinstein (1870–1965), a Polish Jew from a poor family with a small salon in Australia, who became the first woman tycoon and self-made millionaire. Her timing was excellent: she struck at the moment when decent women, for the first time, were allowing themselves makeup and were willing to shop for it publicly. At the same time, a young French chemist named Eugène Schueller (1881–1957) was making his name in hair dyes (and later collaborating with the Nazis); it was his company, L'Oreal, that swallowed Rubinstein's business. The descriptions of Schueller's political scandals are fascinating, but the story shines when Brandon returns to Rubinstein, a stubborn, spirited woman who responded to a luxury Park Avenue apartment's "No Jews" policy by buying the entire building, and who calmly thwarted robbers in her home at the age of 91. A clearheaded discussion of current beauty standards, vanity, and the gender politics of the modern cosmetic industry rounds out this lively history of the founding of the beauty business as we know it. (Feb.)
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From Booklist

Exposés of the beauty industry and its relatives, such as cosmetic surgery, are common these days, whether the chosen medium is film or print. In this particular instance, the link between L’Oréal (the acquirers of Helena Rubenstein’s brand) and Fascist collaborators, to mention just one scandal, is old news. Yet for undisclosed reasons, prolific London-based author Brandon (Being Divine, a biography of Sarah Bernhardt, 1991) deliberately selects the known, Helena Rubenstein, and unknown, Eugene Schueller, as appropriate counter-characters to profile. In a way, the two could not be more opposite. Flamboyant Polish Jew Rubenstein promoted everlasting female beauty through the mysterious workings of her creams and cosmetics, whereas chemist Schueller proudly publicized his invention of the first safe artificial hair dye. Brandon details their divergent philosophies (Eugene, for instance, was convinced that every woman belonged at home), their politics, their friendships, family, and passions—and the inextricable business and personal links to Nazi Germany and corporate lack of restitution for WWII wrongs. The story meanders, jumping back and forth chronologically, leaving some difficulty in following. --Barbara Jacobs

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Customer Reviews

This well-researched book was an interesting read.
SRD
Then at the very end, the author touches on Helena and Schueller's daughter Liliane, and how Rubinstein's company disappears into L'Oreal.
Tante Maren
I would probably pass if I was asked to read this book again.
K. Varraso

Most Helpful Customer Reviews

32 of 34 people found the following review helpful By Steve Harrison VINE VOICE on January 5, 2011
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
This book has either no subject or too many.

Its first chapter is a brief biography of Helena Rubinstein and her company. Ms. Brandon makes the point that she was an untutored but interesting character who made a fortune by marketing useless potions.

The next chapter is a brief biography of Eugene Schueller and his company, L'Oreal. Ms. Brandon makes the point that he was a chemist who made a fortune by developing the first safe, effective hair dye.

But L'Oreal is the villain of the piece, as shown by the middle chapters. They discuss allegedly nefarious connections between L'Oreal, or people connected with L'Oreal, or people connected with people connected with L'Oreal, and French collaborators during the World War II German occupation. This caused L'Oreal terrible, explosive problems later, we're told. But those problems seem to have amounted to occasional public-relations issues that the company dealt with successfully and that didn't hurt it at all. The apparent thrust of this portion of the book, though, is that when, some fifty years after the war, L'Oreal bought Rubinstein's company it did so as an antisemitic gesture. To say that no scrap of evidence supports this is not quite true; there are scraps which, carefully assembled and cemented with liberal amounts of speculation and mind-reading, make an unconvincing case.

Then we're suddenly in the present time and the first person for a chapter briefly and superficially discussing modern cosmetics, Botox, plastic surgery, and Ms. Brandon's experiences with them. The discussion has an overtly feminist slant -- but this is 21st century feminism, not 1970's feminism, so cosmetics are good, not bad; empowering, not enslaving; threatening to men, not useful to them.
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6 of 6 people found the following review helpful By Tante Maren TOP 500 REVIEWERVINE VOICE on February 13, 2011
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
I had an interest in this book, as I worked for a cosmetic factory for half a decade, and the L'Oreal factory near me has rumors galore that I thought I would find in this Ruth Brandon's book. All the interesting things I heard about L'Oreal were not in this book.

The book starts out very interesting with Helena Rubinstein's beginnings as a young Polish girl from a Jewish ghetto, who ran off to Australia, where her sister lived, to avoid marrying the older man her father chose for her to marry. The stories are really good in this first chapter about how Helena made her own concoction of moisturizers in her kitchen for the Australian women to use to save their sun baked skin from early wrinkles. She opened up her first salon with a simple table of her moisturizers and satin curtains in the windows that were actually made from the same fabrics from evening gowns. Helena is a self made woman in a very male dominated business world, and became the first woman to have millions of dollars that came directly from herself.

The book then takes a turn into the world of Eugene Schueller, an educated chemist who developed hair dyes in Paris in 1909. Schueller called his company L'Aureole, after a hairstyle that was very popular when he began to sell his hair dyes. He later shortened and changed the name to L'Oreal. Schueller was anti cosmetic for women, as like Hitler, he believed women should be tan and naturally healthy looking and stay at home and care for the family. He couldn't be more opposite of Helena Rubinstein if he tried, and that's why it's all the more shocking that a man who hates cosmetics would 80 years later swallow up Helena's company and combine it with his hair dyes.
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8 of 9 people found the following review helpful By Deb Nam-Krane VINE VOICE on January 1, 2011
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
The true subject of this book is the beauty industry itself- what we're really trying to buy, and what they're really selling. The author uses Helena Rubinstein and Eugene Schueller, two very different contemporaries to illustrate some of the divergent origins that have led to the paradoxes that are still being played out in the beauty business.

Helena Rubinstein was a determined immigrant who relied on her wits and native but unschooled intelligence to capitalize on the historic moment she found herself in. In the early 1900s, as women were beginning to forcefully assert political independence, many of the old taboos concerning the open usage of makeup were ready to be challenged. Rubinstein's formulations were far from extraordinary, but she recognized that she was selling as much a dream as she was a cream.

Eugene Schueller, while just as hardworking as Rubinstein and from similar humble origins, had the benefit of a hard-won education in science. He also had a keen business sense and recognized quickly that he would be better able to make money in business than academia. However, unlike Rubinstein, he worked for a few years to derive a formula for a dye that would safely color women's hair, something unheard of before his time. Once he discovered, he worked tirelessly to launch his new company and in less than two decades turned it into a national success.

Rubinstein found international success before L'Oreal, but although she was a famously hard worker, she didn't train an heir, in or out of her family, to take over after her death. This left her company open for picking a takeover- at the hands of L'Oreal two decades later.

The reader doesn't get the sense that there was a rivalry between Rubinstein and Schueller a la Dior and Chanel.
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