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Understanding Rock: Essays in Musical Analysis
 
 
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Understanding Rock: Essays in Musical Analysis [Paperback]

John Covach (Editor), Graeme M. Boone (Editor)
3.7 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

0195100050 978-0195100051 November 20, 1997
Amid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music.

Topics of discussion include the adaptation of blues and other styles to rock; the craft of songwriting; techniques and strategies of improvisation; the reinterpretation of older songs; and the use of the recording studio as a compositional tool. A broad range of styles and groups is covered, including Yes, the Beach Boys, Cream, k.d. lang, Paul Simon, Jimi Hendrix, and the Grateful Dead.

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Editorial Reviews

Review


"An anthology of critical essays focusing on either one or just a handful of songs, the collection offers all the attention to detail that guides the musical analysis of classical music."--American Music


About the Author


John Covach is Associate Professor of Music at the University of North Carolina at Chapel Hill.

Graeme M. Boone is Assistant Professor of Music at the Ohio State University.

Product Details

  • Paperback: 240 pages
  • Publisher: Oxford University Press, USA (November 20, 1997)
  • Language: English
  • ISBN-10: 0195100050
  • ISBN-13: 978-0195100051
  • Product Dimensions: 8.8 x 6 x 0.6 inches
  • Shipping Weight: 11.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #258,726 in Books (See Top 100 in Books)

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3.7 out of 5 stars (3 customer reviews)
 
 
 
 
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7 of 8 people found the following review helpful:
5.0 out of 5 stars A great scholarly analysis of rock and contemporary music, March 23, 2005
This review is from: Understanding Rock: Essays in Musical Analysis (Paperback)
The previous reviewer was clearly expecting something that would be a bit more like music journalism. In reality, this is a true scholarly work, designed for mostly graduate students and professionals in the musicological fields. The title clearly implies a more academic nature because of the "musical analysis" tag. Some of these articles are more geared towards recording practices, some are more music theory, some ethnomusicological, and others in the greater scheme of music history. The previous reviewer commented "this ain't Mahler, y'know," but the point is that these essays are designed for people who do want to use the traditional studies used for the classics of music to apply to current rock too.

This is a great resource for anyone trying to get a sense of how one can write about rock music. It is also an excellent sourcebook with a typically accurate and extensive bibliography for rock scholarship. The field of rock and pop studies in music academia is growing, from Beatles to Beach Boys to Tori Amos to Radiohead. This is a great survey study on a number of broad aspects of music scholarship.
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4 of 5 people found the following review helpful:
5.0 out of 5 stars Finally--a book that takes rock music seriously as music!!, December 15, 2002
By A Customer
This review is from: Understanding Rock: Essays in Musical Analysis (Paperback)
This is a great book for anyone who has always suspected that there is more to rock music than just 3 chords, tough-guy posturing, and stories of wild lifestyles. As a working musician for over 20 years, I've seen first-hand how much skill goes into making even the simplest-sounding records. I especially liked the chapters on Yes and the Beach Boys. Let's have more of this kind of writing!!
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2 of 23 people found the following review helpful:
1.0 out of 5 stars Misleading Title, Too Academic for Rock and Roll, July 18, 2002
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This review is from: Understanding Rock: Essays in Musical Analysis (Paperback)
Unfortunately, many so-called "rock journalists" are nothing more than sociology majors who let their devotion to an artists or group cloud their vision of unbiased criticism. In this case, we get a bit of that from the contributing writers as well as a bias toward progressive "rock," which is in most cases nothing more than classical music composer wannabees who don't want to miss out on the fabled rock lifestyle. Perhaps "Understanding Irrevalent Prog Rock" would have been a better title. And why would anyone analyze a four-minute song in 20 pages? Does any true rock song need more than a couple of paragraphs? This ain't Mahler, y'know!
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Inside This Book (learn more)
First Sentence:
"Progressive rock," "classical rock," "art rock," "symphonic rock"-these labels have been used over the last twenty-five years by various authors to designate a style of popular music developed in the late 1960s and early 1970s, primarily by British rock musicians. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
biggest lecture, instrumental episode, progressive rockers, organ interlude, backup guitar, third scale degree, blues revival, fifth progression, plagal cadence, third chains, stylistic reference, dark star, tonic harmony
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Beach Boys, Understanding Rock, New York, Smiley Smile, Good Vibrations, Robert Johnson, Little Wing, Rolling Stone, Jimi Hendrix, Grateful Dead, Paul Simon, Jerry Garcia, Muddy Waters, Pet Sounds, Wild Honey, Eric Clapton, After Sundown, Blues Transformations, Top of the World, Music of Cream, King Crimson, Simon Frith, Brian Wilson, Gentle Giant, Guitar Player
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