From Publishers Weekly
In this story of eccentricity run amok, a boy and his parents play host to the bespectacled title character, who moves in unexpectedly and begins digging a giant hole in their yard. With his bow tie, sweater vest and curly white hair, Uncle Frank looks the part of the nutty but harmless mock-scientist. He tells his nephew that he's looking for prehistoric relics, but "after two weeks of digging we hadn't found a single dinosaur bone. "'What's the rush?' said Uncle Frank." Frank evidently has ulterior motives; he furnishes the pit with a couch and sink, throws a party and receives letters addressed to a "lower apartment." McElligott, who examined family dynamics in The Truth About Cousin Ernie's Head, treats this volatile situation with peculiar humor. He contrasts the scheming and daydreaming Uncle Frank with the narrator's blond-haired, square mom and dad, who hem and haw but don't evict their freeloading relation from their tidy suburban plot. McElligott's skewed wit and deadpan delivery seem borrowed from a BBC comedy, but there is little hilarity?even when the yard yields a colossal, Olmec-style head. After the big payoff, Uncle Frank simply leaves town, and readers will share his ambivalence. Ages 5-8.
Copyright 1998 Reed Business Information, Inc.
From School Library Journal
Kindergarten-Grade 3-Eccentric Uncle Frank comes to visit and literally makes himself at home. He begins to dig a pit in his relatives' middle-class urban backyard, searching first for dinosaur bones, then for oil, and eventually for treasure. Oblivious to his family's disbelief (excluding the young boy who narrates the story), and later to intense media coverage, he ends up unearthing a huge ancient statue. Uncle Frank has the manic good cheer of an updated Monsieur Racine (Tomi Ungerer's The Beast of Monsieur Racine [Farrar, 1971]), but is revealed in contemporary, vivid, and thoroughly wacky full-color art. Surprises enliven the book as Uncle Frank moves furniture and amenities into the pit and has a hot tub installed. Emphatic characters are notable for their angular hairstyles, and the spot art is irresistibly apropos. Original and endearing, the text and illustrations support one another seamlessly. Best of all, the offbeat protagonist proves himself right against all logical odds. Children will regret his departure and hope he'll be back soon.
Carolyn Noah, Central Mass. Regional Library System, Worcester, MACopyright 1998 Reed Business Information, Inc.