"To one who has long awaited a readable, scholarly account of the personal and publishing relationship between Dickens and Collins this book is as welcome as it is indispensable. Whether your admiration tends more toward Dickens or Collins, you will find this account of their differing views on racism, imperialism, and what Nayder calls 'gender inequality'elegantly set forth. The mysterious influence and mastery the two men had over one another is here fully illuminated."-Carolyn Heilbrun
"Lillian Nayder's engaging and definitive study of the conflicted relations between the dynamos of Victorian authorship is not only fascinating in what it uncovers about Dickens, Collins, and the works that they wrote together. Unequal Partners also demonstrates what can be gained by synthesizing recent materialist studies of authorship and publication history; cultural studies of class, empire, and gender; and biographical and textual close reading. To read it is to peek behind the screen to find that the Wizard Boz is a brilliant entrepreneur wrestling with an ambitious junior partner. But it is also to witness each stage of their written interaction as Dickens and Collins increasingly diverge on heated issues of the day, from class unrest and the Indian Mutiny, to the independence of women and the changing terms of the literary marketplace."-Alison Booth, University of Virginia
"In Unequal Partners, Nayder graphs a progressively difficult partnership from Collins's initial hero-worship of The Inimitable, . . . through a more equitable division of labors which still excluded control of the total artistic vision of a work, to Collins's parting company with Dickens in 1862 after eight Christmas Stories. . . . When Collins returned, he was an established author prepared to challenge the authority of the journal's 'Conductor.' Finally, Nayder provides a refreshing and challenging reading of The Moonstone and The Mystery of Edwin Drood as diametrically opposed in matters of gender and race."-Philip V. Allingham, Victorian Web, April 2002
"For more than a century, Wilkie Collins's reputation has been overshadowed by that of Charles Dickens, a situation that Nayder goes far toward rectifying. . . . Nayder's critiques of Collins's The Moonstone faced off by Dickens's The Mystery of Edwin Drood are highlights in this study."-Choice, September 2002
"The Dickens/Collins collaborations and competitions were productive in the authors' lifetimes and subsequently. Lillian Nayder's thorough, clear, and partisan account of Collins's role will assuredly be answered by Dickensians. But they had better consider all her evidence, including the ambiguous, changing material conditions of writing that affected both authors' careers. For she has constructed an exemplary case for the subordinate who rose from dependent to independent Victorian author."-Robert L. Patten, Victorian Periodical Review, Fall 2003
"Nayder's juxtaposition of fact and fiction, and her painstaking scholarship, offer fresh insights which renew interest in works which seemingly contain a key to the productive, yet often strained, alliance, between these two nineteenth-century authors."-Patricia Pulham, Yearbook of English Studies, 2004
"Unequal Partners is a well-written, well-researched, sharply focused book that excels in training our attention on the asymmetries of Dickens's and Collins's professional relationship. In the early 1850's, Dickens was clearly the master, Collins the apprentice, but this model gradually lost applicability as Collins matured as a writer."-Amanda Gilroy, Novel, Fall 2003
