The Ugly Chinaman and the Crisis of Chinese Culture [Paperback]

Bo Yang (Author), Don J. Cohn (Editor, Translator), Jing Qing (Editor, Translator)

Book Description

Publication Date: October 1992

This critique of the Chinese was banned in mainland China by Communist Party officials. This edition includes a selection of Bo Yang's speeches, writings and media interviews, as well as a sample of the reactions his comments have provoked.

Product Details

• Paperback: 162 pages
• Publisher: Allen & Unwin (October 1992)
• Language: English
• ISBN-10: 1863731164
• ISBN-13: 978-1863731164
• Product Dimensions: 8.3 x 5.5 x 0.5 inches
• Shipping Weight: 8 ounces
• Average Customer Review: 4.5 out of 5 stars  See all reviews (11 customer reviews)
• Amazon Best Sellers Rank: #435,674 in Books (See Top 100 in Books)

Most Helpful Customer Reviews

61 of 62 people found the following review helpful

5.0 out of 5 stars Bo Yang had a specific audience December 21, 2000

By Guo Zicheng

Format:Paperback

First of all, a confession. This reviewer has only read the original Chinese version of the book. However, assuming that the English translation has been faithful to the original, the comments apply to both versions equally.

Bo Yang had a particular purpose in his mind when he wrote the book. His target audience was his fellow Chinese, especially those living in Taiwan, who at the time were still lulled in the belief that Chinese culture (or at least as it was preserved in Taiwan) was the best among all civilizations. While everyone acknowledged that the West was technologically superior, many felt that spiritually and culturally China still triumphed over the decadent West. No one disputed that Chinese society had severe problems. But prior to Bo Yang's work, it was customary to blame these ills either on Westernization or a departure from China's true values. Bo Yang turned the tables by arguing that the culture itself was the source of these ills. It is as earth-shattering as William Bennett coming out and identifying Judeo-Christian values as the source of much that is wrong with the West.

When Bo Yang's work crossed the seas and entered the mainland, the effect was somewhat different. Mainland China had always blamed China's evils on the "feudal" (whatever that term means) culture of ancient China, so in many ways Bo Yang's criticism of Chinese culture resonated with what the communist government and mainland intellectuals believed at the time (this anti-tradition stance had reached its height in the 1919 May 4th Movement, and continued ever since on the mainland. In Taiwan, however, the ruling government returned to a staunchly pro-tradition, neo-conservative stance). In recent years, as nationalism gradually replaces Marxism Leninism as China's new orthodoxy, Bo Yang's work might be viewed in yet a different light. Would he be blamed as the unpatriotic quisling? Only time will tell.

It is difficult for the reviewer to gauge this book's impact on a Western audience. In so many ways Bo Yang assumes an intimate knowledge of Chinese matters, and uses satire to debunct many time-held notions. A Western reader certainly should not use this as a primer on Chinese culture, but it does offer a fascinating glimpse into the mind of a very influential writer in the Chinese speaking world. Nor should a Western reader use this book as "evidence" of the total failure of Chinese culture, any more than non-Westerners should understand America by reading only "The Ugly American". Bo Yang's work could instead be viewed as one attempt by a still very vibrant, living culture to come to terms with what it means to be modern yet true to one's sense of self. Ironically, thus far it has arguably been the more "Westernized" Chinese societies (Hong Kong, Taiwan, to an extent Singapore) that has been better able to preserve "Chinese" values.

Bo Yang is a very good writer of Chinese prose, and has made excellent (although sometimes rather carefree) translations of the seminal Chinese historical work "zizhi tongjian" from the original classical language. I hope English speakers enjoy "the Ugly Chinaman". It will probably not generate the range of emotions among non-Chinese as it did in the Chinese speaking world. Read it lightheartedly.

34 of 35 people found the following review helpful

5.0 out of 5 stars Chinese Writer Helps Westerners Understand Chinese October 30, 2001

By A Customer

Format:Paperback

This book helped me very much to understand many actions and attitudes I encountered while living in Hong Kong in the late nineties. Before reading it, I had thought the bad manners in the shops, and the rude, pushy behaviour of the crowds were simply due to the tragic fate of the Hong Kong Chinese, having to live as refugees after fleeing from their homes in China. Hong Kong is a tiny place and to have millions of refugees pour in over the past several decades, well, who wouldn't be cranky?

But Taiwanese journalist Bo Yang showed me that the problems go much deeper than any woes created by the present regime in China, or the ending of British protection in 1997. Bo Yang argues the problem goes back centuries, a long period of repeated stultification within Chinese society - a combination of repressive leaders, static social systems and a reverence of doing exactly what your ancestors did, nothing more, nothing new.

I felt I understood China and Hong Kong a little bit better after reading this. The crowds along Des Voeux Road in Central, Hong Kong, may still be one of the most offensive social phenomena in the world; people may still laugh when old ladies slip in the blood of the Wanchai Wet Market; spitting, belching and wind-breaking may still be dealt out with nonchalance, but Bo Yang showed me there was a very good reason for this. A very moving, sad and poignant reason. I couldn't stay angry or annoyed after reading this.

As someone who lived in Hong Kong, I rank this book up with Timothy Mo's The Monkey King, Paul Theroux's Kowloon Tong, Austin Coates' Myself a Mandarin and Jan Morris' Hong Kong as the books that helped me most understand that intersting city, which is (or was) both a local financial center and an oasis for all the millions of Chinese refugees who tried to eascape from the mainland, from what Bo Yang so sharply calls "the putrid vat of soy sauce," (his phrase for the unpleasant side of China's otherwise fascinating culture).

Terribly sad story, brilliantly told in a unique Chinese way.

19 of 19 people found the following review helpful

5.0 out of 5 stars A Westerner's view April 16, 2005

By Lois M. Schlabach

Format:Paperback

Reading this book is like eavesdropping on a family feud that is too interesting to turn away from, but also a little embarrassing. It would be easy to dismiss Bo Yang as a dyspeptic crank, if it were not for the 9 years he spent in prison for writing what he believed to be true. He was not writing for a Western audience, and he did not claim to present a fair or balanced view of Chinese culture. Let other writers praise the virtues of the culture--he wanted to challenge his countrymen to be better.