Uncle Tom's Cabin (Thrift Edition) (Paperback)

by Harriet Beecher Stowe (Author)

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Product Description

The moving abolitionist novel that fueled the fire of the human rights debate in 1852 and melodramatically condemned the institution of slavery through such powerfully realized characters as Tom, Eliza, Topsy, Eva, and Simon Legree. First published more than 150 years ago, this monumental work is today being reexamined by critics, scholars, and students.

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Product Details Paperback: 384 pages Publisher: Dover Publications (August 1, 2005) Language: English ISBN-10: 0486440281 ISBN-13: 978-0486440286 Product Dimensions: 8.1 x 5.2 x 1 inches Shipping Weight: 10.4 ounces (View shipping rates and policies) Average Customer Review: 4.5 out of 5 stars See all reviews (11 customer reviews) Amazon.com Sales Rank: #3,687 in Books (See Bestsellers in Books) Popular in these categories: (What's this?) #2 in  Books > Literature & Fiction > Classics > United States > Stowe, Harriet Beecher #2 in  Books > Literature & Fiction > Authors, A-Z > ( S ) > Stowe, Harriet Beecher #19 in  Books > Literature & Fiction > United States > 19th Century

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11 Reviews 5 star:  (7) 4 star:  (2) 3 star:  (2) 2 star:    (0) 1 star:    (0)           Average Customer Review 4.5 out of 5 stars (11 customer reviews)		Share your thoughts with other customers:
Most Helpful Customer Reviews 5 of 5 people found the following review helpful: 5.0 out of 5 stars An important read for understanding American history., December 20, 2008 By  Marilyn Squier (Fiskdale, MA USA) - See all my reviews (REAL NAME)    I have a love / hate relationship with the novel. Some days, I think that Stowe is unforgivably racist and cares only about preserving the souls of white people who are forfeiting their place in heaven by owning slaves. On other days, I am really impressed by the way that Stowe is working within many of the discourses of her time and creating a radical message about why slavery is unchristian, unpatriotic and unwomanly. Of course, everyone knows that Uncle Tom's Cabin was the best-selling book of its time, outselling even the Bible. It sold over 1,000,000 copies, and, for every copy sold, about 10 people read the book. For every person who read the book, about 50 saw a dramatic adaptation (possibly one of the versions by Aiken or Conway, which took away much of Stowe's message and retained mostly the melodrama and racial stereotypes). Nineteenth century America was steeped in Uncle Tom's Cabin. It was the first book to have spin-off products that are common for films today - actions figures, tea sets, dolls, board games, card games, sheet music. Uncle Tom's Cabin permeated American culture. It is speciously reported that, upon meeting Stowe during the Civil War, President Lincoln said, "So you're the little woman who wrote the book that caused this great war." There are so many things to fault Stowe for. In our politically correct culture, all of the faults of Stowe's novel are incredibly salient: she co-opts many racial stereotypes from the minstrel stage. Influenced by romantic racialism, she sees all blacks as simple, docile, childlike, and innately Christian. She sees people who are bi-racial, on the other hand, as intelligent and discontent with their position in slavery because of the "Anglo-Saxon blood" that is flowing through their veins. But I think that what is important to focus on in Uncle Tom's Cabin is the way that Stowe created an inherently domestic attack on slavery by associating slavery with the public sphere of economy and capitalism and slaves with the domestic sphere of womanhood and Christianity. Stowe was writing during the time of the cult of true womanhood. In the nineteenth century, women were supposed to be (sexually) pure, (religiously) pious, domestic (staying in the house / kitchen), and submissive (to men). Stowe believed in these prescriptive categories for women (as you can see through the characters of Mrs. Shelby and Mrs. Bird). To her, the best people in the world are mothers and Christians, and Christ himself is a mother-figure; he is pure, pious, domestic, and submissive. In Uncle Tom's Cabin, Eva and Uncle Tom are both Christ figures and mother figures because mother and Christ are interchangeable. They are the best type of people in the world. The Quaker Settlement, where Rachel Halliday gentle nudges her family to work in harmony in a Christian matriarchy is Stowe's vision of a millennial utopia. Slavery is evil for Stowe because it is the opposite of Christianity. Christianity is domestic and spiritual, and slavery is a part of the public sphere; it is mundane. Appealing to white Northern women, Stowe shows how slavery creates problems for women: it separates mothers from their children and wives from their husbands. It is bad for the slaveholders because it corrupts them morally. Stowe also attacks the North for their culpability in Slavery. Through the character of Miss Ophelia, she shows that Northerners, while the want slaves to be free, do not want to come near black people with a ten foot pole. They have a visceral reaction to blackness. Through the Fugitive Slave Law, Northerners are helping Southerners to return blacks to slavery. Lobbying