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Underground Art 2: London Transport Posters
 
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Underground Art 2: London Transport Posters [Paperback]

Oliver Green (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

May 5, 2001
Since 1908, with the appointment of the enlightened Frank Pick as publicity officer, London Transport has been a major patron of art in Britain, commissioning posters and other artworks from such notable artists as Edward McKnight Kauffer, Paul Nash, Graham Sutherland, Man Ray and others. These posters did not merely promote travel by tube, but also encouraged people to go to plays and concerts, visit the zoo or the countryside, or move to Metroland. The resulting art collection is one of stunning diversity, comprising over 3000 original posters. The distinguished tradition of art patronage has been vigorously continued since the early years, particularly in recent times, with new works being commissioned from David Hockney among others. This second edition brings the story right up to date with an additional chapter covering the years 1989-2000, as well as an updated introduction and biographies of the artists.

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About the Author

Oliver Green was the first curator of the London Transport Museum in Covent Garden, and is the author of several books on London Transport, including Designed for London. He is currently Head of Museum Services for Buckinghamshire County Council.

Product Details

  • Paperback: 160 pages
  • Publisher: Laurence King; 2 edition (May 5, 2001)
  • Language: English
  • ISBN-10: 1856692426
  • ISBN-13: 978-1856692427
  • Product Dimensions: 11.3 x 8.4 x 0.7 inches
  • Shipping Weight: 2 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,890,000 in Books (See Top 100 in Books)

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6 of 6 people found the following review helpful:
5.0 out of 5 stars A treasure!, July 1, 2000
By A Customer
I bought this book in London 10 years ago and it's never left my "at-hand" reading. Beautifully designed with thorough (if a bit dry) commentary, its variety of styles and graphic whimsy and innovation is inspiring. I've recommended this book to both designers and Anglophiles.
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