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32 of 33 people found the following review helpful:
3.0 out of 5 stars
Good, Not Great, March 12, 2001
This review is from: The Ultimate Broadway Fake Book (Plastic Comb)
This is a good buy for a pro pianist like me who might get requests for tunes I've never heard of from shows I've never seen. It has three indexes: by tune, by show, and by composers and lyricists.
One of the best things in the book is an alphabetical show-by-show synopsis, containing information about each show's history, its major personnel, and its plot.
However -- and it's a BIG however; in fact, several howevers: an awful lot of the songs are second-rate and I can't imagine getting requests for them, or even wanting to play them myself.
The book proclaims its inclusion of "great songs" from several more recent shows such as "Rent"; gimme a break -- these songs are barely listenable, much less "great."
Throughout the book, many of the chord changes are incorrect (this is a musician's constant complaint about ALL fake books).
Most of the songs do not include the verse (and for Rodgers & Hart, Gershwin, and Kern these are often essential parts of the song). And there are inexplicable omissions.
For example: (1) Some of the included shows are lacking some of their best songs: "The Nervous Set" omits "Spring Can Really Hang You Up the Most," "Finian's Rainbow" omits "Necessity." "The Merry Widow" omits "The Merry Widow Waltz." "Mack and Mabel" omits "I Promise You a Happy Ending." (2) Some excellent shows are missing altogether. No "L'il Abner." No Cy Coleman's "I Love My Wife." And Leonard Bernstein is represented only by two songs from "Wonderful Town"; no "Candide," no "On the Town," no "West Side Story."
And of course there are many songs I already own in other collections, although the book is useful as a one-stop source for all of these, and there are about fifty to a hundred decent to superb songs that I own nowhere else.
There is ample representation of Rodgers & Hart, Rodgers & Hammerstein, Kern, Gershwin, Porter, Frank Loesser, Jerry Herman, Harold Arlen, Lerner & Loewe, Andrew Lloyd Webber, et al.
In the end, despite its flaws, to me the book was well worth the price.
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14 of 14 people found the following review helpful:
5.0 out of 5 stars
Great resource !, March 26, 2006
This review is from: The Ultimate Broadway Fake Book (Plastic Comb)
Although like a lot of Hal Leonard books the chords can be a bit "commercial" and the layout lacks that professional fake book lead sheet style that makes it more comfortable to use on a bandstand, I have to say that this is an incredibly useful resource of showtunes - - bordering on voluminous.
About 95% of the tunes the gigging Jazz musician plays comes from showtunes, but few Jazz musicians are willing to openly come out and say, "I play showtunes," that said, to Jazz performers looking for those undertapped standards missed in the REAL BOOKS, this book is a gem... To vocalists, cabaret performers and working piano lounge players consider this a lifetime repoitoire that can fit in a computer carrying bag (minus the computer.)
As for the chords... most of them work quite well with solo piano (especially some of the diminished passing chords and stuff like that) but for ensemble playing a combination of ear and pen and pencil will be necessary.
Tunes are written in reasonable keys, have lyrics and range from classic Cole Porter/Richard Rogers/George Gershwin Broadway to some of the newer stuff (circa A Chorus Line, Jesus Christ Superst, etc.) And as an added bonus, this well indexed fake book even includes a section where the musicals that the tunes came from get brief bios... not only education, but great if you'd like to have a cute, informed Michael Feinsteinish way of showing that you know ABOUT the tunes.
Spiral binding makes the book easy to use on a piano... but weight will be an issue with music stands, and in times these spiral books fall apart so my suggestion is to buy the book and put copies of frequently played tunes in clear sheet binders.
So far, thrilled with this purchase !
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11 of 13 people found the following review helpful:
4.0 out of 5 stars
Not necessarily what you expect, April 13, 2005
This review is from: The Ultimate Broadway Fake Book (Plastic Comb)
This book has some interesting good and bad points. First, the good: It's a fake book in the Hal Leonard style, in original keys, of a wide selection of the best known Broadway songs. Lots of good stuff. And unlike The Ultimate Fake Book (which is great for other reasons), the songs are conveniently organized by Show rather than by Title. A nice addition is a synopsis of each show and its relevance at the beginning of the book.
But the bad... first, like other very large Hal Leonard books, the binding is a plastic tab that is hard to turn relative to spiral bindings and tends to come apart over time. Second, many (but not all) songs have what appear to be guitar chord charts, which are distracting to everyone else. And third, it doesn't have all the songs you expect.
For example, it doesn't have songs from the movie versions (which you may not realize weren't part of the broadway version) or songs from updated broadway versions. The play "Grease" is represented, for example, but lacks the theme song (Grease), Hopelessly Devoted to You, Greased Lightning and other big hits from the show. Similarly, Starlight Express in its original incarnation was not that big a hit. "The New Starlight Express" was. Amazingly, there are only a few songs from the latter in the book; it's missing "He'll Whistle At Me" and "Next Time You Fall In Love", along with about six others. This means, of course, that after seeing the (current) broadway production, you won't be able to pick up this book and play the tunes; they're not there.
However, there are a LOT of great tunes that are there, the organization is great, and as always Hal Leonard did a great job of arranging them.
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