As a succinct introduction to one of the most crucial power centers in the world today, Kevin MacDonald's "Understanding Jewish Influence" provides two timely services. First, on its own merits, the book profitably surveys a wide range of fields in which Jews have been highly influential and situates this influence down to the current day. Nowhere is this more evident than in his treatment of Jews and neoconservatism. As informed readers will have noticed, the public identification of many of the most pivotal neocons as Jews has waned considerably in the past few years, though MacDonald's essay clearly shows that the identification is correct. American troops are at this moment engaged in a hot war in Iraq, and it behooves the public to know why. MacDonald's exposition of this phenomenon is parsimonious - and on target.
Second, "Understanding Jewish Influence" may lead the reader to MacDonald's most important work, "The Culture of Critique: An Evolutionary Analysis of Jewish Involvement in Twentieth-Century Intellectual and Political Movements" (1998, 2002). For the serious intellectual historian, this book will provide scores of original ideas about the history of the West in the last hundred years. For the more general reader, it may introduce him to a new way of seeing his world, a needed tool in a time of great paradox and flux.
What is frustrating about this whole topic is the ironclad assurance that any Gentile writer exploring Jewish power in anything but the most gushing tones will be branded an anti-Semite and thus be largely ignored by the larger press. This is certainly the case with MacDonald's works, as any visit to Amazon's own site will show. Punch in the author's name and on either side of the list of his books will appear "Know How to Uncover Anti-Semitic literature" by Seth J. Frantzman, where he writes "Anything by this author is basically Anti-Semitism posing as scholarship," and "More anti-semetic [sic] hate books," a list by Seth J. Frantzman. Time and again, this effectively ends discussion of topics crying out for rational consideration.
Ironically, this taboo is rarely in evidence for Jewish writers. J.J. Goldberg can triumphantly author "Jewish Power" and be rewarded with the editorship of the venerable Jewish Forward newspaper. More recently, Steven Silbiger has penned "The Jewish Phenomenon," David Zurawik "The Jews of Prime Time," and Andrew Heinze "Jews and the American Soul." Perhaps the most provocative book comes in the form of Yuri Slezkine's "The Jewish Century" (reviewed by MacDonald in the pages of The Occidental Quarterly [Fall 2005]).
In one of the most dangerous minefields for Gentile observers, Orthodox Jew Michael Medved fairly dances with his important 1992 book "Hollywood Vs America: Popular Culture and the War on Traditional Values." Like fellow Jew Neal Gabler ("An Empire of Their Own: How the Jews Invented Hollywood"), Medved is not afraid to say something like "It makes no sense at all to try to deny the reality of Jewish power and prominence in popular culture. Any list of the most influential production executives at each of the major movie studios will produce a heavy majority of recognizably Jewish names." A Gentile such as MacDonald, however, does so at his own peril.
It is time ownership of studies of Jewish power moves beyond the ken of Jewish writers alone and becomes the property of all concerned citizens and scholars. Given its reasonable price, its economy with words, and its crushing relevance to today's world, MacDonald's "Understanding Jewish Influence" is the type of book to be bought by the dozen and shared with friends and acquaintances who are up to the task of exploring these sensitive topics.