for the inclusion of Uncle Tom's Cabin in the literary canon, Jane Tompkins says of the novel in Sensational Design, that it "retells the culture's central religious myth - the story of the crucifixion - in terms of the nation's greatest political conflict - slavery - and of its most cherished social beliefs - the sanctity of motherhood and the family." I have read several editions of this novel, and I would highly recommend the Norton Critical edition, edited by Elizabeth Ammons (Tufts University) or the new Annotated edition, edited and annotated by Henry Lewis Gates, Jr. (Harvard University). Like all Norton editions, Ammons's version includes important contextual information as well as some of the seminal scholarly essays about the novel. In the annotated version, Gates gives two lengthy introductions and useful annotations. One thing that he mentions throughout the annotations is the way that Stowe depicts Tom's relationship with Chloe. According to Gates he seem not to be very affected by their separation; when he reminisces about the past, he thinks about the white children that he misses, George Shelby and Eva St. Clare. 2 of 2 people found the following review helpful: 5.0 out of 5 stars Required reading, May 6, 2009 By  T. Hobbes (Virginia) - See all my reviews I assign this edition to students in my college US history survey classes, and while there's really nothing I can add to the numerous literary reviews of this beloved (yet increasingly unread) classic, I will say that no other book, save All Quiet on the Western Front, elicits such an emotional, intellectual, and visceral response among my students as this book does. Everyone should read this masterpiece at some point in their lives, and I suspect you'll be indelibly marked by it. 2 of 2 people found the following review helpful: 5.0 out of 5 stars Informative , January 13, 2008 By  CCC - See all my reviews I wasn't sure about reading this book and initially found it very difficult. After finishing the book I found it to be very moving, informative. It is amazing that this book was written so long ago and by a woman.		Ad feedback   Most Recent Customer Reviews 4.0 out of 5 stars Historic Writing Definitely a worthwhile read. In my opinion, Uncle Tom's Cabin by Harriet Beerch Stowe was a religious tract rather than a story. Read more Published 4 months ago by blizzardbabe 5.0 out of 5 stars A revolutionary book I know this story has gotten a bad reputation recently but it should be viewed in the context in which it was written. Read more Published 4 months ago by J. Blackhorse 4.0 out of 5 stars a pretty quick read I decided I should finally read this book. After struggling through Beloved and Lord Jim I feared I wouldn't understand a word of Uncle Tom's Cabin. Read more Published 5 months ago by another reviewer 3.0 out of 5 stars Good but ... I read this from a sense of obligation ... and probably 40 years too late to appreciate it fully. It was funny enough, I'll say that ... Read more Published 6 months ago by Charlie Stella 5.0 out of 5 stars Uncle Tom's Cabin I purchased this book for my son. It was required reading for his 11th grade Honors English class. He needed this book ASAP because as usual, he waits until the very last minute... Read more Published 6 months ago by Tina G. Bryeans 5.0 out of 5 stars used paper back book Excellent condition. Just as described. quick shipping and low priced book. A perfect transaction!! Published 17 months ago by Susan H. Monje 5.0 out of 5 stars A Real Classic! Most of the classics you read are long and boring and definitely not easy reading. Uncle Tom's Cabin is not one of those books! Read more Published 19 months ago by J. Gaudio 3.0 out of 5 stars Ok I guess Well I bought this book for a summer reading assignment and I have to say it isn't the most interesting book in fact I don't really like it at all. Read more Published on July 14, 2006 by Minh Chau Nguyen Search Customer Reviews Only search this product's reviews

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Product Details

• Paperback: 384 pages
• Publisher: Dover Publications (August 1, 2005)
• Language: English
• ISBN-10: 0486440281
• ISBN-13: 978-0486440286
• Product Dimensions: 8.1 x 5.2 x 1 inches
• Shipping Weight: 10.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars See all reviews (11 customer reviews)
• Amazon.com Sales Rank: #3,687 in Books (See Bestsellers in Books)

  Popular in these categories: (What's this?)

  #2 in	Books > Literature & Fiction > Classics > United States > Stowe, Harriet Beecher
  #2 in	Books > Literature & Fiction > Authors, A-Z > ( S ) > Stowe, Harriet Beecher
  #19 in	Books > Literature & Fiction > United States > 19th Century

Customer Reviews

Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

5.0 out of 5 stars An important read for understanding American history., December 20, 2008

By	Marilyn Squier (Fiskdale, MA USA) - See all my reviews (REAL NAME)

I have a love / hate relationship with the novel. Some days, I think that Stowe is unforgivably racist and cares only about preserving the souls of white people who are forfeiting their place in heaven by owning slaves. On other days, I am really impressed by the way that Stowe is working within many of the discourses of her time and creating a radical message about why slavery is unchristian, unpatriotic and unwomanly.

