From School Library Journal
Grade 6-8-- A rich, multilayered story set on the windblown New Zealand coast with an ending to rival the best of the suspense thriller genre. It begins slowly with Tris, a lonely boy with an active fantasy life; picks up speed when he meets and shelters Winola, a runaway from the local children's home; and careens to an exciting finish when the children are kidnapped at gunpoint by the girl's psychotic father, Orson. During their ensuing captivity and rescue, they piece together the puzzle of their intertwined lives. All of the characters in this intricately woven plot are well drawn. Winola is a survivor who has emerged from an abusive family as a strong, tough-minded individual with a generous streak of compassion. Tris grows up to the point that he can let go of his fantasies to enjoy the very real pleasures of his everyday life. Orson is a menacing figure who can yet elicit sympathy from the children. Mahy respects her readers' intelligence and demands their full attention. Her story is filled with foreshadowing, symbolism, and beautifully crafted imagery. This is one of those rare novels for young people that tells a great story yet also asks them to stretch their minds a bit, reach beneath the surface, and think. --Bruce Anne Shook, Mendenhall Middle School, Greensboro, NC
Copyright 1992 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
``Underrunners'' are narrow ditches, dangerous but intriguing, eroded in the inhospitable ground around 11-year-old Tristram's New Zealand home; here, he keeps a cache of provisions in case of an emergency and later hides his friend Winola (who's tunneled her way out of the nearby Children's Home) when she says she's in danger. Tris lives danger: a solitary boy with few friends, he has a rich fantasy life in which ``Selsey Firebone'' is a hero; Winola first makes friends with Tris by responding to Selsey's deep voice. In real life, Tris longs for the mother he barely remembers (she left years ago) and wonders whether Randall, his dad, will remarry. Randall used to counsel people; mistaking concern for professional skill, Tris doesn't like to confide in him. Some of the metaphorical underrunners are more perilous: the mysterious stranger lurking around the neighborhood in a handsome car proves to be Winola's vicious, abusive father and, in the book's gripping last half, he kidnaps the two children (coldly shooting Randall in the process) and imprisons them in a bleak house that Tris is astonished to recognize from his own imperfectly remembered past. Resourceful and courageous, the kids try again and again to escape, with Randall arriving to put a heroic finish to their rescue by walking into the house unarmed. Vintage Mahy: allusive, multilayered, intelligent, its compelling plot arising from splendidly idiosyncratic characters. A fine prelude to Memory (1988), with a similar theme of self- realization despite--and enriched by--the past's continuing power. (Fiction. 10-14) --
Copyright ©1992, Kirkus Associates, LP. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.