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Ulysses Paperback – January 15, 2010

ISBN-13: 978-1840226355 ISBN-10: 1840226358 Edition: Later Printing

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Product Details

  • Paperback: 736 pages
  • Publisher: Wordsworth Editions Ltd; Later Printing edition (January 15, 2010)
  • Language: English
  • ISBN-10: 1840226358
  • ISBN-13: 978-1840226355
  • Product Dimensions: 1.6 x 4.8 x 7.5 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (637 customer reviews)
  • Amazon Best Sellers Rank: #1,951 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Ulysses has been labeled dirty, blasphemous, and unreadable. In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book--although he found it sufficiently unobscene to allow its importation into the United States--and Virginia Woolf was moved to decry James Joyce's "cloacal obsession." None of these adjectives, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in a close-focus sort of way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book. Even the verbal vaudeville of the final chapters can be navigated with relative ease, as long as you're willing to be buffeted, tickled, challenged, and (occasionally) vexed by Joyce's sheer command of the English language.

Among other things, a novel is simply a long story, and the first question about any story is: What happens?. In the case of Ulysses, the answer might be Everything. William Blake, one of literature's sublime myopics, saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of indelible Dubliners. We watch them teach, eat, stroll the streets, argue, and (in Bloom's case) masturbate. And thanks to the book's stream-of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river--we're privy to their thoughts, emotions, and memories. The result? Almost every variety of human experience is crammed into the accordian folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.

Both characters add their glorious intonations to the music of Joyce's prose. Dedalus's accent--that of a freelance aesthetician, who dabbles here and there in what we might call Early Yeats Lite--will be familiar to readers of Portrait of an Artist As a Young Man. But Bloom's wistful sensualism (and naive curiosity) is something else entirely. Seen through his eyes, a rundown corner of a Dublin graveyard is a figure for hope and hopelessness, mortality and dogged survival: "Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really?" --James Marcus --This text refers to an alternate Paperback edition.

Review


"This edition, complete with an invaluable Introduction, map of Dublin, notes, and appendices, republishes for the first time, without interference, the original 1922 text."--In Dublin


"After more than seventy years of editorial corrections, specialists will buy the 'uncorrected' edition for its accuracy. Others should choose it as much for Johnson's excellent introduction and notes." --Tim Kendall, Notes and Queries



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3.9 out of 5 stars
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Most Helpful Customer Reviews

1,025 of 1,088 people found the following review helpful By "lexo-2x" on April 26, 2000
Format: Paperback
Ulysses is one of those big, mad bellwethers of a book that X will tell you is the biggest, best, most important blah blah blah and Y will tell you is a load of badly written tripe. Neither X nor Y tend to notice that the book consciously encourages both responses...but, well, I'll get back to the academic riffing in a minute.
I first tried to read Ulysses aged about 14 (I was an annoying little boy that way) and didn't get very far. The first three chapters are set in and around the mind of Stephen Dedalus, one of the most ridiculously clever and over-educated characters ever conceived, as he takes breakfast with some friends, teaches in a school some miles south of Dublin and walks along a beach. Along the way, his mind ruminates on subjects as diverse as 16th century underworld slang, his dead mother, and something he calls "the ineluctable modality of the visible" which I'm still struggling with. But he's a curiously ambiguous character, this Stephen; he fancies himself as a poet and rebel but when, on the beach, he picks his nose, he has a quick look around to see that nobody's watching before he smears the snot on a rock. (Joyce likes to poke fun at pretension this way - although he doesn't suggest that Stephen's ideas or rebel stance are completely hollow, either.)
The 14-year-old me didn't get that far. I gave up. It wasn't until I was 19 or so that I got as far as chapter four and encountered a Mr. Bloom, pottering around the kitchen making breakfast, that I started to get a grip. Bloom is one of the most likeable characters in fiction. He's a quiet, rather shy, oddly intelligent advertising salesman married to a voluptuous siren of a wife, Molly.
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201 of 225 people found the following review helpful By brewster22 on September 10, 2003
Format: Paperback
O.k. to start with...for all of you out there who are interested in reading "Ulysses" but are intimidated by all of the rest of you out there who say it's unreadable, take my advice. Read this book. It's absolutely ridiculous to say this book can't be read. I can't say you're going to find it interesting or enjoyable, but you can read it.
There are people who would have you believe you have to wage a massive campaign of pre-"Ulysses" study before delving into Joyce's novel. I've heard it's necessary to read biographies of Joyce, read all of his other literature, read about the history of Dublin, read Greek mythology...even study Dublin city maps!!! Don't you believe any of this. "Ulysses" is perfectly approachable having read none of the above. I admit that reading "Portrait of the Artist" first is helpful, and at least having some passing knowledge of "The Odyssey" won't hurt, but being familiar with these other works will only help you appreciate some of Joyce's nuances. Being unfamiliar with them will not prevent you from digesting "Ulysses."
Now, for the book itself. Is "Ulysses" good? That's become an almost irrelevant question to ask. Do you have to like "Ulysses?" No. Do you have to admit that it is the greatest novel ever written? No. Anyone denying that the book was influential in altering the course of literature would just be foolish. However, I don't think "Ulysses" is the be-all and end-all of 20th Century literature, and the new ground that Joyce broke would have been broken anyway had he not done it first. He was certainly an innovator, but other authors (Faulkner comes to mind) use Joyce's modernist approach to fiction and do it better.
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148 of 165 people found the following review helpful By james on July 17, 2006
Format: Paperback
I have frequently heard Ulysses proclaimed the best book ever written, but I could never understand why. I purchased this edition of the novel three years ago, and since then it sat on my shelf, a mighty 900 page undertaking that I kept putting off. I was reluctant to read it, for I have often heard how difficult it was to get through. Finally, I have read it, and though I believe it presumptuous to call any one book "the best book of all time", I certainly believe that Ulysses could claim that title. First off, it is not a difficult read. If you could get through A Portrait of the Artist as a Young Man, you can get through Ulysses. I heartily recommend this edition because of the brilliant introduction by Declan Kibard. Before I read Ulysses, I could not understand how this could be the best book of all time. According to my understanding, it was a novel detailing, in 900 pages, one day in the life of a Jewish Irishman, Leopold Bloom. A totally unremarkable day at that. After reading Kibard's introduction, I was fiercely eager to begin the novel. In his introduction, totally some 70 pages, Kibard answers the precise question I had: Why would this book be called the best of all time? This book is never boring, and is actually a quite enjoyable read. It is arranged in 18 chapters, and to me, the most astounding aspect of this piece of literature is the fact that every chapter is written in a different style. Joyce wanted to show that "originality" in terms of style was merely a new arrangement of previous styles, and so shows his brilliance as a writer by changing his technique and method completely in each chapter. It is indeed difficult to believe they were written by the same person.Read more ›
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