Drawing on the correspondence of the artist, his friends, and his family, as well as an extensive review of contemporary critical responses, the text examines these works of Sargent's early maturity -- some unseen in this century and others among his best-known works, including Smoke of Ambergris and Madame X. The authors contend that the canvases present a fresh view of Sargent's aspirations and ambitions, representing a metaphoric self-portrait of the artist as a young man. The early paintings, their relationship to one another, and their reception also shed light on the complex, cosmopolitan art world in which Sargent lived.
Uncanny Spectacle accompanies an exhibition of John Singer Sargent's early paintings that will open in June 1997 at the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts.
