Ulysses (Oxford World's Classics) [Paperback]

James Joyce (Author), Jeri Johnson (Author)

Book Description

Series: Oxford World's Classics | Publication Date: September 1, 2011

One of the greatest novels of the twentieth century, Ulysses has had a profound influence on modern fiction. In a series of episodes covering the course of a single day, June 16, 1904, the novel traces the movements of Leopold Bloom and Stephen Dedalus through the streets of Dublin. Each chapter has its own remarkably innovative literary style, and the book is one of the great, extended tours de force of stream-of-consciousness narration. It is an essential stop in any tour of English literature.
This marvelous edition reproduces in facsimile the original 1922 text. Today critical interest centers on the authority of the text, and this edition republishes for the first time, without interference, the original 1922 text. Equally important, Jeri Johnson's editorial material is acknowledged to be by far the best there is. Her textual apparatus--notes, introduction, stemma of published versions--is unsurpassed. Johnson strikes the perfect balance between what readers need to know in her notes and introduction. Her fantastic explanatory notes begin by giving the time and location of each episode and a description of the correspondence with the episode in Homer being paralleled. In addition, the introduction is a model of scholarship and lucidity, leading the first-time reader through the intricacies of the text.
This edition also includes a full list of errata, a Composition and Publication History, an up-to-date bibliography, a chronology of Joyce's lie, a map of Dublin of the period, appendices reproducing Gilbert and Linati schema (i.e. the tables that set out the symbolic significance of each episode in the novel by title, hour of the day, place of the action), and much more. It is the perfect introduction to the crowning work of modernist literature.

Editorial Reviews

Amazon.com Review

Ulysses has been labeled dirty, blasphemous, and unreadable. In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book--although he found it sufficiently unobscene to allow its importation into the United States--and Virginia Woolf was moved to decry James Joyce's "cloacal obsession." None of these adjectives, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in a close-focus sort of way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book. Even the verbal vaudeville of the final chapters can be navigated with relative ease, as long as you're willing to be buffeted, tickled, challenged, and (occasionally) vexed by Joyce's sheer command of the English language.

Among other things, a novel is simply a long story, and the first question about any story is: What happens?. In the case of Ulysses, the answer might be Everything. William Blake, one of literature's sublime myopics, saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of indelible Dubliners. We watch them teach, eat, stroll the streets, argue, and (in Bloom's case) masturbate. And thanks to the book's stream-of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river--we're privy to their thoughts, emotions, and memories. The result? Almost every variety of human experience is crammed into the accordian folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.

Both characters add their glorious intonations to the music of Joyce's prose. Dedalus's accent--that of a freelance aesthetician, who dabbles here and there in what we might call Early Yeats Lite--will be familiar to readers of Portrait of an Artist As a Young Man. But Bloom's wistful sensualism (and naive curiosity) is something else entirely. Seen through his eyes, a rundown corner of a Dublin graveyard is a figure for hope and hopelessness, mortality and dogged survival: "Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really?" --James Marcus --This text refers to an alternate Paperback edition.

Review

'one of the greatest novels of the twentieth century ... this edition, complete with an invaluable Introduction, map of Dublin, notes, and appendices, republishes for the first time, without interference, the original 1922 text.' In Dublin

'After more than seventy years of editorial corrections, specialists will buy the 'uncorrected' edition for its accuracy. Others should choose it as much for Johnson's excellent introduction and notes.' Tim Kendall. Hertford College, Oxford. Notes and Queries

`For anyone coming to this 20th century classic for the first time, this paperback version could well make the going a little easier.' Lancashire Evening Post (Preston)

`Already got a copy of Ulysses. Well, chuck it out and get this ... this is the one, a reproduction of the original 1922 Shakespeare and Co edition ... has extensive notes at the back to explain references and correct gaffes ... Also astonishingly cheap.' Nicholas Lezard, The Guardian

`now the cheapest annotated paperback available and comes with a splendid introduction from Jeri Johnson, a map of contemporary Dublin, and a comprehensive set of explanatory notes ... As such, it should appeal both to those who are familiar with Joyce's book, and those who are approaching it for the first time.' Yorkshire Post (Leeds)

`hilarious, poignant, exhilarating ... The excellent guide, editor Jeri Johnson, refuses to allow short cuts for first-time travellers ... The detailed notes are useful ... the ideal way to set off on your personal odyssey.' The Times

`For anyone coming to this 20th century classic for the first time, this paperback version could well make the going a little easier.' West Lancashire Evening Gazette

`For anyone coming to this 20th Century classic for the first time, this paperback version could well make the going a little easier.' Yorkshire Evening Post (Leeds) Midweek section, 9 July 1997

See all Editorial Reviews

Product Details

• Paperback: 980 pages
• Publisher: Oxford University Press, USA (September 1, 2011)
• Language: English
• ISBN-10: 0199535671
• ISBN-13: 978-0199535675
• Product Dimensions: 7.7 x 6.6 x 1.9 inches
• Shipping Weight: 1.5 pounds (View shipping rates and policies)
• Average Customer Review: 3.9 out of 5 stars  See all reviews (524 customer reviews)
• Amazon Best Sellers Rank: #196,762 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

694 of 736 people found the following review helpful:

5.0 out of 5 stars Okay. Is it really worth it?, April 26, 2000

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"lexo-2x" - See all my reviews

This review is from: Ulysses (Gabler Edition) (Paperback)

Ulysses is one of those big, mad bellwethers of a book that X will tell you is the biggest, best, most important blah blah blah and Y will tell you is a load of badly written tripe. Neither X nor Y tend to notice that the book consciously encourages both responses...but, well, I'll get back to the academic riffing in a minute.

