From School Library Journal
PreSchool-Grade 2–This mediocre adaptation of a classic tale is set in the West, where "vehicles roam from ranch to ranch." The ugly truckling knows that she is different from her brothers and sisters: her wheels are too small, she has no flat bed for hauling loads, and she has "two strange beams stuck out from the sides of her body." Ridiculed by the others, she speeds away in search of her true identity. After meeting a tractor, a cow, and a windmill, she sees the reflection of several aircraft in a pond, looks at her own mirror image, and discovers that she is actually a "beautiful airplane." Ranging from gloriously colored landscapes to vivid close-ups of the characters, the artwork is colorful and appealing. Unfortunately, the writing is flat and uninspired. Give your truck fans real tales about big rigs and stick with Hans Christian Andersen's original story.
–Wanda Meyers-Hines, Ridgecrest Elementary School, Huntsville, AL Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
PreS-Gr. 2. A felicitous rhyme makes way for a decidedly loose interpretation of Andersen's
The Ugly Duckling, one that taps right into little ones' adoration of things that go
vroom. A winsome baby "truck," whose appearance suggests that Mommy may have spent some time at the local landing strip, finds himself caught in his suspicious siblings' high beams. "Why do you have three wheels instead of four?" "You'll never be a good truck." Embarrassed and confused, the ugly truckling leaves the garage in search of her own kind. After a series of
Are You My Mother?-style encounters, the runaway sees a cheerful squadron of airplanes overhead. An epiphany and a happy ending ensue. Though the pictures have the blocky, slightly garish quality one often sees in computer-generated artwork, Gordon borrows a few tricks from former employers Pixar and Nickelodeon to imbue his baby vehicles with high-octane cuteness. Most kids won't even notice that the notion of plunking inanimate objects into a classic tale of organic transformation is, in many ways, a deeply silly idea.
Jennifer MattsonCopyright © American Library Association. All rights reserved