Brilliant and elegant insight into the exact relation of contemporary literary practices and broader cultural changes, explaining how the technologies of distributed digital media exemplified by the World Wide Web have made possible the flourishing of a particular type of literature.
(Professor Craig Dworkin, author of The Consequence of Innovation: Twenty-First-Century Poetics
What Goldsmith argues has significant implications for the world of poetry, poetics, and pedagogy. His book contains brilliant moments of exegesis and archival documentation, and its keen attention to, knowledge about, and currency in artistic practice makes it as much a user's manual as a scholar's tome.
(Adalaide Morris, The University of Iowa)
In these witty, intelligent essays, Goldsmith brings his encyclopedic knowledge of radical artistic practice to bear on how the rise of the internet has irrevocably changed, or should irrevocably change, our existing conceptions of poetry. Goldsmith's practice as artist and critic is deeply interesting. His book is sure to generate lively debate among poets, artists, literary historians, and media theorists.
(Sianne Ngai, University of California, Los Angeles)
Multimedia artist and executive manager of words, Goldsmith writes a provocative manifesto for writing in the digital era, with a treasure trove of ideas, techniques, and examples that allow us to make it new--again!
(Marcus Boon, author of In Praise of Copying
a fascinating collection of essays
(Phi Beta Kappa
Goldsmith achieves a very difficult feat with this book: he writes lucidly about complex and avant-garde ideas. As a result, he opens up a vital debate for anyone who cares about literature, between notions of traditional creative writing and the set of practices he labels "uncreative writing".
(Douglas Cowie Times Higher Education
Selected writers and their practices are reviewed in a series of accessible essays perfect for college-level writers.
(Midwest Book Review
(James Franco, actor)
About the Author
Kenneth Goldsmith is the author of ten books of poetry and founding editor of the online archive UbuWeb (ubu.com). He is the coeditor of Against Expression: An Anthology of Conceptual Writing and the editor of I'll Be Your Mirror: The Selected Andy Warhol Interviews, which was the basis for an opera, "Trans-Warhol," that premiered in Geneva in March of 2007. An hour-long documentary of his work, Sucking on Words, premiered at the British Library. He teaches writing at The University of Pennsylvania and is a senior editor of PennSound, an online poetry archive.