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Under the Skin [Blu-ray]

4,022 customer reviews

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Editorial Reviews

An alien takes on the form of a beautiful young woman and searches the streets of Scotland for men to seduce.

Product Details

  • Actors: Scarlett Johansson
  • Directors: Jonathan Glazer
  • Writers: Jonathan Glazer, Walter Campbell
  • Producers: James Wilson, Nick Wechsler
  • Format: Multiple Formats, Blu-ray, AC-3, DTS Surround Sound, NTSC, Subtitled, Widescreen
  • Language: English
  • Subtitles: English, Spanish
  • Region: Region A/1 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Lionsgate Home Entertainment
  • DVD Release Date: July 15, 2014
  • Run Time: 108 minutes
  • Average Customer Review: 2.3 out of 5 stars  See all reviews (4,022 customer reviews)
  • ASIN: B00K0MM4AM
  • Amazon Best Sellers Rank: #296 in Movies & TV (See Top 100 in Movies & TV)

Customer Reviews

Most Helpful Customer Reviews

644 of 709 people found the following review helpful By C. K. Lidster TOP 1000 REVIEWER on June 28, 2014
Format: Blu-ray
I'd heard various reactions to this film before watching it, some very positive, some negative, both commenting on how confusing and strange it was. David Lynch's 'Eraserhead' was the most popular comparison. While I think any attempts at comparison are going to fall well short of the mark, I'll say that 'Under the Skin' is a slow-burning SF-Horror film that's closer to Kubrick's meditative pace on '2001', with the realistic, semi-improvised dialogue of Gus Van Sant's 'Elephant' and 'Gerry'.

{**SPOILERS**}
Scarlett Johanssen plays one of two aliens who has taken human form. Just how alien they are cannot be fully appreciated until the second or third 'seduction'. After picking up a stranger in her non-descript van, she brings him to a dilapidated rural house. Leading her would-be suitor into utter blackness, she leaves a trail of clothes behind as she undresses; the unfortunate victim stumbles forward, oblivious to the impossible metamorphosis of the floor beneath his feet as he sinks into the black, like a sabertooth tiger chasing its' prey into a tar pit. Fully submerged in a viscous, translucent oil, other figures are visible... and so is she, somehow walking across the surface meters above. In a particularly haunting moment, two victims try to make sense of what's happened to them, and reach out to clasp hands in desperation, before one of them implodes in a shockingly violent manner that leaves nothing but his skin behind, like a discarded wrapper.

The black liquid is the alien life-form, 'digesting' humans and absorbing their consciousness along with their bodies. With each instance, she becomes more and more human. From an insectoid disregard for human suffering, she eventually appears to take pity on one of her would-be victims, letting him free.
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361 of 417 people found the following review helpful By monkeyrotica on July 15, 2014
Format: Amazon Instant Video
First off, if you like how Michael Bay will have a character yell "Something exploded!" after something explodes because, y'know, you need that kind of exposition, you will not like this movie. There's hardly any dialog and very little plot and almost no "action." Second, if you've read the book, you will also probably not like the movie because it isn't a book. It's an adaptation, and a really loose one at that. The focus is on the imagery and eerie soundtrack to evoke an alien sent to Earth to hunt humans for meat that's sent back to her home planet. The subtexts about class inequality and sexual politics aren't there, so don't bother complaining about how this apple isn't an orange. So if you're looking for a narrative with a clear arc and plot points and resolution, or a shot-for-shot remake of the book, yeah, you're gonna hate this. But if you're into artsy, ambiguous European movies with beautiful cinematography and evocative soundtracks and nudity, you might have a good time. Or you might be bored out of your skull. It's tedious and beautiful and boring and lingers with you in the same way "2001" does.
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Format: Blu-ray
Let's get the elephant in the room out of the way first: Yes, Scarlett Johansson is nude in this film. She is fully frontal nude. Ok, post-pubescent testosterone-driven audiences, go on the internet and find screen caps and then go see TRANSFORMERS for a fifth time, because if that's why you're watching this film, you're going to be one of the haters.

However, if you're in the mood to see a proto-sci-fi film about the allegorical birth, life and death of an unearthly being in a very Kubrickian fashion, UNDER THE SKIN should be a perfect fit for you.

As directed by Jonathan Glazer (SEXY BEAST, BIRTH) the film follows our protagonist, as played by Johansson, as she travels around the Scottish countryside in a white van to seduce men and abduct them for what seem to be extremely nefarious and alien reasons. Almost all of the seduction scenes are set against a completely black backdrop as the men sink into a black abyss all while she's protected and guided by a mysterious motorcyclist. She meets a terribly disfigured young man, and suddenly, this emotionless sexual predator starts to feel things that make no sense to her; feelings like compassion and mercy. This leads her off her mission and into the presence of another man who takes her in, not understanding who she is or what she's capable of. The film ends in on a very strange, almost TWILIGHT ZONE-esque note which is disturbing, but makes a perverted sort of sense when you think about it.

Those who may have read the book might be very upset by this film as it seems to be, at least thematically, quite different. The film is very much about birth, life and death in both a very figurative and literal way.
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61 of 70 people found the following review helpful By Susman TOP 1000 REVIEWER on July 18, 2014
Format: Blu-ray
Possible Spoilers

This is a film that has taken nearly 10 years for Director Jonathan Glazer to bring to the big screen, and had Glazer and his crew guerrilla filming north of the Scottish border. Adapted from Michel Faber's novel of the same name, the film discards virtually all of the book's `landscape' and the irony of commercial farming. The story of Scarlett Johansson's extra-terrestrial entity begins with an enigmatic "birth" sequence from another dimension or other-world. There are faint glimmers of speech hummed through a distorted fog of sound. Then vocalizations repeat and develop and it becomes clear that they're consonants, then syllabic sounds, and finally whole words. The manner in which these enunciations acquiesce into speech is matched by sight of an abstract image of light and a circular shape, which ultimately - in the most intangible way - then reveal a human eye.

The alien is then transported to Scotland's grey, rainy streets of what appears to be Glasgow and it - she - has a minder or a `familiar' for back-up support, he wears made-to-measure leathers and rides a R1 Yamaha motorbike. He acquires for her a dead human girl salvaged from the roadside. Or perhaps this is another expired alien whose shape is being reused? Whatever the case may be, our alien is soon up and running in her white Mercedes Sprint Transit - she then prowls the Highlands Lowlands. There is succinct plainspoken interconnectivity between Johansson and men who think she's just a lost lass from South of the border. She comes over as sultry and tempting, with her innocent disarming smile that could be read as being coquettish. However, the alien has one single minded purpose, to sexually entice wide-eyed males who can't trust to their good luck and are quite right not to do so.
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