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Comment: This book has already been loved by someone else. It MIGHT have some wear and tear on the edges, have some markings in it, or be an ex-library book. Over-all itâ?TMs still a good book at a great price! (if it is supposed to contain a CD or access code, that may be missing)
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Ulysses Paperback – International Edition, June 16, 1990

ISBN-13: 978-0679722762 ISBN-10: 0679722769 Edition: Reissue

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Product Details

  • Paperback: 783 pages
  • Publisher: Vintage; Reissue edition (June 16, 1990)
  • Language: English
  • ISBN-10: 0679722769
  • ISBN-13: 978-0679722762
  • Product Dimensions: 8 x 5.2 x 1.4 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (620 customer reviews)
  • Amazon Best Sellers Rank: #305,019 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Ulysses has been labeled dirty, blasphemous, and unreadable. In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book--although he found it sufficiently unobscene to allow its importation into the United States--and Virginia Woolf was moved to decry James Joyce's "cloacal obsession." None of these adjectives, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in a close-focus sort of way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book. Even the verbal vaudeville of the final chapters can be navigated with relative ease, as long as you're willing to be buffeted, tickled, challenged, and (occasionally) vexed by Joyce's sheer command of the English language.

Among other things, a novel is simply a long story, and the first question about any story is: What happens?. In the case of Ulysses, the answer might be Everything. William Blake, one of literature's sublime myopics, saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of indelible Dubliners. We watch them teach, eat, stroll the streets, argue, and (in Bloom's case) masturbate. And thanks to the book's stream-of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river--we're privy to their thoughts, emotions, and memories. The result? Almost every variety of human experience is crammed into the accordian folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.

Both characters add their glorious intonations to the music of Joyce's prose. Dedalus's accent--that of a freelance aesthetician, who dabbles here and there in what we might call Early Yeats Lite--will be familiar to readers of Portrait of an Artist As a Young Man. But Bloom's wistful sensualism (and naive curiosity) is something else entirely. Seen through his eyes, a rundown corner of a Dublin graveyard is a figure for hope and hopelessness, mortality and dogged survival: "Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really?" --James Marcus

Review

"Ulysses will immortalize its author with the same certainty that Gargantua immortalized Rabelais, and The Brothers Karamazov immortalized Dostoyevsky.... It comes nearer to being the perfect revelation of a personality than any book in existence."
-The New York Times

"To my mind one of the most significant and beautiful books of our time."
-Gilbert Seldes, in The Nation

"Talk about understanding "feminine psychology"-- I have never read anything to surpass it, and I doubt if I have ever read anything to equal it."
-Arnold Bennett

"In the last pages of the book, Joyce soars to such rhapsodies of beauty as have probably never been equaled in English prose fiction."
-Edmund Wilson, in The New Republic


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Customer Reviews

3.9 out of 5 stars
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Most Helpful Customer Reviews

967 of 1,029 people found the following review helpful By "lexo-2x" on April 26, 2000
Format: Paperback
Ulysses is one of those big, mad bellwethers of a book that X will tell you is the biggest, best, most important blah blah blah and Y will tell you is a load of badly written tripe. Neither X nor Y tend to notice that the book consciously encourages both responses...but, well, I'll get back to the academic riffing in a minute.
I first tried to read Ulysses aged about 14 (I was an annoying little boy that way) and didn't get very far. The first three chapters are set in and around the mind of Stephen Dedalus, one of the most ridiculously clever and over-educated characters ever conceived, as he takes breakfast with some friends, teaches in a school some miles south of Dublin and walks along a beach. Along the way, his mind ruminates on subjects as diverse as 16th century underworld slang, his dead mother, and something he calls "the ineluctable modality of the visible" which I'm still struggling with. But he's a curiously ambiguous character, this Stephen; he fancies himself as a poet and rebel but when, on the beach, he picks his nose, he has a quick look around to see that nobody's watching before he smears the snot on a rock. (Joyce likes to poke fun at pretension this way - although he doesn't suggest that Stephen's ideas or rebel stance are completely hollow, either.)
The 14-year-old me didn't get that far. I gave up. It wasn't until I was 19 or so that I got as far as chapter four and encountered a Mr. Bloom, pottering around the kitchen making breakfast, that I started to get a grip. Bloom is one of the most likeable characters in fiction. He's a quiet, rather shy, oddly intelligent advertising salesman married to a voluptuous siren of a wife, Molly.
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170 of 190 people found the following review helpful By brewster22 on September 10, 2003
Format: Paperback
O.k. to start with...for all of you out there who are interested in reading "Ulysses" but are intimidated by all of the rest of you out there who say it's unreadable, take my advice. Read this book. It's absolutely ridiculous to say this book can't be read. I can't say you're going to find it interesting or enjoyable, but you can read it.
There are people who would have you believe you have to wage a massive campaign of pre-"Ulysses" study before delving into Joyce's novel. I've heard it's necessary to read biographies of Joyce, read all of his other literature, read about the history of Dublin, read Greek mythology...even study Dublin city maps!!! Don't you believe any of this. "Ulysses" is perfectly approachable having read none of the above. I admit that reading "Portrait of the Artist" first is helpful, and at least having some passing knowledge of "The Odyssey" won't hurt, but being familiar with these other works will only help you appreciate some of Joyce's nuances. Being unfamiliar with them will not prevent you from digesting "Ulysses."
Now, for the book itself. Is "Ulysses" good? That's become an almost irrelevant question to ask. Do you have to like "Ulysses?" No. Do you have to admit that it is the greatest novel ever written? No. Anyone denying that the book was influential in altering the course of literature would just be foolish. However, I don't think "Ulysses" is the be-all and end-all of 20th Century literature, and the new ground that Joyce broke would have been broken anyway had he not done it first. He was certainly an innovator, but other authors (Faulkner comes to mind) use Joyce's modernist approach to fiction and do it better.
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99 of 109 people found the following review helpful By Caraculiambro on July 26, 2005
Format: Audio CD Verified Purchase
Stuff you probably want to know:

1. It's read by two people: one guy, who does absolutely everything (including Molly) up till the last chapter, then the last chapter, which is read entirely by a woman.

2. The guy is supremely talented at reading. It's a dramatic reading, in which he imitates the voices of the others and tries to get into it. I would regard his imitation of the voices of others as supremely believable.

3. He has a light British accent (London), but switches to a convincing Irish brogue when reading straight spoken dialogue for most characters. Excellent French and Latin pronunciation. His Italian and Spanish are less successful. The woman is certifiably Irish.

4. There are no sound effects (footsteps, keys, etc.), but there are a few songs interlarded, usually at the beginning of each CD.

5. If you're a Joyce scholar, you are doubtless using the Gabler edition of 1986, WHICH WASN'T THE EDITION USED FOR THIS. I think they're actually using the 1922 edition! Anyhow, this is a constant irritant for serious Joyce fanatics, as, since you are doubtless using Gabler, there'll be something in almost every paragraph that's just a whit different. It's a constant distraction, alas!

6. He reads it a little fast for my taste (especially in Circe).

7. Yes, it is totally unabridged.

8. There are 22 CD's total.

9. You should buy it. I had read Ulysses twice before I got it, and going through it with this CD set really opened up the book to me, in a way I couldn't have gotten with any other type of ancillary aid. It was like reading the book for the first time! Wasn't so incomprehensible after all!
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