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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Don't SLEEP! KOOL KEITH, CED GEE, MOE LOVE, TR, March 27, 2000
THIS IS THE GREATEST HIP-HOP ALBUM OF ALL-TIME! I repeat ALL-TIME! First of all, recognize that this album was followed within months by De La's "Three Feet High and Rising", so when everyone was falling over themselves praising De LA's innovation (really Prince Paul's)Ultra's album was pushed to the side by the "critics". But the hardcore hiphop heads were still getting eargasms from Ultramagnetic. Not only were Kool Keith's rhymes light years of anybody on the mike at the time, (yes, including the god KRS) Ced Gee was doing a Dr. Dre on the production and rhyme flow tip. This was by far a quantum leap ahead for hip-hop production and beat programming(extensive 808 use was a big deal back then). The album is so strong that the only way to listen to it is front to back. The change in pacing of the rhyme flow and the tracks throughout the album is pure hip-hop at its best. Anyone who doesn't give props to this album either wasn't around when it dropped or doesn't understand that when an album this old can still sound this good YOU ARE LISTENING TO A CLASSIC!
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Something like George Jetson in Bedrock., June 17, 2003
If you thought the likes of Canibus, Chino XL, or Pharoahe Monch were the summit of the "ahead of their time" hip-hop mountain, then you obviously missed out on the Ultramagnetic MC's and their early rap contributions. The Ultramagnetic MC's highly respected world-shattering classic Critical Beatdown, was THE first official new-school hip-hop album, in an old-school era. With Ced-Gee's revolutionary use of the drum machine, and of course Kool Keith's off-beat rhyme style, fully equipped with lyrics that clearly proclaim Kool Keith the one truly ahead of their time if there ever was one. From beginning to end, Critical Beatdown freezes all other early rap classics, and anything afterwards. A classic of classics. Truly, a masterpiece, among masterpieces. If you thought Big Daddy Kane, Rakim, or even the hip-hop philosopher himself, KRS-One, deserve more acclaim than Kool Keith and the Ultramagnetic MC's for their early hip-hop achievements, do yourself a favor, buy Critical Beatdown, and think again.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
One of the reasons why '88 was hip-hop's greatest year, July 7, 2002
If you love old skool '80s hip-hop you need to own this.Kool Keith proves himself to be one of the all time great MCs with this album.If you're getting into Keith then you should start with Critical Beatdown,then move onto Dr.Octagon,Dr.Dooom,Sex Style and Black Elvis.Ced Gee is a great producer and he does a lot of innovative tracks throughout this album,especially 'Ego Trippin',which disses Run DMC for their dismissal of underground hip-hop.Keith's freestyling on that track is incredible. This album is underrated as hell but as you listen to it you realise how influential it is.Dr. Dre utilised the beat from 'Funky' on 'California Love',Public Enemy swiped the beat from 'Ease Back' on 'Terminator X To The Edge Of Panic" and the awesome 'Give The Drummer Some' was sampled by the Prodigy on 'Smack My B!tch Up' This album is a must own and as Keith says on'Ease Back';"Ain't that somethin'/I'm the best MC in the whole wide world".Not the best maybe but damn close.
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