Universal Horrors: The Studio's Classic Films, 1931-1946 [Library Binding]

John Brunas (Author), Michael Brunas (Author), Tom Weaver (Author)

Book Description

ISBN-10: 0899503691 | ISBN-13: 978-0899503691

Universal Studios was to horror films what Warner Bros. was to gangster films during the Golden Age of Hollywood. This book is the definitive study of the 85 films produced during this era and presents a general overview as well. For each film, complete cast lists, credits, storyline, behind-the-scenes information, production history, commentary from the cast and crew, and in-depth critical analysis are included. Generously illustrated.

Editorial Reviews

From Library Journal

Universal Studios was the premiere source of horror films during Hollywood's golden age, producing Dracula, The Wolf Man, the Frankenstein movies, and many more films. For each of the 85 horror films made during this period, the authors provide a complete cast list with credits, a critical synopsis, and the production history, often with commentary by the cast or crew. Photographs are copious and well chosen. The authors' history is informal but very informative. When their judgments differ from the consensus, they ably defend their opinions. They are fans of the genre, but this does not blind them to the fact that many of the films in their book are dross. A broad definition of "horror" is used, so that many mystery films (including those with Sherlock Holmes) are included. Don't hide this excellent work in reference; circulate it among interested patrons.
- John Smothers, Monmouth Cty. Lib., Manalapan, N.J.
Copyright 1990 Reed Business Information, Inc.

Review

"Informative...excellent" -- Library Journal

"Insightful and valuable" -- Midnight Marquee

"Valuable...a classic, enjoyable reference and a fond remembrance of those great Universal pictures" -- Classic Images

"a gruesome gem: There are anecdotes on behind-the-scenes incidents, thorough recapitulations of the plots and lots of striking, rare photos" -- San Francisco Examiner Magazine

"absolutely indispensible...this seminal work covers the entire catalogue of Universal Studios horror movie output from 1931 through 1946; over 80 films...Universal Horrors is a steal" -- Cornerstone Online

"as close as it gets to being a primary source without being composed of celluloid" -- Choice

"exhaustively researched and deftly written" -- New York Daily News

See all Editorial Reviews

Product Details

• Library Binding: 624 pages
• Publisher: Mcfarland & Co Inc Pub
• Language: English
• ISBN-10: 0899503691
• ISBN-13: 978-0899503691
• Product Dimensions: 9.2 x 6.3 x 1.5 inches
• Shipping Weight: 2 pounds
• Average Customer Review: 4.6 out of 5 stars  See all reviews (15 customer reviews)
• Amazon Best Sellers Rank: #2,392,598 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

22 of 24 people found the following review helpful:

5.0 out of 5 stars THE BIBLE OF UNIVERSAL HORROR, July 6, 2007

By 

Tim Janson (Michigan) - See all my reviews
(HALL OF FAME REVIEWER)    (TOP 500 REVIEWER)    (VINE VOICE)   

This review is from: Universal Horrors: The Studio's Classic Films, 1931-1946 (Hardcover)

The classic horror films of the 30's and 40's have never been as popular as they are today. Baby Boomers who grew up watching the old Shock Theater packages in the 50's and 60's hold a tremendous fondness for the films that terrified them as children. The Boris Karloff Frankenstein and Bela Lugosi Dracula are still the most recognized images of those two classic monsters...so much so that their families had to move to legally trademark their images to protect them.

The Universal horror films are the subject of Universal Horrors, the second edition of this outstanding book by noted classic film historian Tom Weaver and Michael & John Brunas. Throughout the massive 608 page hardcover, the authors cover each one of the 85 horror films made by Universal from 1931 - 1946. Just do the math...that's an average of about seven pages spent on each film during this period. This is no mere listing of actors with a one-page synopsis. Rather this is a definitive guide to these 85 films with complete cast and credits, detailed storyline synopses, production history, behind-the-scenes information, critical analysis, period reviews, and commentary by cast and crewmembers. Most of the comments come from the voluminous numbers of reviews that Weaver has conducted over the years.

The films are listed chronologically beginning with Dracula in 1931 and ending with The Brute Man in 1946. It even includes the Spanish version of Dracula which was filmed on the same set as the original at the very same time! White The Lugosi version was shot during the day, the Spanish crew took over at night. In many ways, the Spanish version outshines the Tod Browning directed original.

One of my guilty favorites of the Universal Classic film era is 1932's Murder in the Rue Morgue, presenting Lugosi in truly one of his most sadistic and macabre roles. This film ended up being the bone that both Lugosi and Director Robert Florey received for NOT getting their respective parts in Frankenstein, which instead went to Karloff and Director James Whale. This rather film features Lugosi as Dr. Mirakle, who injects the blood of an ape into women he captures. When the experiments fail, he dumps the women into a river. It's a highly underrated film and one of Lugosi's best roles.

Weaver and partners don't give a short shrift to lesser-known films. While the most popular films do get more coverage, even the least well-known of the Universal Horrors gets several pages devoted to it...and there are a number of lesser known films. Unfortunately a number of these are not on DVD or even VHS for that matter meaning that the entry in this book is probably the closest you'll get to the film without actually seeing it.

Many of these lesser-known films are not true horror but often murder mysteries with horror trappings such as "old dark house-style" films. These films include Secret of the Blue Room, Secret of the Chateau, The House of Fear, and The Black Doll. The appendix goes on to list several dozen more films that were borderline exclusions...close, but just not making the cut to receive a full write-up for various reasons. Actually it's somewhat difficult to figure out while some of these were left out of the main listing since many are quite similar in plot and tone.
This book is simply fabulous. Everything that Weaver does is always meticulously researched and extraordinarily entertaining. This is THE Bible to fans of Universal's classic horror films, and one of the finest film reference books I've ever read.


REVIEWED BY TIM JANSON

10 of 10 people found the following review helpful:

5.0 out of 5 stars Indispensable reference!, July 12, 1999

By 

Stan Xhiao "Stan Xhiao" (Frisco, TX USA) - See all my reviews

This review is from: Universal Horrors: The Studio's Classic Films, 1931-1946 (Library Binding)

This book has it all for the serious student of classic horror films. Choose from a wide selection of bios, cast lists, plot summaries, anectdotes and more compiled by these mavens of the genre, Messrs. Brunas and Weaver. Thrill as they explore the nooks and crannies of the House That Universal Built. This comprehensive work is obviously the result of exhaustive hands-on research and deserves an honored spot in every true horror fan's library.

13 of 14 people found the following review helpful:

4.0 out of 5 stars A must have for any fan of vintage horror films, August 29, 1999

By A Customer

This review is from: Universal Horrors: The Studio's Classic Films, 1931-1946 (Library Binding)

An amazing source of information for anyone who ever stayed up watching the late late show on a Saturday night. I am truly impressed at the thorough research that went into this book; many factoids which have escaped even the most die-hard of fans will be brought to light. I commend McFarland Press for providing fans of such an "un-hip" genre with consistently fine sources of in-depth information, especially keeping in mind that with each passing year the facts directly from those who were there are getting more and more difficult to find. This book probably does not hold a lot of interest for anyone who does not hold a special place in their heart for the studios' genre work prior to buying the book, and the authors do tend to often drift into becoming overly opinionated and putting much too much thought into subject matter that was never intended to be overanalyzed. Nonetheless, this is still an extremely fun read for any fan.