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Special Features
- In French with optional English subtitles
- Newly restored HD transfer supervised by the film's director of photography, Yves Angelo
- Four page booklet with essay by film critic Michel Boujut
- Interview with the director
- French TV appearances by director Claude Sautet and Andre Dussolier
- Excerpt from the documentary Claude Sautet ou la Magie Invisible
- Original French theatrical trailer
Editorial Reviews
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Product Description
"Two Thumbs Up!" – Siskel & Ebert
"[it] has the intensity and delicacy of a great short story." – Roger Ebert, Chicago Sun-Times
"superb…haunting...full of unexpected beauty, richness and feeling" – Hal Hinson, Washington Post
WINNER – César Award, Best Director
WINNER – César Award, Best Supporting Actor
WINNER – Venice Film Festival, FIPRESCI Prize
WINNER – Venice Film Festival, Silver Lion
WINNER – London Critics Circle Film Awards, Foreign Language Film of the Year
WINNER – European Film Awards, Best Actor
WINNER – David di Donatello Award, Best Foreign Actor, Best Foreign Actress
WINNER – David di Donatello Award, Best Foreign Film
WINNER – French Syndicate of Cinema Critics, Best Film
Customer Reviews
Stephane is partnered with Maxime (Andre Dussollier) in a thriving business. Maxime is everything that Stephane is not: gregarious, confident, extroverted. Together they form a successful team. Maxime brings in the clients and Stephane does the work. They both are quite happy.
One day Maxime introduces Stephane to his new love, Camille (Emmanuel Beart), a beautiful violinist. He is cold to her at first, but the music she makes gradually stirs something in him. She in turns responds to him. She can sense that he has the heart of a musician, but something is wrong. Something is keeping him from opening his heart to anyone else. That something is music. Stephane is surrounded constantly by beautiful music, but none of it emanates from him.
We come to realize why Stephane, once a promising musician, gave up music. The sounds his fingers made could never equal the music he heard in his soul so he quit. Rather than risk the pain of further disappointment in life, he chose instead to feel nothing at all. If that meant forgoing love, it was a price that he had to pay.
Camille eventually confesses to Maxime that she is in love with his partner. Maxime is hurt, but what can he do? She goes to Stephane. We can see that he probably loves her as well, but still he refuses her. He will not allow her into his heart. She is hurt by this, but she has her music and Maxime and, perhaps, that is enough. She is too proud to play the woman scorned.
Emmanuelle Beart gives a truly wonderful performance as Camille. She is stunning to look at, of course, but as a gifted actress, she will not settle for just that. Her work is meticulously crafted, imbibing her role with dignity and grace. She studied for a year to learn to be a convincing violinist and she succeeds magnificently.
Daniel Auteuil is also excellent, playing the difficult part of a man who keeps his thoughts and emotions very much to himself. It is a subtle performance, filled with poignant suggestions and nuances. His carefully guarded expressions and manner prove that still waters do run deep.
As is typical of most of the finer French films, "Un Coeur en Hiver" is a very mature, adult film. Not in the sexual sense--there is nothing even remotely objectionable in it--but rather in terms of its thoughtfulness and sophistication. The relationships in this film, as in real life, demonstrate that love is never easy. There isn't always a happy ending, and just because a man and a woman should get together, that does not mean they will.
The movie is about two men who own a violin shop and they both fall in love with a beautiful soloist who becomes their client, her violin is a wonderful sounding Vulliame with an incredible tone. There are wonderful performances of Ravel's trio and sonatas throughout the movie.
The movie makes a profound statement about violin making, musical interpretation, the awkwardness and inconvenience of true love, jealousy, death, inner feelings that are rarely spoken, how friendship can change over a woman, and how a man's heart has become frozen from a life of romantic solitude.
What I found most interesting about the plot is that we do not know if Camille and Stephen will eventually become lovers, he say he will attend her next recital in Paris and she drives away with Maxim looking at him with adoring eyes. Paris is like New York, you have to be big to play there so apparently by this time Camille has become popular. One thing we do know is that Stephen does have a life and says he is not worthless because of his abilities as a violin luthier. In the end, Stephan is left with his violins: woman or no woman we never know if he will be forever trapped in his frozen world...
Fans of "The Red Violin" will love this movie but I would recommend this to anyone who loves romance and violin performance, essential viewing and not to be missed.
There are two sets of masters and their apprentices in the film. Maxime (Andre Dussollier) and his business partner Stephane (Daniel Auteuil). Together, they own a shop where the reticent Stephane builds and fixes violins with great precision, and Maxime handles the business and social side of things. Then there is Camille (Emanuelle Beart) and her agent Regine (Brigitte Cattilon). Both Camille and Stephane appear frigid at first, they channel all their energy into their work, while the others live their lives for them. It is a convenient way of life for Stephane, the Heart in Winter of the title. But Camille is still open, still warm enough to seek love. So when Maxime introduces Camille as his lover, there is visible hurt on Stephane's face. At first it seems that he is jealous of her, or him, but then I realised that he was jealous of their readiness to, and faith in love. A tentative and unacknowledged romance develops between Stephane and Camille. They meet at the studio, and he takes her out for a drink. For the first time in the film, she smiles. They seem to be comfortable together. And since this is a French film, love is not defined as some magical formula, but a relationship in which each partner could to dilute their obsessions, to be at ease with themselves. But Stephane freezes, he breaks off all voluntary contact with Camille.
It is tempting to think that this abrupt change of heart on his part was because of fear, a reluctance to give up his carefully constructed world. Perhaps his dedication to his craft was so great, that he feared his love of Camille would lessen the quality of his work. Why would he ever attempt to make the perfect violin when perfection is right beside him in Emmanuelle Beart. And my, is she perfect. It is even more tempting to believe that he has abandoned her for the sake of his friend in a Casablanca sort of sacrifice. What makes the A Heart in Winter so special is that Sautet doesn't choose either of those easy answers, although they are viable. Instead we are left with the tragic notion that there are people like Stephane who are incapable of emotion, "Something is broken inside." In a moving scene, Auteuil drives away from Beart, crying. Some will think his tears are for a love he can never acknowledge. Perceptive viewers will understand he is crying because he knows he can never feel love. All he can feel is the lack.
Robert Reid
