5 of 8 people found the following review helpful:
1.0 out of 5 stars
Introverted obsession on the junkie lifestyle, limited script., February 15, 2008
UNDER HELLGATE BRIDGE (2000), has only two redeeming artistic values,
the first, is the professional, theatre-grade wide-screen,
cinematographical quality and the other one, is the presence and
charisma of a few cast members, above all Jonathan LaPaglia playing
Vincent (a bit of a more robust Bobby de Niro or William Baldwin),
Michael Rodrick as the best of 3 junkie brothers, and Vincent
Pastore playing a muscle man in Frank Vincent's crew, going by the
monicker Big Sal.
It's a mystery why those big name actors associated themselves with a
work that is a non-stop, introverted obsession on the junkie
lifestyle, as a one-trick pony.
The rest of the picture is a let-down, for the simple reason, that
the psychological climate is unstructured, chaotic, confused,
immature, similar to that found in the old JD Salinger novel, "The
Catcher in the Rye". Indeed, several characters take satisfaction in
their own self-pity and perpetuating it over the entire picture.
The audience will forgive the author of the script, if the events are
genuine, and were lived perhaps by a teenager, or are intended to
educate that audience. Notwithstanding that, the entertainment is
just not there.
The set is too predictable as inner cities and run down sections of
hyper-populated locations are obviously, stereotypically associated
with drug trafficking and consumption.
There's also the business-side with a bar being owned and operated
by the drug kingpin, who keeps business going well, by circulating
the powder, and calling the muscle for those interfering or
dismissing the consumption as bad, among the patrons.
Although the acting is professional from several actors, and sincere
by all the cast, there are a number of emotional situations that seem
too contrived to be appreciated.
In addition, the music seems haphazardly chosen, random, eclectic,
incoherent, although it does make the picture more effective than
otherwise.
There's a rape scene, that is totally uncalled for, unnecessary in
terms of the ugliness and impact on the public who paid for their
tickets or DVD rental. Pastore getting head in the backseat of a
Cadillac or Lincoln is another redundant moment.
Finally, the drug burn, at the end, seems out of place, a
non-sequitur since nothing had built up to that scene from earlier,
suggesting perhaps more time in the editing room could have helped.
Not at all what was expected (a mobster movie.)
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
