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12 of 14 people found the following review helpful:
4.0 out of 5 stars
Different covers album., March 6, 2007
Some people like to do things the easy way. Jann Arden is not one of them.
Consider her latest disc "Uncover Me".
For many artists, a covers album is a cop-out -- a set of tried-and-true tunes tossed off to plug the gap and fatten the wallet between discs.
But not Jann. And not for want of trying, either.
The Canadian singer-songwriter reportedly cut a disc of croony standards, but scrapped it as too downbeat (and coming from ballad queen Arden, that's really saying something).
Instead, she regrouped and recorded the fittingly titled "Uncover Me", a collection of '60s and '70s pop tunes that give us a revealing glimpse into her early musical loves and influences.
Listening to her glistening pop-rock versions of classics like Janis Ian's "At Seventeen", Carly Simon's "You're So Vain", The Mamas and the Papas' "California Dreamin'" and Karen Carpenter's "Solitaire", you can picture her sitting alone in her teenage bedroom after school, strumming an acoustic guitar and singing along with her turntable.
The timeless messages of Freda Payne's "Bring the Boys Home" and Cat Stevens' "Peace Train" resonate strongly without seeming heavy-handed, while her somewhat tongue-in-cheek cover of Dusty Springfield's "Son of a Preacher Man" is just a kick.
Most of the tunes are pretty faithfully rendered, with the exception of Pat Benatar's "Love is a Battlefield", which is recast as a shadowy ballad.
But no matter the setting, everything possesses Arden's usual undercurrent of melancholy -- even Petula Clark's sugar-spun ditty "Downtown" sounds ironic and resigned in her hands.
After all, Jann knows that forgetting all your troubles and cares is easier said than done.
Lovely, sensitive, beautiful!
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5 of 6 people found the following review helpful:
4.0 out of 5 stars
Arden "Uncovers" Gems, March 6, 2007
Prime Cuts: Solitaire, Downtown, You're So Vain
To designate Arden as a one-hit wonder with her emotionally ravaging top 20 smash "Insensitive" is a caricature. Across the border on the 49th parallel, this chanteuse has been amassed with 8 Juno Awards (the Canadian equivalent of the Grammys) and she was also the receipt of the esteemed 2000 Prairie Awards Songwriter of the Year. However, for "Uncover Me," her ninth studio album, Arden has decided to give her writing kilt a rest. Save for one newly penned tune, this album finds Arden covering a wide array of music from Cat Stevens to the Carpenters to Pat Benator to Carly Simon to Pertula Clark to Dusty Springfield. Naturally such an adventurous excursion lend itself to being one of the most vocally challenging endeavors Arden has had ever committed on record. Unable to divorce herself totally from the originals, she does vocally import Karen Carpenter's vulnerability, Carly Simon's spitefulness, and her own skeptical bite, making Arden a much richer composite vocalist.
If a song could cut the heart like a stiletto it has to be the Carpenters' "Solitaire." A probable biography of Karen Carpenter's vacuous quest for true love, this piano-based ballad finds Arden cribbing Carpenter's forlorn and despairing purrs with great effect. Pertula Clark's "Downtown," though traffics with a carefree disposition, guises an ache of loneliness where the song's protagonist tries to forget her pain vis-à-vis window shopping. Arden's new composition "Counterfeit Heart," though not as melodramatic as the aforementioned tracks, is still a heart wrenching ballad of misplaced trust and broken promises to which Arden conveys with mastery. Also, emotionally lacerating is Janis Ian's "At Seventeen," a song of struggling identity that still speaks today as it did over thirty years ago.
Not one to be victimized by life's circumstances, "You're So Vain" is the perfect "get even" type of a song that Arden performs with sass and attitude. While she sticks too close to Pat Benator's "Love is a Battlefield" that Arden veers dangerously close to being enmeshed into a Benator soundalike. Similarly, a couple of misfires comes in the form of songs that are more "inspirational" in nature. Cat Stevens' "Peace Train," despite being a well crafted song about world peace with those intricate spiritual/Biblical overtones, has been done to death. And sadly Arden adds nothing new to it. Likewise, "Bring Home the Boys," with its over-produced backing, somehow gags Arden's performance.
Nevertheless, as far as cover albums go, "Uncover Me," albeit some too obvious choices, is a well selected opus. Further, the highlight is Arden's interpretative skill: soaking up the best emotional nuances of the originals and adding her own razor-sharp affections, these paeans beget an unflinching realism that is hard to resist. After all these years of experience, Arden has triumphantly channeled her best into the articulation of these songs.
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5.0 out of 5 stars
Outstanding!!!, April 14, 2008
I'm a huge fan of the traditional "tortured, melancholoy, dark & brooding" Jann Arden but this is equally as wonderful as her old stuff. Of course, she could sing the phone book and I would love that too! She has one of those voices that truly touches you down deep in the soul.
This album has a lot of great interpretations of some classic tunes...and Jann does a great job of breaking through the traditional format to put her own thoughts and feelings behind the words and lyrics we already know by heart.
Kudos to you Jann! Nice job!! May the thoughts and prayers of your fans heal your heart as you have healed ours time and time again with your voice. I will keep you in my prayers, always.
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