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Unfinished Portrait [Paperback]

Mary Westmacott (Author)
3.7 out of 5 stars  See all reviews (3 customer reviews)


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Book Description

February 1982
A newly reissued edition of Agatha Christie's 'Mary Westmacott' novel, a Crime of the Heart novel about a woman on the verge of suicide. 'In Celia we have more nearly than anywhere else a portrait of Agatha.' Max Mallowan Bereft of the three people she has held most dear - her mother, her husband and her daughter - Celia is on the verge of suicide. Then one night on an exotic island she meets Larraby, a successful portrait painter, and through a long night of talk reveals how she is afraid to commit herself to a second chance of happiness with another person, yet is not brave enough to face life alone. Can Larraby help Celia come to terms with the past or will they part, her outcome still uncertain?
--This text refers to an out of print or unavailable edition of this title.


Editorial Reviews

Review

'A study of a shy, emotional nature, verging on the pathological... worth reading.' New York Times --This text refers to an out of print or unavailable edition of this title.

From the Publisher

'In Celia we have more nearly than anywhere else a portrait of Agatha' Max Mallowan --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback
  • Publisher: Dell Publishing (February 1982)
  • Language: English
  • ISBN-10: 044019217X
  • ISBN-13: 978-0440192176
  • Product Dimensions: 6.7 x 4.1 x 0.8 inches
  • Shipping Weight: 4.8 ounces
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #6,896,969 in Books (See Top 100 in Books)

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Customer Reviews

3 Reviews
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Average Customer Review
3.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

6 of 7 people found the following review helpful:
3.0 out of 5 stars Autobiographical!, May 31, 2000
By 
"Unfinished Protrait" will be useful reading for anyone interested not only in Agatha Christie's writing but also in her life. The parallels between the latter and this book at the time it was written (193?) are striking. The main character, "Celia," has one child, is a writer (Christie makes some interesting observations on her writing habits), and loves to travel. She is driven to the point of suicide (and, though Christie probably never made such an attempt, she did disappear for awhile) by her selfish husband's demands for a divorce. Christie herself divorced in 1928, because her husband wanted it, and, despite remarriage and much subsequent happiness, never seems to have gotten over the shock of such a thing happening, sort of how some children never get over their parents' divorce. The ending, also, is on a level with where Mrs. Christie probably felt herself to be, psychologically, at that point in her life.

Of course there are many differences - Christie was not, I think, as close to her mother, and closer, I hope, to her daughter. (Maybe she flipped them, for dramatic purposes.) But much of the childhood - the Victorian grandmother, the trip to France - are in cinque.

The above-mentioned autobiographical parts (especially about the agony of the divorce, and the writing) were extremely interesting and worth reading the book for. The rest, unfortunately, drags, because, without the imposed discipline and contrast of a whodunnit plotframe, Mrs. Christie is just too sweet and gentle. She goes on too long about her character's childhood, for instance. But it is a must for real Christie fans. Read it, perhaps, after reading her legitimate (and actually, less revealing) "Autobiography." (And don't forget her other autobiography, about her life with her second husband, the archeologist Max Mallowan: "Come, Tell Me How You Live.")

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3 of 3 people found the following review helpful:
4.0 out of 5 stars Unfinished Portrait by Mary Westmacott, April 28, 2000
By A Customer
I found this book to be both exciting and enchanting. Agatha Christie, as Mary Westmacott, diverges from writing mystery novels to taking a poignant look at the human spirit. As Christie writes this intriguing tale, we see Celia's world unfold before us with many unexpected turns to follow. This book is definitely one to get especially for the romantics at heart.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Enchanting Portrait of An Unfinished Woman, June 10, 2011
By 
There has been much speculation that this 1934 novel by Agatha Christie writing under the pseudonym of Mary Westmacott is largely autobiographical. Indeed, if you read Ms. Christie's own autobiography, you will be struck with many resemblances between her real life and that of the fictional Celia.

We first meet Celia when she is a child, unsure of herself, longing for attributes she may never have, and deeply attached to her mother. With the deft characterization she is famous for, the author weaves an enchanting tale of a young girl growing into womanhood and facing numerous challenges. Because Celia is beautiful, she has no lack of suitors or marriage proposals. It is only when she does marry that her life begins to tear apart. The reader is privy to her many mistakes and misconceptions about her husband and may be saddened when Celia finds herself without the support of the three people she most deeply loves---her mother, her husband, and her only child.

The story is told by a portrait painter who meets Celia one night. He thinks he may have unwittingly rescued her from a suicide attempt. He is mesmerized by the story she tells and writes it all down and sends it to a friend. Readers of women's fiction will enjoy the many twists and turns that make Celia's life memorable.
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