9 of 9 people found the following review helpful:
4.0 out of 5 stars
Janis's "red' period, January 27, 2001
This review is from: Uncle Wonderful (Audio CD)
I happen to think Uncle is a strong work, impaired only occasionally by some techno-pop arrangements. Lyrically, it's hardly a departure at all from what we're used to from Janis. (I disagree with the reviewer from Seattle who found it difficult to believe Janis could have made this album.) It features some excellent musicians, and Brooks Arthur (Stars, Between the Lines) co-produced with Janis. "Mechanical Telephone" is brilliant, and my favorite track. It picks up where "Between the Lines" (the song) left off. You can't get more "Janis" than:
Now we rarely talk alone / We usually speak in groups / to the people you invite / for the theatre and a bite / who are used to you.
-or-
Bet you thought I'd be an easy lay / I bet you thought I lived alone / hungry for the vision and the afterplay / I've had better times alone.
As for some of the arrangements, they're not my favorite either, but you have to remember the time during which this was recorded. Popular music was undergoing a major transformation in the early-mid '80s, and it's reflected here.
For me, finally, all the songs here connect to other Janis Ian songs, and to the characters who inhabit them. For example: the 'she' in "Just a Girl" appears again as 'I' in "Play Like a Girl" (God & the FBI). The sick, sad characters in the song "Uncle Wonderful" revisit us in "Breaking Silence" (the song). The ugly duckling girl in "At Seventeen" reappears years later as the self-doubting dreamer in "This Night".
Finding these people again, anywhere, having somehow survived, is something to treasure.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
'uncle' IS wonderful, November 5, 2000
By A Customer
I've been a big Janis Ian fan for over 25 years, but this album is so obscure even I hadn't heard about it until over ten years after its release (it was originally released only in Australia and was, according to Janis Ian's website, recorded for a film project). So it's not like any other Janis Ian album? Who cares -- in fact that makes me like it all the more. Uncle is different, with a harder edge than most of her work. You might call it urban pop or dance, it even has an outright disco song, Body Slave. Heart Skip Too Many Beats was written with the late Dan Hartman and is a catchy, bouncy dance tune. Perhaps best are the title song and Mechanical Telephone, two dark, semi-sardonic portraits of people on the edge -- the first being street hustlers and the second most likely Janis herself, who was involved at the time in what she has since revealed was an abusive marriage. It's hard to believe that the creator of Between the Lines also created Uncle Wonderful. That's not a criticism of Uncle, but it is so different than Ian's best-known work that you can't help but be stunned. Count me as a fan of this offbeat, beat-heavy pop music experiment.
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4.0 out of 5 stars
Some "Wonderful" Moments, October 16, 2011
This is a very different album for Janis Ian. Never released in the U.S. If you read her 2008 autobiography "Society's Child..." you gain some insight that her personal life, and mental and physical health were undergoing difficult transistions when this album was recorded. "Why Can't You and I?" is standard, beautiful Ian at her best. "Sniper of the Heart" is a sped up revisit to the tango style of the 1977 "Will You Dance". The title track is scary, and honest. The album is very disco, as were other offerrings by her contemporaries at the time. "Body Slave" was made into a 12" long version lp in Australia! Give it a try!
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