Of course, everyone knows that Uncle Tom's Cabin was the best-selling book of its time, outselling even the Bible. It sold over 1,000,000 copies, and, for every copy sold, about 10 people read the book. For every person who read the book, about 50 saw a dramatic adaptation (possibly one of the versions by Aiken or Conway, which took away much of Stowe's message and retained mostly the melodrama and racial stereotypes). Nineteenth century America was steeped in Uncle Tom's Cabin. It was the first book to have spin-off products that are common for films today - actions figures, tea sets, dolls, board games, card games, sheet music. Uncle Tom's Cabin permeated American culture. It is speciously reported that, upon meeting Stowe during the Civil War, President Lincoln said, "So you're the little woman who wrote the book that caused this great war."

There are so many things to fault Stowe for. In our politically correct culture, all of the faults of Stowe's novel are incredibly salient: she co-opts many racial stereotypes from the minstrel stage. Influenced by romantic racialism, she sees all blacks as simple, docile, childlike, and innately Christian. She sees people who are bi-racial, on the other hand, as intelligent and discontent with their position in slavery because of the "Anglo-Saxon blood" that is flowing through their veins.

But I think that what is important to focus on in Uncle Tom's Cabin is the way that Stowe created an inherently domestic attack on slavery by associating slavery with the public sphere of economy and capitalism and slaves with the domestic sphere of womanhood and Christianity.

Stowe was writing during the time of the cult of true womanhood. In the nineteenth century, women were supposed to be (sexually) pure, (religiously) pious, domestic (staying in the house / kitchen), and submissive (to men). Stowe believed in these prescriptive categories for women (as you can see through the characters of Mrs. Shelby and Mrs. Bird). To her, the best people in the world are mothers and Christians, and Christ himself is a mother-figure; he is pure, pious, domestic, and submissive. In Uncle Tom's Cabin, Eva and Uncle Tom are both Christ figures and mother figures because mother and Christ are interchangeable. They are the best type of people in the world. The Quaker Settlement, where Rachel Halliday gentle nudges her family to work in harmony in a Christian matriarchy is Stowe's vision of a millennial utopia.

Slavery is evil for Stowe because it is the opposite of Christianity. Christianity is domestic and spiritual, and slavery is a part of the public sphere; it is mundane. Appealing to white Northern women, Stowe shows how slavery creates problems for women: it separates mothers from their children and wives from their husbands. It is bad for the slaveholders because it corrupts them morally. Stowe also attacks the North for their culpability in Slavery. Through the character of Miss Ophelia, she shows that Northerners, while the want slaves to be free, do not want to come near black people with a ten foot pole. They have a visceral reaction to blackness. Through the Fugitive Slave Law, Northerners are helping Southerners to return blacks to slavery.

Lobbying for the inclusion of Uncle Tom's Cabin in the literary canon, Jane Tompkins says of the novel in Sensational Design, that it "retells the culture's central religious myth - the story of the crucifixion - in terms of the nation's greatest political conflict - slavery - and of its most cherished social beliefs - the sanctity of motherhood and the family."

I have read several editions of this novel, and I would highly recommend the Norton Critical edition, edited by Elizabeth Ammons (Tufts University) or the new Annotated edition, edited and annotated by Henry Lewis Gates, Jr. (Harvard University). Like all Norton editions, Ammons's version includes important contextual information as well as some of the seminal scholarly essays about the novel. In the annotated version, Gates gives two lengthy introductions and useful annotations. One thing that he mentions throughout the annotations is the way that Stowe depicts Tom's relationship with Chloe. According to Gates he seem not to be very affected by their separation; when he reminisces about the past, he thinks about the white children that he misses, George Shelby and Eva St. Clare.

2 of 2 people found the following review helpful:

5.0 out of 5 stars Required reading, May 6, 2009

By	T. Hobbes (Virginia) - See all my reviews

I assign this edition to students in my college US history survey classes, and while there's really nothing I can add to the numerous literary reviews of this beloved (yet increasingly unread) classic, I will say that no other book, save All Quiet on the Western Front, elicits such an emotional, intellectual, and visceral response among my students as this book does.

Everyone should read this masterpiece at some point in their lives, and I suspect you'll be indelibly marked by it.

2 of 2 people found the following review helpful:

5.0 out of 5 stars Informative , January 13, 2008

By	CCC - See all my reviews

I wasn't sure about reading this book and initially found it very difficult. After finishing the book I found it to be very moving, informative. It is amazing that this book was written so long ago and by a woman.