Under the Bushes Under the Stars

Guided by Voices | Format: Audio CD

Product Details

• Audio CD (March 26, 1996)
• Original Release Date: March 26, 1996
• Number of Discs: 1
• Label: Matador Records
• ASIN: B0000036UW
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.7 out of 5 stars  See all reviews (23 customer reviews)
• Amazon Best Sellers Rank: #52,582 in Music (See Top 100 in Music)
  • #64 in Music > Indie Music > Alternative Rock > American Alternative

Customer Reviews

Most Helpful Customer Reviews

17 of 17 people found the following review helpful:

5.0 out of 5 stars GBV's melancholy masterpiece, July 25, 2005

By 

W. M. Davidson (St. Louis, MO) - See all my reviews
(REAL NAME)   

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This review is from: Under the Bushes Under the Stars (Audio CD)

"Under the Bushes Under the Stars" is probably not the place for a new Guided by Voices fan to get started, but in my opinion, it's their best album.

Most of the songs on "Under the Bushes" take a few listens to unfold. The whole album has a languid, melancholy feel, in contrast to the hyperactive hookiness of "Bee Thousand" and "Alien Lanes." The sound is dominated by dark, murky guitars-- almost a throwback to "Vampire on Titus," but with cleaner production. There are a few brighter tracks clustered toward the end ("Underwater Explosions" indeed), but nothing here is as sunny and instantly accessible as, say, "Echoes Myron."

Over time, though, that works to the album's advantage. It demands and rewards repeated listening, individual songs gradually breaking out of the murk and lodging themselves addictively in your brain. It's also ingeniously sequenced and paced, alternating small groups of darker songs and more upbeat tracks. The cryptic, cacophonous "Man Called Aerodynamics" distinguishes itself as one of GBV's greatest album openers, and the next couple of tracks keep the momentum going strong. "Burning Flag Birthday Suit" employs the classic Pollard trick of building from solo guitar and vocals to a startling full-band climax in barely over two minutes. The next few tracks chime and chug along in a low-key, gloomy vein, until "Your Name is Wild" and "Ghosts of a Different Dream" raise the tempo and infuse a welcome jolt of energy. The haunting, acoustic "Acorns & Orioles" brings things down again for a few more tracks, until the aforementioned "Underwater Explosions" and Tobin Sprout's "Atom Eyes" finally provide a glimpse of sunlight.

Those songs set the stage for the breathtakingly gorgeous "Don't Stop Now," for my money the best song Robert Pollard has ever written. Who else could wring such beauty and pathos from a song about a rooster named Big Daddy? "Don't Stop Now" may be a tough act to follow but "Office of Hearts" is up to the task, closing the album on a dissonant, slightly unsettling note.

But wait, this is a Guided by Voices album, which means we have six more tracks that happened to be lying around and got tacked on the end. These extra songs may not exactly fit into the vibe established by the album proper, but they're worthy additions, "Big Boring Wedding" and the exuberant "Drag Days" standing out in particular.

"Under the Bushes Under the Stars" encompasses all sides of GBV, from solo fragments like "Bright Paper Werewolves" to intricate rockers like "Cut-Out Witch" to weird experiments like "Take to the Sky" to loud chug-fests like "Lord of Overstock," but wraps it all in a coherent and compelling package. Robert Pollard's lyrics throughout the album are some of the most cryptic and intriguing in his entire catalog. "Under the Bushes" is decidedly darker in tone than most Guided by Voices albums, and it may take a few listens to grow on you, but if you let it sink in you'll find GBV's richest and most rewarding album.

11 of 11 people found the following review helpful:

5.0 out of 5 stars Sadly Underrated, January 25, 2004

By 

Paul H. "rmj84" (USA) - See all my reviews

This review is from: Under the Bushes Under the Stars (Audio CD)

Yes, the sprawling lo-fi masterpieces Bee Thousand and Alien Lanes get all the credit, but Under The Bushes Under The Stars is GBV embracing hi-fi production and letting their power-pop brilliance shine through in an easier to swallow form. Some of the best tunes on Bee Thousand and Alien Lanes had strong arena-ready melodies beneath the murky lo-fi hiss and muffles (as evidenced by the hi-fi re-recordings of "Game Of Pricks," "I Am A Scientist," "Motor Away," and "My Valuable Hunting Knife"), and while the lo-fi production allowed for a certain unearthed garage relic feel, GBV sounds just as powerful in a more crystal-clear format. Keep in mind, the production on UTBUTS may still be turn-off for people raised-on radio-ready alt-rock, but it's still a revelation for fans of GBV's earlier work. Which ever side of GBV you prefer, UTBUTS has less fragments and more solid tunes. Despite an almost dark tone at the start of the record, UTBUTS progresses into a set of bright, brilliant pop tunes. The one thing GBV doesn't get credit for is that their albums work really well as full pieces as the fragmented pieces on Alien Lanes and Bee Thousand work better in the context of an album rather than on their own. That said, UTBUTS has so many great songs to choose from: "The Official Ironman Rally Song," "Man Called Aerodynamics," "Don't Stop Now," "Big Boring Wedding," "Your Name Is Wild," "Underwater Explosions," "Drag Days," etc. For those who need a good introduction to Guided By Voices, Under The Bushes... might be the perfect introduction. And for fans, this is a must-have, a incredibly consistent album for a band with a pretty inpenitrable, sometimes spotty discography.

9 of 9 people found the following review helpful:

5.0 out of 5 stars Perhaps the most under-rated GBV album, March 24, 2000

By 

Erich Hartmann (NYC) - See all my reviews

This review is from: Under the Bushes Under the Stars (Audio CD)

This one really sneaks up on you. Songs like "Your Name is Wild" and "Drag Days" haunt you in your sleep after a while... and those aren't even the "singles" on the album. It's produced by Kim Deal too, which, in my opinion, keeps the album from having a definitive "sound," and that's a good thing. Yes, there are some more "taditional gbv" sounds (4-trackish muffle, super-wet vocal fx, etc), as well as some more polished "arena rock"-ish stuff, which keeps it varied and ultimately keeps your interest; aka, your favorite songs after the first week will be quite different than your favorite songs further down the road. And for an album with 20+ tracks, there's really not a stinker in the bunch. And that my friends is a real feat. If you own just one gbv album, this may not be it, but if you own two...