I first tried to read Ulysses aged about 14 (I was an annoying little boy that way) and didn't get very far. The first three chapters are set in and around the mind of Stephen Dedalus, one of the most ridiculously clever and over-educated characters ever conceived, as he takes breakfast with some friends, teaches in a school some miles south of Dublin and walks along a beach. Along the way, his mind ruminates on subjects as diverse as 16th century underworld slang, his dead mother, and something he calls "the ineluctable modality of the visible" which I'm still struggling with. But he's a curiously ambiguous character, this Stephen; he fancies himself as a poet and rebel but when, on the beach, he picks his nose, he has a quick look around to see that nobody's watching before he smears the snot on a rock. (Joyce likes to poke fun at pretension this way - although he doesn't suggest that Stephen's ideas or rebel stance are completely hollow, either.)

The 14-year-old me didn't get that far. I gave up. It wasn't until I was 19 or so that I got as far as chapter four and encountered a Mr. Bloom, pottering around the kitchen making breakfast, that I started to get a grip. Bloom is one of the most likeable characters in fiction. He's a quiet, rather shy, oddly intelligent advertising salesman married to a voluptuous siren of a wife, Molly. Either you're prepared to go the distance with Bloom, or else cast the book aside with a hollow oath, because he's about to spend the entire day walking around Dublin. Nothing will happen except that a man will be buried, a baby will get born, and Bloom will help Stephen when the latter gets into a drunken fracas with some British soldiers. (Ireland was still part of the Union in 1904, and Dublin was a garrison town. Many non-Irish readers concentrate on Joyce's innovation or wit or technical whatever, but Joyce is extremely historically aware, and Ulysses, like all his other books, is riddled with the traces of English domination. These add to the book, rather than diminish it.)

Readers who like those clanky, tinpot contraptions known as "plots" may get a tad frustrated. Leaving aside Joyce's gifts for parody (a _tad_ too indulged, in my opinion), the, if you like, human interest in Ulysses is in the details of the to-ing and fro-ing between the characters. A quite banal conversation turns out to have all sorts of fascinating undercurrents; Bloom, who is Jewish and therefore even more of an outsider than Stephen, is extremely good at detecting the hints and shifts in the tones of the people he meets. He keeps running into two things that cause him particular discomfort: anti-Semitic remarks, and reminders that his wife is about to sleep with another man.

Ulysses is about language, but that makes it sound like it's some godawful lumbering doorstop written by an English professor. (John Barth, come on down!) It doesn't feel abstract at all; it's full of sights (the band of old sweat inside Bloom's hat), smells (restaurants, horse urine, flowers) and especially sounds (cats, printing presses, trams). I can't think of any other book which transports you so completely to a different place and time. (It might've helped that I grew up in Dublin and knew most of the places that Joyce is writing about.) Borges described Joyce's prose style, at least in the earlier half of the book, as "strong and delicate" and that's a good description.

As the day wears on, the book starts to rumble at the foundations and it lurches with increasing unpredictability from style to style. Joyce is making a point about language; that things are altered by the manner in which we describe them. This can get a bit wearisome after a while, but when it works well - as in the chapter where the doings of a young girl on a beach are narrated in the style of a girl's magazine story - it can be very funny and rather touching. The book closes with a mighty tour de force as Molly Bloom sits up and thinks about her life and her curious husband.

Okay, that's the beginner's guide. My personal opinion? It's the best Irish book, a constant wonder, irritation and delight to read, and a stunning effort of imagination and intelligence by the most significant and most lavishly talented Irish writer. 20th and 21st century Irish culture is unthinkable without it. I'm grateful that it's there. What else is to be said?

221 of 232 people found the following review helpful:

1.0 out of 5 stars Missing pieces of text, December 27, 2009

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Brittany A. Sweet (NY, USA) - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: Ulysses (Kindle Edition)

I picked this up for a group read of Ulysses. I figured it would be convenient to have it on the computer so I could look up all the references I didn't understand, and the price was certainly right. Unfortunately, as I came to realize, this edition of the book is missing pieces of text. I probably wouldn't have noticed this, except that when I googled one of the references that I didn't get, I came up with a preview of a book called Ulysses Annotated, which describes in detail the meaning of all the references. As I read, I noticed that in several places there were references noted that I hadn't seen in the text. Finally, I got annoyed and googled the exact line that preceded an area of missing text, and found that some lines of verse had been omitted from my edition of the book. It's a shame, since I was enjoying the clear formatting and the ease of use that the Kindle edition was giving me, but since it's not really a book that I want to spend money on, I guess I'll be giving Project Gutenberg's version a try.

80 of 81 people found the following review helpful:

1.0 out of 5 stars Missing the Ballad of Joking Jesus, August 31, 2010

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Nate_1234567890 "Nate" (Las Vegas, NV USA) - See all my reviews

Amazon Verified Purchase

This review is from: Ulysses (Kindle Edition)

The eBook is missing text. I also have a print edition, but I wanted a copy I could read on my phone when i had the time. The part I noticed is missing is the Ballad of Joking Jesus. It's probably missing other text as well.