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Product Details
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| Disc: 1 | |||
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| 1. Uncle Meat | |||
| 2. The Voices Of Cheese | |||
| 3. Nine Types Of Industrial Pollution | |||
| 4. Zolar Czakl | |||
| 5. Dog Breath, In The Year Of The Plague | |||
| 6. The Legend Of The Golden Arches | |||
| 7. Louie Louie | |||
| 8. The Dog Breath Variations | |||
| 9. Sleeping In A Jar | |||
| 10. Our Bizarre Relationship | |||
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| Disc: 2 | |||
| 1. Uncle Meat Film Excerpt Part 1 | |||
| 2. Tengo Na Minchia Tanta | |||
| 3. Uncle Meat Film Excerpt Part II | |||
| 4. King Kong Itself | |||
| 5. King Kong II | |||
| 6. King Kong III | |||
| 7. King Kong IV | |||
| 8. King Kong V | |||
| 9. King Kong VI | |||
As a whole, UNCLE MEAT illustrates FZ's masterful production techniques, and his ability to appropriate all sorts of popular music and have his way with it as well. Doo-wop rears its head on "Cruisin' For Burgers" and "Electric Aunt Jemima;" and the groupies-turned recording artists the GTO's make their debut on "Our Bizarre Relationship." And of course, it wouldn't be a serious, jazz-influenced Mothers album without a little "Louie Louie."
This double CD has been augmented with a full 45 minutes of extra dialogue and stuff from the film. Primer mi carucha, brodie knobs and spinners, fake I.D.s, khaki maple buckwheats and King Kong in excelsis.
The CD has more than Rock and Roll. In fact, some of the most wonderful things on the discs are the marimba-laden "classical" tracks. Not that the disc doesn't contain fanstatic rock. Zappa knew how to make an _album_, though; the individual songs are difficult to isolate because you will soon think of "Uncle Meat" as a single compositional entity.
There is one hitch to this concept-album-like flow. The CD version (as opposed to the cassette or LP) contains nearly a half an hour of audio footage from the filming of the never-really-completed Uncle Meat movie. Instead of putting the "bonus" stuff at the end of the disc, it has been inserted between songs on the second disc. Your listening enjoyment of the music will come to a grinding halt as you reach for the remote. Don't get me wrong! Listen to the audio footage. There's some great stuff. Listen to it often, if you like. But just be prepared when you're lost in the music to bounce out of your reverie. The position of the bonus audio footage is the only thing that holds me back from heartily and readily giving the CD a perfect 10 rating. END
Conceptually, this record is a revolution. Zappa dismantles the whole idea of the rock album as a collection of songs. He fills Uncle Meat with litterally 100s of ideas that flow into each other. The music and sound-bytes don't have beginnings in endings. Rather, they simply set up the next piece, as the album gathers a run-away, hillucanatory momentum. Yet, every sound on this album has merit in and of itself. Zappa was able to let go of the steering wheel only because he understood his craft so well.
You don't hear many albums like Uncle Meat. Even in the context of 1969 experimentation, Zappa's ideas are simply too esoteric and sophistacated for mass conception. Only very obscure bands like Henry Cow even hinted at picking up Uncle Meat's massive torch. In an age of Hendrix, Joplin, and Led Zeppelin blasting out flame-thrower blues, Zappa's brillant, mad-geunius confetti was bound to get lost beneath the whale of Stratocasters.
I've often thought about what makes the original Mothers' music so good, and I think it is because in the late 60's, Frank Zappa hadn't yet formed the lyrical and musical persona that we know today (Arguably, that wouldn't come until 1973's Overnight Sensation). At this point in his career, he was experimenting with all sorts of styles, perhaps subconsciously trying to pinpoint where he wanted to go with his music. In this album, Frank is pushing his band both musically and stylistically to meet his artistic needs. And the results are priceless.
This is the kind of music that just can't be described in words. It's one of those albums that shatters all your preconceptions of what music is, and makes you rethink the very nature of music. I will say this, however: "Dog Breath in the year of the Plague" is one of the most beautiful songs ever released. As well as "Electric Aunt Jemima." And "Sleeping in a Jar." And "The Air." And... ok, well I'll just stop right there.
A lot of people have complained about the film excerpts on disc 2. But you know what? I actually LIKE it. Seriously. It's fun, and interesting as well. And I'm not even a HUGE Zappa nut. So here's my advice for the film excerpts: Listen to it once. If you like it, great. If you don't like it, SKIP it next time. That's what the SKIP button is there for. But at least give it a chance.
All in all, this is a PERFECT album that I would recommend not only for all Zappa/Mothers fans, but for all music fans who crave adventuresome and even strange music. This is a masterpiece that stands apart from all the rest.
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