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This is a wonderfully crafted book -- the physical object, that is, and not just the text. (Because if you're willing to pay this much for a copy of "Ulysses" you obviously take that for granted.) The volume is larger in size than typical hardcover books today, meaning that the type is a decent readable size and the margins are generous (for the note jotting fiends among us). Great care has clearly been taken in the choice of paper and the sewn binding, which allows the book to lay flat during reading and insures years of re-reading. Although there is no dustjacket the cover is made of very durable material; various cover protectors can be found to stand in or, for the really paranoid, a slipcase can be made or found. It should be added that the text is presented as originally published, so there are no notes or glosses to help the first-time or casual reader; neither are the episodes keyed to any of the line numberings found in other editions. However, those wishing to refer to notes would be best off buying one of the helpful readers' companions by Gifford or Blamires anyway. In relation to other available editions, this one occupies a vast middle ground between the throwaway mass-market paperbacks on the one hand and the out-of-reach collectors' editions on the other. The book's durability and elegant though understated presentation should prove most attractive to those readers who intend to read the text again and again, whether for pleasure or for study. In short, this volume is a keeper.
O.k. to start with...for all of you out there who are interested in reading "Ulysses" but are intimidated by all of the rest of you out there who say it's unreadable, take my advice. Read this book. It's absolutely ridiculous to say this book can't be read. I can't say you're going to find it interesting or enjoyable, but you can read it. There are people who would have you believe you have to wage a massive campaign of pre-"Ulysses" study before delving into Joyce's novel. I've heard it's necessary to read biographies of Joyce, read all of his other literature, read about the history of Dublin, read Greek mythology...even study Dublin city maps!!! Don't you believe any of this. "Ulysses" is perfectly approachable having read none of the above. I admit that reading "Portrait of the Artist" first is helpful, and at least having some passing knowledge of "The Odyssey" won't hurt, but being familiar with these other works will only help you appreciate some of Joyce's nuances. Being unfamiliar with them will not prevent you from digesting "Ulysses." Now, for the book itself. Is "Ulysses" good? That's become an almost irrelevant question to ask. Do you have to like "Ulysses?" No. Do you have to admit that it is the greatest novel ever written? No. Anyone denying that the book was influential in altering the course of literature would just be foolish. However, I don't think "Ulysses" is the be-all and end-all of 20th Century literature, and the new ground that Joyce broke would have been broken anyway had he not done it first. He was certainly an innovator, but other authors (Faulkner comes to mind) use Joyce's modernist approach to fiction and do it better.Read more ›
I have frequently heard Ulysses proclaimed the best book ever written, but I could never understand why. I purchased this edition of the novel three years ago, and since then it sat on my shelf, a mighty 900 page undertaking that I kept putting off. I was reluctant to read it, for I have often heard how difficult it was to get through. Finally, I have read it, and though I believe it presumptuous to call any one book "the best book of all time", I certainly believe that Ulysses could claim that title. First off, it is not a difficult read. If you could get through A Portrait of the Artist as a Young Man, you can get through Ulysses. I heartily recommend this edition because of the brilliant introduction by Declan Kibard. Before I read Ulysses, I could not understand how this could be the best book of all time. According to my understanding, it was a novel detailing, in 900 pages, one day in the life of a Jewish Irishman, Leopold Bloom. A totally unremarkable day at that. After reading Kibard's introduction, I was fiercely eager to begin the novel. In his introduction, totally some 70 pages, Kibard answers the precise question I had: Why would this book be called the best of all time? This book is never boring, and is actually a quite enjoyable read. It is arranged in 18 chapters, and to me, the most astounding aspect of this piece of literature is the fact that every chapter is written in a different style. Joyce wanted to show that "originality" in terms of style was merely a new arrangement of previous styles, and so shows his brilliance as a writer by changing his technique and method completely in each chapter. It is indeed difficult to believe they were written by the same person.Read more ›