795 of 851 people found the following review helpful:
5.0 out of 5 stars
The Fate of the World, Under Glass, November 10, 2009
A small New England town is suddenly, inexplicably cut off from the rest of the world, trapping a large cast of characters inside (or outside) a huge, clear dome. As the emergency escalates, various heroes (and villains) emerge to play a part in the drama. What is the dome? Why is it there? Will the town survive? This is the premise of Stephen King's big, long, thoroughly fascinating new novel.
King has rarely written a book as ambitious as this. As I was reading, I was constantly wondering about the motives behind the deceptively simple story. As with the best of horror and science fiction, it isn't just about a monster on the rampage. What clearly interests King--and us, the readers--is the reaction of the "ordinary" people of Chester's Mill, Maine, who are placed in this extraordinary situation. In the struggles of these heroes, villains, lovers, and fools, we can all see ourselves. And that is the mark of a great work of art, isn't it?
I've been reading Stephen King for 35 years now--I read his first 3 novels in college--and I've always been impressed by his work. But UNDER THE DOME is in a small group of King stories that go far beyond merely being entertaining fiction. This novel will inevitably be compared to
The Stand because it deals with the horrors of the world around us. Forget ghosts and vampires and space aliens--there's nothing as horrifying as what humans are capable of doing to one another. Stephen King knows that: it's the reason his stories are so effective. In his long, distinguished career, he's rarely been as effective--or as entertaining--as he is here. UNDER THE DOME is a fast-paced modern horror story, and it's also an amazingly perceptive modern novel. Highly recommended.
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411 of 457 people found the following review helpful:
4.0 out of 5 stars
Disturbing but addicting thriller, November 10, 2009
Stephen King, no novice at penning lengthy tomes, turns in another 1,000-plus-page behemoth with Under the Dome, a book he started writing in 1976 but abandoned for more than three decades. More than 30 years later, with one of the most remarkable literary careers in history under his belt, he tackled the project again, this time completing a story that plumbs the depths of human wickedness.
The town of Chester's Mill, Maine, is a pretty typical-seeming smallish New England community. It has a diner, a used car dealership, a couple of churches, a supermarket, a newspaper, and a religious radio station. Most of its 2,000 or so residents are good, honest people who genuinely care for each other and for their town.
The scene changes abruptly when a mysterious and invisible barrier materializes out of nowhere, completely cutting the town off from the rest of the world. Within minutes, the death toll begins to rise. A plane smashes into the barrier followed by a number of cars. As scientists and government and military officials scramble to find a way to break through the barrier, those inside the dome have to quickly adjust to their new reality. And with Stephen King manning the controls, it's just a matter of time before that reality turns sinister.
Within days, Chester's Mill turns into a depressing cauldron of murder, corruption, conspiracy, and increasing fear. The town's police fall under the control of a vicious town selectman with dictatorial ambitions. Resources are seized. Vocal dissenters are jailed--or worse. Soon the air quality inside the dome begins to change. Illnesses increase. Children begin to have seizures and frightening visions. Fear leads to anger, and people start to do things they wouldn't have dreamed of just days earlier. As tension mounts, the stage is set for a final cataclysmic showdown between those who will stop at nothing to enforce their agenda for the town and those who believe the town's increasingly dangerous leaders must be stopped at any cost.
On some levels, Under the Dome is almost allegorical. The town's blossoming dictatorship is reminiscent of Nazi Germany or Soviet Russia, with a charismatic leader ruling by force, police who operate outside the law, and "police solidarity" armbands for citizens. The worsening environment inside the dome could be a picture of climate change. The fact that the villains are all right-wing fundamentalist Christians (extremely hypocritical Christians at that) is probably a statement of some sort, and there are a few references to Falujah that some might see as antimilitary. In any case, whether or not the author intended to send a message through the story, the book absolutely illustrates the tendency of power to corrupt and the inherent wickedness of the human heart.
Under the Dome is not an easy book to read, and not only because of its size. Readers familiar with King's work will be unsurprised to find foul language and sexual content, some of it disturbing (most notably a gang rape scene and hints of necrophilia). There's plenty of violence, quite a bit of drug use, and lots of examples (very nearly too many, in fact) of people treating each other in all kinds of horrible ways. Though the dome is the reason the townspeople are in their predicament, the real conflict in the book is not people vs. the dome but people vs. each other. This book could just as easily have been titled The Worst-Case Scenario because on page after page, just when it seems the forces of good might be about to catch a break, King pulls the rug out from under them yet again. There's very little in the way of a redemptive message.
Yet all this is offset by King's trademark brilliance in character development and plot pacing, and much of the prose is beautifully crafted. King utilizes an antiquated but effective technique in his narration, slipping into present tense and addressing the reader directly at times to draw attention to a particular item of interest in a scene or to explicitly foreshadow some coming tragedy. Careful readers will find a few references to other Stephen King books peppered throughout.
When he wants to, Stephen King is capable of writing stunningly beautiful stories championing the human spirit in the face of extreme adversity (Duma Key is an example). Under the Dome is not such a book. This is a story about human ugliness, and it's all the more uncomfortable because it rings true. Even so, the brilliance of King's writing is evident on every one of the 1,074 pages. Fair warning: don't start this book unless you have some time on your hands. Uncomfortable though the book may be, it's compelling and suspenseful, and once you start reading, it quickly becomes very difficult to put down.
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172 of 190 people found the following review helpful:
5.0 out of 5 stars
And THAT is Stephen King's genius, December 7, 2009
From the moment I heard the premise of Under the Dome, I couldn't wait to read it. Here it is in a nutshell: On a perfectly ordinary fall day, an invisible, impregnable barrier surrounds the small town of Chester's Mill, Maine. Nightmare ensues. And I do mean nightmare. Uncle Stevie isn't playing around. This isn't one of his tall tales filled with imaginary monsters and buckets of gore. The monsters here are human, and they are terrifying.
Okay, as an editor, when I see a 1,000+ page novel, my first thought is, "Does it really need to be this long?" Maybe not. I'm sure a few pages could have been trimmed. But I will tell you this... The deeper I got into this novel, the quicker I turned pages--right up until the end, when I was in a veritable page-turning frenzy. It reminded me, right from the start, of the fine work he did in the 70's, when as a child I devoured each new novel upon publication. King hasn't lost his touch with character, and he remains a consummate storyteller.
Under the Dome is epic. The time span is short, but the novel deals with the lives of more than 2,000 people trapped in a combustible hothouse. These are truly terrifying and incomprehensible circumstances. Things in Chester's Mill are bad, and hour by hour the situation got so much worse I didn't want to believe it. But I did. I believed it all. And THAT is Stephen King's genius.
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