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14 of 15 people found the following review helpful:
5.0 out of 5 stars
The X-Men versus Magneto: one fight for all the marbles, April 29, 2003
I can appreciate the impulse to push the reset button on long time superhero comic books like "X-Men" and "Spider-Man." After all, we are talking about almost four decades worth of stories, repeated encounters with Magneto and the Green Goblin, each one diluting the potency of the character. Plus, if you go back and read the first dozen episodes of either the original comic book "The Uncanny X-Men" of Stan Lee and Jack Kirby or the new and improved "X-Men" concocted by Chris Claremont and Dave Cockrum (and then John Byrne), it takes a while for both of those series to hit stride. Writer Mark Millar was given a free reign with this project, but clearly "Ultimate X-Men: The Tomorrow People" was constructed to work whether you came in with issue #1 of Volume 1, Giant-Size X-Men, or Volume 2.I was here for all three, so part of my appreciation for this six-issue story arc from Millar, pencillers Adam & Andy Kubert, and inker Art Thibert (w/Danny Miki) is how they have reconstituted elements from both of the origins. So I remember Quicksilver and the Silver Witch being part of the original Brotherhood of Evil Mutants as well as Storm and Colossus being recruited for the international version of the X-Men. Anyhow, here is a list of things I liked about "The Tomorrow People" without spoiling the actual story: I liked the idea that in the beginning the X-Men were just Professor Xavier, Cyclops and Marvel Girl. This reconstitutes the idea that there were always the core of the group. Actually, they would be the heart (Jean Grey), mind (Professor X), and soul (Scott Summers) of the X-Men. Having the Beast and Iceman be part of the second wave is fine with me, as is jettisoning Angel (and Banshee from wave two). You have to have limitations on how many merry mutants are running around in the group. On the other side of the equation Wolverine is now the world's best assassin and is working for Magneto. That is obviously a nice little twist on the tale. The mutant hysteria is in full swing, so that the necessity of all the world's mutants having to pick which side of the coming war they want to be on makes a whole lot of sense. This just underscores the idea that "X-Men" was never just a standard superhero battles supervillain type of comic book. I really appreciate the way the ante has been upped both in terms of the Sentinnels and Magneto. This time around the big purple robots are going around and not just picking up mutants, they are executing them on the spot. But the chief attraction of this sotry arc is Magneto. The original X-Men was one of the few times in the history of Marvel Comics that the first issue of a comic book actually came up with the greatest villain in the history of the entire series. What I liked most about what Millar et al. came up with is the idea that given the powers Magneto has, there can only be one big battle between him and humanity. I mean, with his powers, taking over the world should be relatively easy. Even in the end, he can only be defeated because of an Achilles heel sort of situation. But what really matters here is that this fight is for all the marbles, win or lose, live or die. This is such a big story that I can understand why as long as we are talking rewriting history fans are wishing that this had been the script for the original "X-Men" movie. At the root of these changes and elucidations is, I believe, a commitment to taking the original ideas of the "X-Men" comic books to their logical extremes. That is the principle that leads to encouraging throughts about future issues of "Ultimate X-Men." After all, Wolverine was just a bit player this time around and I can easily see each of the X-Men and various super-villains defining future story arcs. So far I have really enjoyed the various Ultimate trade paperback collections that I have read, mainly because I find them to be both innovative and traditional at the same time.
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